<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4342636945952465691</id><updated>2012-02-08T03:20:04.441-02:00</updated><title type='text'>Cognição, Linguagem e Música</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://plgomes.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default?start-index=101&amp;max-results=100'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2101</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2966832311491411769</id><published>2012-02-08T03:03:00.003-02:00</published><updated>2012-02-08T03:20:04.560-02:00</updated><title type='text'>Algumas Músicas - Eef Barzelay</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-W6JLw4VW4sg/TzICdHYr3cI/AAAAAAAACpQ/F0nmU8uu7Wc/s1600/Eef%2BBarzelay.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 300px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5706626377053887938" border="0" alt="" src="http://4.bp.blogspot.com/-W6JLw4VW4sg/TzICdHYr3cI/AAAAAAAACpQ/F0nmU8uu7Wc/s400/Eef%2BBarzelay.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Ifar "Eef" Barzelay is an American musician, born in Tel Aviv, Israel on May 12, 1970. Most notably known as the principal songwriter and singer of alt country band Clem Snide, he has performed in a number of Boston-based bands, as well as toured as a solo act, both as headliner and as international support for artists such as Ben Folds.&lt;br /&gt;Barzelay grew up in Teaneck, New Jersey and attended Teaneck High School.&lt;br /&gt;In 2006 Barzelay released his debut solo album entitled Bitter Honey. In 2007 he composed many original tracks for the film Rocket Science. Barzelay's second solo album, Lose Big, was released on June 17, 2008 on 429 records. In 2009, Barzelay reformed Clem Snide&lt;/em&gt;. (Wikipedia)&lt;br /&gt;&lt;br /&gt;Num site de Barzelay - &lt;a href="http://eefbarzelay-clemsnide.bandcamp.com/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://eefbarzelay-clemsnide.bandcamp.com/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; - podemos ouví-lo cantando covers de sua (dele) preferência, onde aparece de tudo um pouco: Bob Dylan, Bee Gees, Cat Stevens, Sandy Denny, Procol Harum e quinze outros.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;As Músicas&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - Thanksgiving Waves&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.vaguespace.net/files/02-thanksgiving-waves.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.vaguespace.net/files/02-thanksgiving-waves.mp3"&gt;http://www.vaguespace.net/files/02-thanksgiving-waves.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - The Great Barrier Reef&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://youaintnopicasso.com/mp3/eef barzelay - the great barrier reef.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://youaintnopicasso.com/mp3/eef%20barzelay%20-%20the%20great%20barrier%20reef.mp3"&gt;http://youaintnopicasso.com/mp3/eef%20barzelay%20-%20the%20great%20barrier%20reef.mp3&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Eef Barzelay - Numerology&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://quietcolor.com/media/mp3/2009_10/numerology.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://quietcolor.com/media/mp3/2009_10/numerology.mp3"&gt;http://quietcolor.com/media/mp3/2009_10/numerology.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - I Love the Unknown&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://jcgarza.com/music/songs/eef_barzelay_i_love_the_unknown.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://jcgarza.com/music/songs/eef_barzelay_i_love_the_unknown.mp3"&gt;http://jcgarza.com/music/songs/eef_barzelay_i_love_the_unknown.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - True Freedom&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://patradio.org/audio/eef/Eef_Barzelay_True_Freedom.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://patradio.org/audio/eef/Eef_Barzelay_True_Freedom.mp3"&gt;http://patradio.org/audio/eef/Eef_Barzelay_True_Freedom.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - The Girls Don't Care&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://jcgarza.com/music/songs/eef_barzelay_the_girls_dont_care.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://jcgarza.com/music/songs/eef_barzelay_the_girls_dont_care.mp3"&gt;http://jcgarza.com/music/songs/eef_barzelay_the_girls_dont_care.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - Lose Big&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.toolshed-media.com/ts/eef-barzelay-lose-big.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.toolshed-media.com/ts/eef-barzelay-lose-big.mp3"&gt;http://www.toolshed-media.com/ts/eef-barzelay-lose-big.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Eef Barzelay - Ballad Of Bitter Honey&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.acertainromance.com/files/02.24.06_ABD1/ABDVol1_12_EefBarzelay_BalladOfBitterHoney.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.acertainromance.com/files/02.24.06_ABD1/ABDVol1_12_EefBarzelay_BalladOfBitterHoney.mp3"&gt;http://www.acertainromance.com/files/02.24.06_ABD1/ABDVol1_12_EefBarzelay_BalladOfBitterHoney.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;That was my ass you saw bouncing&lt;br /&gt;Next to Ludacris&lt;br /&gt;It was only on screen for a second&lt;br /&gt;But it was kinda hard to miss&lt;br /&gt;And all those other hoochie skanks&lt;br /&gt;They ain't got shit on me&lt;br /&gt;And one of Nelly’s bodyguards&lt;br /&gt;He totally agreed&lt;br /&gt;&lt;br /&gt;My mother cleaned the homes of wealthy people ‘till the day&lt;br /&gt;She died and so to California&lt;br /&gt;I did make my way&lt;br /&gt;I tried to finish nursing school&lt;br /&gt;I really wanted to, you see&lt;br /&gt;But all those broken bodies&lt;br /&gt;Well they, they really got to me&lt;br /&gt;&lt;br /&gt;And they all think I’m stupid&lt;br /&gt;I can see it in their eyes&lt;br /&gt;But I know what’s inside their hearts&lt;br /&gt;I penetrate their lives&lt;br /&gt;Sometimes it gets me crazy&lt;br /&gt;But I keep my feelings hid&lt;br /&gt;‘Cuz I know deep inside they’re only frightened little kids&lt;br /&gt;&lt;br /&gt;And if I press my breasts together&lt;br /&gt;And arch my back just so&lt;br /&gt;I can ask for pretty things&lt;br /&gt;And they will not say no&lt;br /&gt;No one should have to suffer&lt;br /&gt;No one should go without&lt;br /&gt;Don’t hate me 'cuz I know just what this world is all about&lt;br /&gt;Don’t hate me 'cuz I know just what this world is all about &lt;/em&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2966832311491411769?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2966832311491411769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2966832311491411769'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/algumas-musicas-eef-barzelay.html' title='Algumas Músicas - Eef Barzelay'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-W6JLw4VW4sg/TzICdHYr3cI/AAAAAAAACpQ/F0nmU8uu7Wc/s72-c/Eef%2BBarzelay.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5890708514888399870</id><published>2012-02-08T03:01:00.001-02:00</published><updated>2012-02-08T03:03:18.884-02:00</updated><title type='text'>Linguística do Corpus</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-StKsfbbN1HE/TzIB8wfs32I/AAAAAAAACpE/ysLhs8lL0us/s1600/Corpus%2BLinguistics.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 200px; DISPLAY: block; HEIGHT: 286px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5706625821153484642" border="0" alt="" src="http://4.bp.blogspot.com/-StKsfbbN1HE/TzIB8wfs32I/AAAAAAAACpE/ysLhs8lL0us/s400/Corpus%2BLinguistics.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Corpus linguistics is the study of language data on a large scale - the computer-aided analysis of very extensive collections of transcribed utterances or written texts. This textbook outlines the basic methods of corpus linguistics, explains how the discipline of corpus linguistics developed and surveys the major approaches to the use of corpus data. It uses a broad range of examples to show how corpus data has led to methodological and theoretical innovation in linguistics in general. Clear and detailed explanations lay out the key issues of method and theory in contemporary corpus linguistics. A structured and coherent narrative links the historical development of the field to current topics in 'mainstream' linguistics. Practical tasks and questions for discussion at the end of each chapter encourage students to test their understanding of what they have read and an extensive glossary provides easy access to definitions of technical terms used in the text.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Corpus Linguistics: Method, Theory and Practice&lt;/em&gt;&lt;br /&gt;Tony McEnery&lt;br /&gt;&lt;/strong&gt;Cambridge University Press 2011 PDF 312 pages 10.7 MB&lt;br /&gt;&lt;a href="http://fp.io/588m4adc/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://fp.io/588m4adc/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5890708514888399870?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5890708514888399870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5890708514888399870'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/linguistica-do-corpus.html' title='Linguística do Corpus'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-StKsfbbN1HE/TzIB8wfs32I/AAAAAAAACpE/ysLhs8lL0us/s72-c/Corpus%2BLinguistics.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6271471067713890274</id><published>2012-02-06T12:10:00.003-02:00</published><updated>2012-02-06T12:18:06.090-02:00</updated><title type='text'>Algumas Músicas - Transmissionary Six</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-3cZ1MpAi7Po/Ty_fzr4U0hI/AAAAAAAACo4/bXkC1vlICMA/s1600/Transmissionary%2BSix.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5706025331947000338" border="0" alt="" src="http://4.bp.blogspot.com/-3cZ1MpAi7Po/Ty_fzr4U0hI/AAAAAAAACo4/bXkC1vlICMA/s400/Transmissionary%2BSix.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;O T6 é basicamente Terri Moeller (foto acima) e Paul Austin. Terri, ex-Walkabouts, também grava como Terri Tarantula. Paul também fundou - em 1995, com Robert Fisher - o coletivo Grant Willard Conspiracy.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Big Game Hunter&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahsingle002/transmissionary six - big game hunter.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://sound.hinah.com/hinahsingle002/transmissionary six - big game hunter.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Jacques Cousteau&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift005/6_t6_jacques_cousteau.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://sound.hinah.com/hinahgift005/6_t6_jacques_cousteau.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Mothball&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift005/1_t6_mothball.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://sound.hinah.com/hinahgift005/1_t6_mothball.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Piece Of Cake&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift005/4_t6_piece_of_cake.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://sound.hinah.com/hinahgift005/4_t6_piece_of_cake.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Always Crashing In The Same Car&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift005/2_t6_always_crashing_in_the_same_car.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://sound.hinah.com/hinahgift005/2_t6_always_crashing_in_the_same_car.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Almost Every Dog&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift005/5_t6_almost_every_dog.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://sound.hinah.com/hinahgift005/5_t6_almost_every_dog.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ouça Eef Barzelay (Clem Snide) cantando músicas do T6 aqui (muito bão):&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://blacktinrocket.bandcamp.com/album/black-tin-rocket-songs-of-the-transmissionary-six"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://blacktinrocket.bandcamp.com/album/black-tin-rocket-songs-of-the-transmissionary-six&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Escute o CD Night of the Leapist, de Terri Tarantula (lançado em dezembro de 2011), que também é muito bão&lt;/strong&gt;:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://territarantula.bandcamp.com/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://territarantula.bandcamp.com/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ouça também algumas coisinhas do Willard Grant Conspiracy&lt;/strong&gt; (de quem já postamos dois CDs, mas só Let it Roll (http://plgomes.blogspot.com/2009/11/willard-grant-conspiracy.html) ainda está disponível):&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/willardgrantconspiracy"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.myspace.com/willardgrantconspiracy&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6271471067713890274?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6271471067713890274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6271471067713890274'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/algumas-musicas-transmissionary-six.html' title='Algumas Músicas - Transmissionary Six'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-3cZ1MpAi7Po/Ty_fzr4U0hI/AAAAAAAACo4/bXkC1vlICMA/s72-c/Transmissionary%2BSix.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1707013733933811802</id><published>2012-02-06T12:08:00.000-02:00</published><updated>2012-02-06T12:10:46.539-02:00</updated><title type='text'>Cérebro e Cultura</title><content type='html'>Com um nome horripilante (&lt;em&gt;Taking the sacred path to decision making&lt;/em&gt;) mas nos trazendo conteúdo de primeira, o blog A Hippo on Campus publicou uma postagem muito interessante sobre a tomada de decisões, o valor que atribuímos às nossas escolhas e algumas abobrinhas sobre a localização cerebral disso tudo. Vou traduzir um trechinho para sacudir a inércia dos leitores.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Valores sagrados são aqueles valores e crenças fundamentais que guiam as decisões que tomamos através da vida. De sua identidade como membro de uma nação até sua ideologia política, sua crença religiosa e talvez até seu time favorito, esses valores são definidos pelo fato de que v. não os trocaria por todo o ouro desse mundo. Pelo menos não por $100. E precisamente foi isto que se pediu que fizessem os participantes de um estudo recente que estava pesquisando as redes neurais referentes a tudo o que é sacrossanto. Os pesquisadores da Emory University utilizaram fMRI para observar os cérebros de 32 participantes à medida em que liam afirmativas que iam do corriqueiro (Você é uma pessoa do tipo felino) àquelas que provavelmente alcançavam os valores sagrados do participante (Você acredita em deus - NT- com 'd' minúsculo no original). Cada uma das 62 afirmativas tinha um par oposto (Você é uma pessoa do tipo canino e Você não acredita em deus), e pediu-se aos participantes que selecionassem as afirmativas que melhor refletissem seus pontos de vista.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;(...)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Quando Berns e seus colegas compararam os resultados de fMRI com as afirmativas que estavam sendo examinadas, descobriram algo muito interessante. As afirmativas que mexiam com os valores sagrados dos participantes resultavam em ativação significativamente maior dos sistemas neurais na junção temporoparietal esquerda e no córtex préfrontal ventrolateral esquerdo, e as afirmativas que os participantes se recusavam a abandonar resultavam em ativação da amigdala. Ora, eu sei o que v. está pensando. Não são essas as respectivas regiões cerebrais responsáveis pela determinação da oposição entre certo e errado, da recuperação das regras semânticas e das reações emocionais? Sim, elas são, mas para se ter uma idéia melhor da importância desses resultados talvez nós devêssemos fazer um passeio pelos meandros da ética da virtude.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Aqui:&lt;/strong&gt; &lt;a href="http://hippooncampus.blogspot.com/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://hippooncampus.blogspot.com/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1707013733933811802?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1707013733933811802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1707013733933811802'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/cerebro-e-cultura.html' title='Cérebro e Cultura'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8549376449806528438</id><published>2012-02-04T14:36:00.002-02:00</published><updated>2012-02-04T14:54:22.313-02:00</updated><title type='text'>Algumas Músicas - JJ Grey &amp; Mofro</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-ooJygw7jVfY/Ty1fZ4G873I/AAAAAAAACos/wqEaf1-rBno/s1600/JJ%2BGrey.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5705321201111199602" border="0" alt="" src="http://3.bp.blogspot.com/-ooJygw7jVfY/Ty1fZ4G873I/AAAAAAAACos/wqEaf1-rBno/s400/JJ%2BGrey.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;JJ Grey &amp;amp; Mofro - By My Side&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://thefrump.typepad.com/my_weblog/files/05_by_my_side.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://thefrump.typepad.com/my_weblog/files/05_by_my_side.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://thefrump.typepad.com/my_weblog/files/05_by_my_side.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JJ Grey &amp;amp; Mofro - I Believe&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.carlsandburgvisits.com/Music/September 2008/12 I Believe (In Everything).mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.carlsandburgvisits.com/Music/September%202008/12%20I%20Believe%20(In%20Everything).mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.carlsandburgvisits.com/Music/September 2008/12 I Believe (In Everything).mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;JJ Grey &amp;amp; Mofro - Wylef&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.carlsandburgvisits.com/Music/September 2008/06 Wylef.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.carlsandburgvisits.com/Music/September%202008/06%20Wylef.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.carlsandburgvisits.com/Music/September 2008/06 Wylef.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;JJ Grey &amp;amp; Mofro - War&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://freedownloads.last.fm/download/89250984/War.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://freedownloads.last.fm/download/89250984/War.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://freedownloads.last.fm/download/89250984/War.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JJ Grey &amp;amp; Mofro - Orange Blossoms&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://weblogbahamas.com/OrangeBlossoms.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://weblogbahamas.com/OrangeBlossoms.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://weblogbahamas.com/OrangeBlossoms.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JJ Grey &amp;amp; Mofro - Walkin Shoes Blues&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://thephoenix.com/mp3/237_2.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://thephoenix.com/mp3/237_2.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://thephoenix.com/mp3/237_2.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8549376449806528438?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8549376449806528438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8549376449806528438'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/algumas-musicas-jj-grey-mofro.html' title='Algumas Músicas - JJ Grey &amp; Mofro'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ooJygw7jVfY/Ty1fZ4G873I/AAAAAAAACos/wqEaf1-rBno/s72-c/JJ%2BGrey.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1672915755121107025</id><published>2012-02-04T14:34:00.000-02:00</published><updated>2012-02-04T14:36:35.472-02:00</updated><title type='text'>Já se cansou de ler sobre a consciência?</title><content type='html'>Nem pense nisso. Leia esse artigo:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Self as Symbol&lt;br /&gt;The loopy nature of consciousness trips up scientists studying themselves&lt;br /&gt;&lt;/em&gt;By Tom Siegfried&lt;br /&gt;&lt;/strong&gt;February 11th, 2012; Vol.181 #3 (p. 28)&lt;br /&gt;&lt;br /&gt;Aqui: &lt;a href="http://www.sciencenews.org/view/feature/id/337947/title/Self_as_Symbol"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.sciencenews.org/view/feature/id/337947/title/Self_as_Symbol&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Bão, esse artigo, ao terminar, nos remete a outro que também é excelente:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Emblems of Awareness&lt;br /&gt;Brain signatures lead scientists to the seat of consciousness&lt;/em&gt;&lt;br /&gt;By Laura Sanders&lt;br /&gt;&lt;/strong&gt;February 11th, 2012; Vol.181 #3 (p. 22)&lt;br /&gt;&lt;br /&gt;Aqui: &lt;a href="http://www.sciencenews.org/view/feature/id/337940/title/Emblems_of_Awareness"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.sciencenews.org/view/feature/id/337940/title/Emblems_of_Awareness&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1672915755121107025?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1672915755121107025'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1672915755121107025'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/ja-se-cansou-de-ler-sobre-consciencia.html' title='Já se cansou de ler sobre a consciência?'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5267800530452272550</id><published>2012-02-04T14:23:00.000-02:00</published><updated>2012-02-04T14:33:47.108-02:00</updated><title type='text'>A linguagem incorporada</title><content type='html'>&lt;strong&gt;&lt;em&gt;The Embodied Language. Why language should not be conceived of in abstraction from the brain and body, why there is more to it than sensorimotor and semantic resonance, and the consequences for robotics&lt;br /&gt;&lt;/em&gt;Michał B. Paradowski 2012&lt;br /&gt;&lt;/strong&gt;Institute of Applied Linguistics,&lt;br /&gt;University of Warsaw&lt;br /&gt;&lt;a href="http://arxiv.org/pdf/1111.7190"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://arxiv.org/pdf/1111.7190&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;Magnífico artigo, com seis páginas de texto e oito de referências - boa parte delas bastante recentes, e todas à propos. A "robótica" do título não ocupa nem um vigésimo da história - os holofotes estão sobre o cérebro e o corpo e comportamento humanos e o processamento de linguagem. Escrito em inglês perfeito (o autor é polonês, mas é Mestre em filologia inglesa), é tão denso que requer umas três leituras consecutivas para que possamos ter uma boa idéia geral de tudo que está sendo esmiuçado.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5267800530452272550?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5267800530452272550'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5267800530452272550'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/linguagem-incorporada.html' title='A linguagem incorporada'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6352235881386098866</id><published>2012-02-01T22:58:00.002-02:00</published><updated>2012-02-01T23:02:43.984-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Robb Johnson - Carrying Your Smile&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.robbjohnson.co.uk/mp3/carry.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.robbjohnson.co.uk/mp3/carry.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.robbjohnson.co.uk/mp3/carry.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Brian Madison - Baby You Already Know&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.blastfishing.com/MP3/Baby_You_Already_Know.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blastfishing.com/MP3/Baby_You_Already_Know.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.blastfishing.com/MP3/Baby_You_Already_Know.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Will Stratton - Night Will Come&lt;br /&gt;&lt;/strong&gt;Many thanks to Slowcoustic&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://slowcoustic.com/wp-content/uploads/2009/03/night-will-come-demo-version.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://slowcoustic.com/wp-content/uploads/2009/03/night-will-come-demo-version.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://slowcoustic.com/wp-content/uploads/2009/03/night-will-come-demo-version.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cath &amp;amp; Phil Tyler - Fisherman's Girl&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://cowsarejustfood.files.wordpress.com/2008/06/fishermans-girl.mp3 " loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://cowsarejustfood.files.wordpress.com/2008/06/fishermans-girl.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://cowsarejustfood.files.wordpress.com/2008/06/fishermans-girl.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Peter Bradley Adams - Los Angeles&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://blog.macjams.com/wp-content/uploads/2008/07/02-los-angeles.mp3 " loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://blog.macjams.com/wp-content/uploads/2008/07/02-los-angeles.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://blog.macjams.com/wp-content/uploads/2008/07/02-los-angeles.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6352235881386098866?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6352235881386098866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6352235881386098866'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/algumas-musicas.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6228628256089865128</id><published>2012-02-01T22:54:00.001-02:00</published><updated>2012-02-01T22:58:13.292-02:00</updated><title type='text'>Como a mente surge da matéria</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-gYLaorGaWj0/TynfaBvTZfI/AAAAAAAACog/WzqFPU_JatA/s1600/Incomplete%2BNature.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 198px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5704336041277875698" border="0" alt="" src="http://3.bp.blogspot.com/-gYLaorGaWj0/TynfaBvTZfI/AAAAAAAACog/WzqFPU_JatA/s400/Incomplete%2BNature.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;A radical new explanation of how life and consciousness emerge from physics and chemistry. As physicists work toward completing a theory of the universe and biologists unravel the molecular complexity of life, a glaring incompleteness in this scientific vision becomes apparent. The "Theory of Everything" that appears to be emerging includes everything but us: the feelings, meanings, consciousness, and purposes that make us (and many of our animal cousins) what we are. These most immediate and incontrovertible phenomena are left unexplained by the natural sciences because they lack the physical properties—such as mass, momentum, charge, and location—that are assumed to be necessary for something to have physical consequences in the world. This is an unacceptable omission. We need a "theory of everything" that does not leave it absurd that we exist.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Incomplete Nature&lt;/strong&gt; begins by accepting what other theories try to deny: that, although mental contents do indeed lack these material-energetic properties, they are still entirely products of physical processes and have an unprecedented kind of causal power that is unlike anything that physics and chemistry alone have so far explained. Paradoxically, it is the intrinsic incompleteness of these semiotic and teleological phenomena that is the source of their unique form of physical influence in the world. Incomplete Nature meticulously traces the emergence of this special causal capacity from simple thermodynamics to self-organizing dynamics to living and mental dynamics, and it demonstrates how specific absences (or constraints) play the critical causal role in the organization of physical processes that generate these properties.&lt;br /&gt;&lt;br /&gt;The book's radically challenging conclusion is that we are made of these specific absenses—such stuff as dreams are made on—and that what is not immediately present can be as physically potent as that which is. It offers a figure/background shift that shows how even meanings and values can be understood as legitimate components of the physical world. 12 black-and-white illustrations. &lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Incomplete Nature: How Mind Emerged from Matter&lt;/em&gt;&lt;br /&gt;Terrence W. Deacon&lt;br /&gt;&lt;/strong&gt;W. W. Norton &amp;amp; Company 2012 624 pages epub 1,5 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/552c912b/0393049914Nature.epub/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/552c912b/0393049914Nature.epub/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6228628256089865128?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6228628256089865128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6228628256089865128'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/como-mente-surge-da-materia.html' title='Como a mente surge da matéria'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-gYLaorGaWj0/TynfaBvTZfI/AAAAAAAACog/WzqFPU_JatA/s72-c/Incomplete%2BNature.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3915991588001164182</id><published>2012-02-01T22:50:00.000-02:00</published><updated>2012-02-01T22:54:42.909-02:00</updated><title type='text'>Aprendizagem e Cognição</title><content type='html'>&lt;em&gt;This collection of 58 articles from the recently-published third edition of the International Encyclopedia of Education focus on learning, memory, attention, problem solving, concept formation, and language. Learning and cognition is the foundation of cognitive psychology and encompasses many topics including attention, memory, categorization, etc. Most books in the area either focus on one subtopic in-depth (e.g. an entire book on memory) or cover the gamut of subjects in a series of long, technical handbook-like chapters. This concise reference offers researchers and professors teaching in the area a new take on the material that is comprehensive in breadth, but lighter in depth - focusing on main findings, established facts, and minimizing the amount of space taken up by large, multi-volume references. An introduction to a complex field via summaries of main topics in this discipline. Contains contributions from the foremost international researchers in the field. Makes content available to individual cognitive psychology researchers.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Learning and Cognition&lt;br /&gt;&lt;/em&gt;Vibeke Grøver Aukrust&lt;br /&gt;&lt;/strong&gt;2.24 MB 2011&lt;br /&gt;&lt;a href="http://ifile.it/17akhf/__Learning_and_Cognition.l_z1x3tk043x24x6n.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://ifile.it/17akhf/__Learning_and_Cognition.l_z1x3tk043x24x6n.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3915991588001164182?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3915991588001164182'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3915991588001164182'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/02/aprendizagem-e-cognicao.html' title='Aprendizagem e Cognição'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7517756410384317854</id><published>2012-01-30T14:29:00.004-02:00</published><updated>2012-01-30T14:45:13.303-02:00</updated><title type='text'>Algumas Músicas - J. Tillman</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/--Csia1X_R7s/TybGz_Hl0jI/AAAAAAAACoU/MHh-JHsfruM/s1600/J.%2BTillman.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 266px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5703464574530212402" border="0" alt="" src="http://1.bp.blogspot.com/--Csia1X_R7s/TybGz_Hl0jI/AAAAAAAACoU/MHh-JHsfruM/s400/J.%2BTillman.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;J. Tillman - Milk White Air&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://deliciouscopitone.com/mp3/milkwhiteair.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://deliciouscopitone.com/mp3/milkwhiteair.mp3"&gt;http://deliciouscopitone.com/mp3/milkwhiteair.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. Tillman - Though I Have Wronged You&lt;br /&gt;&lt;/strong&gt;Many thanks to Stereogum&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://stereogum.com/mp3/J Tillman - Though I Have Wronged You.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://stereogum.com/mp3/JTillman%20-%20Though_I_Have_Wronged_You.mp3"&gt;http://stereogum.com/mp3/JTillman%20-%20Though_I_Have_Wronged_You.mp3&lt;/a&gt; &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;J. Tillman - Borne Away On A Black Barge&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://luxurywafers.com/mp3s/jtillman_borneawayonablackbarge.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://luxurywafers.com/mp3s/jtillman_borneawayonablackbarge.mp3"&gt;http://luxurywafers.com/mp3s/jtillman_borneawayonablackbarge.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. Tillman - James Blues&lt;/strong&gt;&lt;br /&gt;Many thanks to Slowcoustic&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://slowcoustic.com/wp-content/uploads/2008/10/james-blues.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://slowcoustic.com/wp-content/uploads/2008/10/james-blues.mp3"&gt;http://slowcoustic.com/wp-content/uploads/2008/10/james-blues.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. Tillman - No Occasion&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://austintownhall.com/wp-content/uploads/2009/01/02-no-occasion.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;a href="http://austintownhall.com/wp-content/uploads/2009/01/02-no-occasion.mp3"&gt;http://austintownhall.com/wp-content/uploads/2009/01/02-no-occasion.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. Tillman - Evans and Falls&lt;/strong&gt;&lt;br /&gt;Many thanks to Slowcoustic&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://slowcoustic.com/wp-content/uploads/2009/01/evans-and-falls.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://slowcoustic.com/wp-content/uploads/2009/01/evans-and-falls.mp3"&gt;http://slowcoustic.com/wp-content/uploads/2009/01/evans-and-falls.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;J. Tillman - For An Hour With You&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.mattlogelin.com/wp-content/uploads/2009/07/06-For-An-Hour-With-You.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mattlogelin.com/wp-content/uploads/2009/07/06-For-An-Hour-With-You.mp3"&gt;http://www.mattlogelin.com/wp-content/uploads/2009/07/06-For-An-Hour-With-You.mp3&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7517756410384317854?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7517756410384317854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7517756410384317854'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas-j-tillman.html' title='Algumas Músicas - J. Tillman'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/--Csia1X_R7s/TybGz_Hl0jI/AAAAAAAACoU/MHh-JHsfruM/s72-c/J.%2BTillman.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4846370166741361829</id><published>2012-01-29T23:11:00.002-02:00</published><updated>2012-01-29T23:13:17.148-02:00</updated><title type='text'>The Nocturnes - Aokigahara</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-F7VlUM045Z0/TyXuYavpznI/AAAAAAAACoI/xnV21jiuYNU/s1600/The%2BNocturnes%2B-%2BAokigahara.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 350px; DISPLAY: block; HEIGHT: 350px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5703226606398066290" border="0" alt="" src="http://2.bp.blogspot.com/-F7VlUM045Z0/TyXuYavpznI/AAAAAAAACoI/xnV21jiuYNU/s400/The%2BNocturnes%2B-%2BAokigahara.jpg" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Excelente CD!&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;The Nocturnes - Aokigahara 2011&lt;br /&gt;&lt;/strong&gt;Alternative, Folk Pop, Sadcore&lt;br /&gt;Ema Ruth Rundle 95.5 MB&lt;br /&gt;&lt;br /&gt;&lt;em&gt;In Japan, Aokigahara is a forest at the base of Mount Fuji. Both a tourist destination of natural bounty and one of the top suicide sites in the world, it is simultaneously so lush it has been nicknamed Sea Of Trees and so mythologically curious that it has become associated with demonic presences. Exemplifying the region’s conflicting connotations is The Nocturne’s latest album. Aokigahara stirs up feelings from vague spaces — akin, perhaps, to what the morbidly curious feel when stumbling unexpectedly upon death. In circumstances when one can gain enough distance to view decay in its true artistic form, one can find in death the same sense of elation one finds in anything strange and novel.&lt;br /&gt;&lt;/em&gt;(redefinemag)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;1. Aokigahara 04:54&lt;br /&gt;2. London Town 06:55&lt;br /&gt;3. Love 05:06&lt;br /&gt;4. The Cradle 04:05&lt;br /&gt;5. The Road 05:30&lt;br /&gt;6. Hello Neighbor 04:45&lt;br /&gt;7. Craving 03:44&lt;br /&gt;8. Grandmother Make A Steeple 05:57&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?t8cpx8jc39ape5p"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?t8cpx8jc39ape5p&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4846370166741361829?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4846370166741361829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4846370166741361829'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/nocturnes-aokigahara.html' title='The Nocturnes - Aokigahara'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-F7VlUM045Z0/TyXuYavpznI/AAAAAAAACoI/xnV21jiuYNU/s72-c/The%2BNocturnes%2B-%2BAokigahara.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6316742260197519497</id><published>2012-01-29T23:08:00.001-02:00</published><updated>2012-01-29T23:11:10.251-02:00</updated><title type='text'>Giampiero Riggio - Separations</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-iO2M6mzsZhg/TyXt1lnG16I/AAAAAAAACn8/XWGB6QGnVxA/s1600/Separations.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 350px; DISPLAY: block; HEIGHT: 350px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5703226008019589026" border="0" alt="" src="http://4.bp.blogspot.com/-iO2M6mzsZhg/TyXt1lnG16I/AAAAAAAACn8/XWGB6QGnVxA/s400/Separations.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;GIAMPIERO RIGGIO - SEPARATIONS (2007-2012)&lt;br /&gt;&lt;/strong&gt;LA VIGNA DISCHI - LVD 000&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A pure, yet absolutely present, white wraps the 9 tracks that, piece after piece, compose the first official release by Giampiero Riggio, “Separations”, released under Centre Of Wood. Born in 2007, from the mind of Andrea Penso (We wait for the snow, Selaxon Lutberg), the label spreads an affective approach to the musical matter, taking care of the packagings as physical extensions and not just containers, generating a dynamic that make us fall in love with an art object as it used to happen with vynils. A little white wool thread, not tight nor knotted, but just wrapped around the record looks as if it’s protecting the delicate tracks composed by Riggio. As you pull the thread out, an ethereal, absolutely intimate landscape spreads, with such a lyricism and intensity, as well as a “homemade” feeling, yet always able to look out of the window, that i would draw it closer to a masterpiece like Handwriting by Khonnor.&lt;br /&gt;&lt;/em&gt;Federico Lupo / SUCCO ACIDO magazine&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Il primo filare che piantiamo prende il nome di Giampiero Riggio (www.schnitzel.it/giampieroriggio). Giampiero è un'uva autoctona, nata in zona, ma poi esportata nel mondo. "Trapanese di Kassel", ha scritto Enrico Veronese su Blow Up.&lt;br /&gt;L'uscita numero 0 di La Vigna è Separations (2007-2012), ed è una riedizione di un disco di Giampiero uscito nel 2007.&lt;br /&gt;E' stato registrato in maniera quantomeno bizzarra, con un computer, il suo microfono integrato, una chitarra con una corda mancante e tante idee.&lt;br /&gt;Lo abbiamo preso, un po' variato nei suoni, abbiamo aggiunto un booklet e un disco in più, fatto da 7 remix + un inedito.&lt;br /&gt;Separations è un disco struggente e corposo, fisico e caldo.&lt;br /&gt;E' il nostro Syrah, da gustare d'inverno, di fronte al camino di una casa di campagna.&lt;br /&gt;Buona degustazione!&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;Side A - Separation I (Souvenir) 02:54&lt;br /&gt;Side A - Separation III (My Neck) 02:42&lt;br /&gt;Side A - Separation IV (Nails) 03:39&lt;br /&gt;Side A - Separation V (Deadspace) 03:52&lt;br /&gt;Side A - Separation VI (The Evening, Naked) 05:48&lt;br /&gt;Side A - Separation VII (Smell) 03:05&lt;br /&gt;Side A - Separation VIII (Skeletons) 02:31&lt;br /&gt;Side A - Separation IX (Springtime) 05:56&lt;br /&gt;Side B - Deadspace 03:28&lt;br /&gt;Side B - Souvenir 04:19&lt;br /&gt;Side B - Nails 03:48&lt;br /&gt;Side B - Reverb 03:55&lt;br /&gt;Side B - My Neck 03:07&lt;br /&gt;Side B - The Evening, Naked 06:26&lt;br /&gt;Side B - Smell (or Springtime) 03:50&lt;br /&gt;Side B - Separation X (Go) 02:19&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Free download (e para ouvir música por música) aqui:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://lavignadischi.bandcamp.com/album/separations-2007-2012"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://lavignadischi.bandcamp.com/album/separations-2007-2012&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6316742260197519497?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6316742260197519497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6316742260197519497'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/giampiero-riggio-separations.html' title='Giampiero Riggio - Separations'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-iO2M6mzsZhg/TyXt1lnG16I/AAAAAAAACn8/XWGB6QGnVxA/s72-c/Separations.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8405929742667001515</id><published>2012-01-29T23:07:00.002-02:00</published><updated>2012-01-29T23:08:31.277-02:00</updated><title type='text'>Neuroanatomia para Neurocientistas</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-n-DaB0lJWYI/TyXtZ12adzI/AAAAAAAACnw/gEO8v-eYOC8/s1600/Neuroanatomy%2Bfor%2Bthe%2BNeuroscientist.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 227px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5703225531342419762" border="0" alt="" src="http://1.bp.blogspot.com/-n-DaB0lJWYI/TyXtZ12adzI/AAAAAAAACnw/gEO8v-eYOC8/s400/Neuroanatomy%2Bfor%2Bthe%2BNeuroscientist.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;In this day where research grants are the primary focus, many young investigators are thrown into neurosciences courses without any prior preparation in neuroanatomy. This book is designed to help prepare them by introducing many of the fundamentals of the nervous system. It represents the essentials of an upper level biology course on the central nervous system. It is not designed to be a clinical approach to the nervous system, but rather it approaches the nervous system from a basic science perspective that intertwines both structure and function as an organizing teaching and learning model. Medical and dental examples are included but the main focus is on neuroscience.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Neuroanatomy for the Neuroscientist&lt;/em&gt;, 2nd Edition&lt;br /&gt;Stanley Jacobson &amp;amp; Elliott M. Marcus&lt;br /&gt;&lt;/strong&gt;Springer 2011 428 pages PDF 38,6 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/3a89e35m/1441996524Neuroanat.pdf/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/3a89e35m/1441996524Neuroanat.pdf/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8405929742667001515?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8405929742667001515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8405929742667001515'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/neuroanatomia-para-neurocientistas.html' title='Neuroanatomia para Neurocientistas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-n-DaB0lJWYI/TyXtZ12adzI/AAAAAAAACnw/gEO8v-eYOC8/s72-c/Neuroanatomy%2Bfor%2Bthe%2BNeuroscientist.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-305164799884145661</id><published>2012-01-29T23:05:00.001-02:00</published><updated>2012-01-29T23:06:59.473-02:00</updated><title type='text'>A Ciência do Caos</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-WXe3PEuFBH8/TyXtDbWsZGI/AAAAAAAACnk/j2FCMi2ez70/s1600/Chaos%2B-%2BMaking%2Ba%2BNew%2BScience.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 300px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5703225146272932962" border="0" alt="" src="http://1.bp.blogspot.com/-WXe3PEuFBH8/TyXtDbWsZGI/AAAAAAAACnk/j2FCMi2ez70/s400/Chaos%2B-%2BMaking%2Ba%2BNew%2BScience.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;This edition of James Gleick’s groundbreaking bestseller introduces to a whole new readership the story of one of the most significant waves of scientific knowledge in our time. By focusing on the key figures whose genius converged to chart an innovative direction for science, Gleick makes the story of chaos theory not only fascinating but also accessible, and opens our eyes to a surprising new view of the universe.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Chaos: Making a New Science&lt;br /&gt;&lt;/em&gt;James Gleick&lt;br /&gt;&lt;/strong&gt;Penguin 2008 384 pages epub 5,4 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/15eemdm6/0143113453Chaos.epub/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/15eemdm6/0143113453Chaos.epub/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-305164799884145661?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/305164799884145661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/305164799884145661'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/ciencia-do-caos.html' title='A Ciência do Caos'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-WXe3PEuFBH8/TyXtDbWsZGI/AAAAAAAACnk/j2FCMi2ez70/s72-c/Chaos%2B-%2BMaking%2Ba%2BNew%2BScience.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7057258339481679855</id><published>2012-01-29T23:00:00.002-02:00</published><updated>2012-01-29T23:05:15.130-02:00</updated><title type='text'>Penúltima estatística</title><content type='html'>Prometo que vou desencanar (como dizem em Sampa), só que nesse sábado o CLM chegou a meio milhão de visitas. Só falo do assunto agora quando chegarmos a um milhão, se todos os entes implicados durarem até lá.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7057258339481679855?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7057258339481679855'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7057258339481679855'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/penultima-estatistica.html' title='Penúltima estatística'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7769957469584871716</id><published>2012-01-27T02:29:00.000-02:00</published><updated>2012-01-27T02:31:57.056-02:00</updated><title type='text'>Algumas Músicas - Roy Harper</title><content type='html'>Pena que não consegui em tempo outras músicas de Harper, pois ele vai bem mais longe do que essas pálidas amostras, coletadas para ilustrar o CD oferecido na postagem anterior.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roy Harper - The Game&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://wm3hoax.downonthefarm.org/board/mp3/14-The%20Game.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://wm3hoax.downonthefarm.org/board/mp3/14-The%20Game.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://wm3hoax.downonthefarm.org/board/mp3/14-The%20Game.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roy Harper - The Same Old Rock&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sowellremembered.files.wordpress.com/2007/09/02-the-same-old-rock.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://sowellremembered.files.wordpress.com/2007/09/02-the-same-old-rock.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://sowellremembered.files.wordpress.com/2007/09/02-the-same-old-rock.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roy Harper - Hors d'Oeuvres&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.box.net/shared/static/kc6dtkpsh8.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.box.net/shared/static/kc6dtkpsh8.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.box.net/shared/static/kc6dtkpsh8.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7769957469584871716?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7769957469584871716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7769957469584871716'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas-roy-harper.html' title='Algumas Músicas - Roy Harper'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7565400389519944508</id><published>2012-01-27T02:26:00.003-02:00</published><updated>2012-01-27T02:29:08.121-02:00</updated><title type='text'>Roy Harper - Flat, Baroque And Berserk</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-T2sf7B4f9DQ/TyInprSQW_I/AAAAAAAACnY/qwcFBLhbB_4/s1600/Roy%2BHarper%2B-%2BFlat%252C%2BBaroque%2BAnd%2BBerserk.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 397px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5702163675151883250" border="0" alt="" src="http://3.bp.blogspot.com/-T2sf7B4f9DQ/TyInprSQW_I/AAAAAAAACnY/qwcFBLhbB_4/s400/Roy%2BHarper%2B-%2BFlat%252C%2BBaroque%2BAnd%2BBerserk.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;em&gt;Roy Harper - Flat, Baroque And Berserk (1970) Reissue 1999&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Mp3 (CBR320/Stereo) ~ 132 Mb&lt;br /&gt;Genre: Rock, Folk Rock, Psychedelic, Singer/songwriter Label: Science Friction &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Time: 00:55:12&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Flat Baroque and Berserk is the fourth album by English folk / rock singer-songwriter and guitarist Roy Harper, and was first released in 1970 by Harvest Records. Flat Baroque and Berserk was the first of Harper's recordings to enter the charts, reaching number 20 in the UK album chart in January 1970.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Roy Harper's fourth album found him in an acoustic folkie mode more often than not, though as usual (for circa late-'60s Harper) there were detours into pretty rocky items on occasion. It's not much of either a progression or a slide from the lyrically convoluted, somewhat but not incredibly melodic path he had established with his prior work. "I Hate the White Man," however, is certainly one of his most notable (and notorious) compositions, a spew of lilting verbiage that's hard to peg. It could be irony, it could be ironic self-hatred, it could be muddled reflections on the chaos that is the modern world, or it could be a combination of all of them. There are gentler items, sometimes with subdued harmony vocals and orchestration, that sound rather like Harper's most acerbic side sanded off with edges of Al Stewart, Donovan, or Tim Hardin; "Another Day" is the prettiest of those. The atypical "Hell's Angels," on the other hand, has a twisted, chunky rock feel rather like the solo work of another of producer Peter Jenner's clients, Syd Barrett.&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Review by Richie Unterberger, Allmusic.com&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;/strong&gt;&lt;br /&gt;01. Don't You Grieve&lt;br /&gt;02. I Hate the White Man&lt;br /&gt;03. Feeling All the Saturday&lt;br /&gt;04. How Does It Feel&lt;br /&gt;05. Goodbye&lt;br /&gt;06. Another Day&lt;br /&gt;07. Davey&lt;br /&gt;08. East of the Sun&lt;br /&gt;09. Tom Tiddler's Ground&lt;br /&gt;10. Francesca&lt;br /&gt;11. Song of the Ages&lt;br /&gt;12. Hell's Angels&lt;br /&gt;&lt;br /&gt;&lt;a href="http://filepost.com/files/c1effeme/Roy.Harper.1970.Flat.Baroque.And.Berserk.MP3.rar/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/c1effeme/Roy.Harper.1970.Flat.Baroque.And.Berserk.MP3.rar/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7565400389519944508?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7565400389519944508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7565400389519944508'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/roy-harper-flat-baroque-and-berserk.html' title='Roy Harper - Flat, Baroque And Berserk'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-T2sf7B4f9DQ/TyInprSQW_I/AAAAAAAACnY/qwcFBLhbB_4/s72-c/Roy%2BHarper%2B-%2BFlat%252C%2BBaroque%2BAnd%2BBerserk.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3721646530673814131</id><published>2012-01-27T02:21:00.002-02:00</published><updated>2012-01-27T02:40:35.330-02:00</updated><title type='text'>Andrulis - A Terra Está Viva</title><content type='html'>O artigo original na revista Life, com 105 páginas e 800 referências, está disponível para livre acesso em &lt;a href="http://www.mdpi.com/2075-1729/2/1/1/pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mdpi.com/2075-1729/2/1/1/pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; - Life 2012, 2, 1-105; doi:10.3390/life2010001. Não que adiante muito: isso vai dar em briga de cachorro grande, porque o jargão é praticamente impenetrável para leigos. Um artigo desse tipo deve render comentários interessantíssimos dos leitores; vamos acompanhar.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Teoria radical explica a origem, evolução e natureza da vida, desafiando o conhecimento convencional&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;PhysOrg, January 26, 2012&lt;br /&gt;Provided by Case Western Reserve University&lt;br /&gt;&lt;a href="http://www.physorg.com/news/2012-01-radical-theory-evolution-nature-life.html"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.physorg.com/news/2012-01-radical-theory-evolution-nature-life.html&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;em&gt;A Terra está viva, afirma uma revolucionária teoria científica da vida que vem da Case Western Reserve University School of Medicine. A teoria transdisciplinar demonstra que objetos ostensivamente não-vivos, inanimados - por exemplo, planetas, a água, proteínas e o DNA - são animados, isto é, têm vida. Com seu amplo poder explanatório, aplicável a todas as áreas da ciência e da medicina, esse novo paradigma procura catalisar um verdadeiro renascimento.&lt;br /&gt;&lt;br /&gt;Erik Andrulis, PhD, professor assistente de biologia molecular e de microbiologia, elaborou sua controversa estrutura em seu manuscrito "Theory of the Origin, Evolution, and Nature of Life", publicado na revista peer-reviewed Life. Sua teoria explica não só o aparecimento evolutivo da vida na Terra e no Universo como também a estrutura e função das células e biosferas existentes.&lt;br /&gt;&lt;br /&gt;Além de resolver persistentes paradoxos e mistérios da química e da biologia, a teoria do Dr. Andrulis unifica as mecânicas quântica e celeste. Sua solução não ortodoxa para esse importantíssimo problema da física difere das abordagens convencionais, como a da teoria das cordas, por ser simples, não-matemática e verificável experimental e experiencialmente. Sendo assim, a nova figura da gravidade quântica é radical.&lt;br /&gt;&lt;br /&gt;A idéia básica estruturada pelo Dr. Andrulis é que toda a realidade física pode ser modelada por um entidade geométrica simples que tem características semelhantes à vida: o giro (gyre). O "giromodelo" descreve os objetos - partículas, átomos, substâncias químicas, moléculas e células - como pacotes quanticisados (&lt;/em&gt;NT - quantized&lt;em&gt;) de informação, energia e/ou matéria que oscilam entre estados excitados e básicos em torno de uma singularidade, o centro do giromodelo (&lt;/em&gt;NT - esta última frase está um pouco diferente daquela do artigo do site PhysOrg porque utilizei aqui a frase original do artigo, que foi "manicurada" pelo autor internético&lt;em&gt;). A própria singularidade é modelada como um giro, totalmente compatível com a natureza termodinâmica e fractal da vida. Um exemplo desta organização aninhada e de auto-similaridade é a boneca russa Matryoshka.&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3721646530673814131?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3721646530673814131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3721646530673814131'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/andrulis-terra-esta-viva.html' title='Andrulis - A Terra Está Viva'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3979610648786429372</id><published>2012-01-27T02:03:00.001-02:00</published><updated>2012-01-27T02:21:42.312-02:00</updated><title type='text'>Entendendo a Fenomenologia</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-dLe2Nfzm6CY/TyImGjsiqpI/AAAAAAAACnM/eU3gC1opwUI/s1600/Understanding%2BPhenomenology.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 254px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5702161972307602066" border="0" alt="" src="http://1.bp.blogspot.com/-dLe2Nfzm6CY/TyImGjsiqpI/AAAAAAAACnM/eU3gC1opwUI/s400/Understanding%2BPhenomenology.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;"Understanding Phenomenology" provides a guide to one of the most important schools of thought in modern philosophy. The book traces phenomenology's historical development, beginning with its founder, Edmund Husserl and his "pure" or "transcendental" phenomenology, and continuing with the later, "existential" phenomenology of Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty. The book also assesses later, critical responses to phenomenology - from Derrida to Dennett - as well as the continued significance of phenomenology for philosophy today. Written for anyone coming to phenomenology for the first time, the book guides the reader through the often bewildering array of technical concepts and jargon associated with phenomenology and provides clear explanations and helpful examples to encourage and enhance engagement with the primary texts.&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Understanding Phenomenology&lt;/em&gt;&lt;br /&gt;David R.Cerbone&lt;br /&gt;&lt;/strong&gt;McGill-Queen's University Press 2006 200 Pages PDF 2 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/66mc42b4/Understanding_Phenomenology.pdf/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/66mc42b4/Understanding_Phenomenology.pdf/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3979610648786429372?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3979610648786429372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3979610648786429372'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/entendendo-fenomenologia.html' title='Entendendo a Fenomenologia'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-dLe2Nfzm6CY/TyImGjsiqpI/AAAAAAAACnM/eU3gC1opwUI/s72-c/Understanding%2BPhenomenology.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6683519046523739283</id><published>2012-01-24T23:01:00.002-02:00</published><updated>2012-01-24T23:58:42.814-02:00</updated><title type='text'>Uma possibilidade</title><content type='html'>Pode ser que nessa onda de vigiar arquivos baixados ilegalmente, nosso hospedeiro resolva de repente sacudir qualquer pressão política de suas costas (ainda que larguíssimas) e promover uma limpa nos sites do blogspot.com - o que levaria nosso Cognição, Linguagem e Música na enchente. Se algum dia, leitor(a), v. se dirigir para este endereço e nada encontrar, foi isso.&lt;br /&gt;&lt;br /&gt;Mas de acordo com a história recente de algumas proibições impostas ao CLM - que não relato aqui quando ocorrem porque não faz a menor diferença para os leitores, e são bastante espaçadas (além de tardias) - pode ser que tenhamos apenas uma vigilância mais intensa do conteúdo postado. Vamos aguardar.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6683519046523739283?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6683519046523739283'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6683519046523739283'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/uma-possibilidade.html' title='Uma possibilidade'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5672606018667604750</id><published>2012-01-24T16:39:00.002-02:00</published><updated>2012-01-24T16:44:55.066-02:00</updated><title type='text'>Algumas Músicas - Mumford &amp; Sons</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-qOVgfjye2i0/Tx78Hv7tu-I/AAAAAAAACnA/Lhr9t0f-6ds/s1600/MumfordAndSons04PA160211.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 266px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5701271388353838050" border="0" alt="" src="http://4.bp.blogspot.com/-qOVgfjye2i0/Tx78Hv7tu-I/AAAAAAAACnA/Lhr9t0f-6ds/s400/MumfordAndSons04PA160211.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Mumford &amp;amp; Sons - Sigh No More&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://mp3muffin.com/Foote/SighNoMore.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://mp3muffin.com/Foote/SighNoMore.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://mp3muffin.com/Foote/SighNoMore.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mumford &amp;amp; Sons - I Gave You All&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.box.net/shared/static/vhoc1s3e9o.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.box.net/shared/static/vhoc1s3e9o.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.box.net/shared/static/vhoc1s3e9o.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mumford &amp;amp; Sons - Sister&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://youcrazydreamers.com/wp-content/uploads/2008/12/sister.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://youcrazydreamers.com/wp-content/uploads/2008/12/sister.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://youcrazydreamers.com/wp-content/uploads/2008/12/sister.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mumford &amp;amp; Sons - White Blank Page&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://offtheradarmusic.com/audio/Mumford-Sons-White-Blank-Page.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://offtheradarmusic.com/audio/Mumford-Sons-White-Blank-Page.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://offtheradarmusic.com/audio/Mumford-Sons-White-Blank-Page.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mumford &amp;amp; Sons - Roll Away Your Stone&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.theburningear.com/media/2010/02/Mumford-Sons-Roll-Away-Your-Stone.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.theburningear.com/media/2010/02/Mumford-Sons-Roll-Away-Your-Stone.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.theburningear.com/media/2010/02/Mumford-Sons-Roll-Away-Your-Stone.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5672606018667604750?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5672606018667604750'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5672606018667604750'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas-mumford-sons.html' title='Algumas Músicas - Mumford &amp; Sons'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-qOVgfjye2i0/Tx78Hv7tu-I/AAAAAAAACnA/Lhr9t0f-6ds/s72-c/MumfordAndSons04PA160211.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4661818858533309052</id><published>2012-01-24T16:34:00.003-02:00</published><updated>2012-01-24T16:39:00.287-02:00</updated><title type='text'>Ougenweide - Progressive Folk Rock</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-e6qlvdIwBK8/Tx76Ah6McOI/AAAAAAAACm0/EeA7PPqmWGc/s1600/Ougenweide%2B-%2BOhrenschmaus%2B%2526%2BEulenspiegel.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 395px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5701269065307025634" border="0" alt="" src="http://3.bp.blogspot.com/-e6qlvdIwBK8/Tx76Ah6McOI/AAAAAAAACm0/EeA7PPqmWGc/s400/Ougenweide%2B-%2BOhrenschmaus%2B%2526%2BEulenspiegel.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Ougenweide - Ohrenschmaus &amp;amp; Eulenspiegel (1976) [Reissue 2006]&lt;br /&gt;&lt;/strong&gt;MP3 CBR 320 kbps 216 MB Covers and comments included&lt;br /&gt;Progressive Folk Rock - Bear Family Records&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Ougenweide was one the most significant German folk-rock bands of the seventies. This reissue of the next two Ougenweide albums is one of 2006's best news for folk prog fans. Both this release and the preceding one have superb booklets with an extensive group history (English/German), including loads of photos (including the booklet’s covers), both albums’ full artworks reproduced as well as the totality of the lyrics printed as well. While Ohrenschmaus is just an excellent, dynamic (and typical) album of theirs, the other one, Eulenspiegel is really the most charming and narrative of their discography. &lt;/em&gt;&lt;/div&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01. Bombarde-Ment&lt;br /&gt;02. Kommt, ihr Jungfern, helft mir klagen&lt;br /&gt;03. Eines Freitags im Wald&lt;br /&gt;04. Pferdesegen (Contra Uermes)&lt;br /&gt;05. Bald anders&lt;br /&gt;06. Im Badehaus&lt;br /&gt;07. Owê wie jǽmerlÎche&lt;br /&gt;08. Engelboltes Tochter Aven&lt;br /&gt;09. Rumet uz die schaemel und die stuele&lt;br /&gt;10 Al fol&lt;br /&gt;11. Der Schlemihl&lt;br /&gt;12. Merseburger Spieluhr&lt;br /&gt;13. Till&lt;br /&gt;14. Tyllurius Spiegelius&lt;br /&gt;15. Der Hofmaler&lt;br /&gt;16. Till und die Gelehrten&lt;br /&gt;17. Tills Ende und Vermachtnis&lt;br /&gt;18. Welscher Tanz und Hupfauf&lt;br /&gt;19. Totus floreo&lt;br /&gt;20. Wol mich der Stunde&lt;br /&gt;21. Durch den ermel gat daz loch&lt;br /&gt;22. Enzio&lt;br /&gt;&lt;br /&gt;&lt;a href="http://depositfiles.com/files/2372onl2t"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://depositfiles.com/files/2372onl2t&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4661818858533309052?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4661818858533309052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4661818858533309052'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/ougenweide-progressive-folk-rock.html' title='Ougenweide - Progressive Folk Rock'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-e6qlvdIwBK8/Tx76Ah6McOI/AAAAAAAACm0/EeA7PPqmWGc/s72-c/Ougenweide%2B-%2BOhrenschmaus%2B%2526%2BEulenspiegel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8626459450950086579</id><published>2012-01-24T16:29:00.001-02:00</published><updated>2012-01-24T16:31:47.399-02:00</updated><title type='text'>Palestra TED sobre o Cérebro</title><content type='html'>Allan Jones nos esclarece diversas questões sobre o cérebro em um vídeo de qualidade razoável (será meu monitor?) e com legendas em mais de 20 línguas, inclusive o português do Brasil. As imagens se sucedem bem rápido com a velocidade da fala de Jones, e quem depender das legendas vai ter que assistir duas vezes, mas isto é até bom para fixar novos conhecimentos.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Map of the Brain&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.ted.com/talks/lang/en/allan_jones_a_map_of_the_brain.html"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.ted.com/talks/lang/en/allan_jones_a_map_of_the_brain.html&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;Jones dirige uma empresa que faz mapas do cérebro e nos dá acesso livre a tudo o que produz, em &lt;a href="http://www.brain-map.org/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.brain-map.org/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Além disso, o Allen Institute tem um canal do YouTube, aqui:&lt;br /&gt;&lt;a href="http://www.youtube.com/user/AllenInstitute"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.youtube.com/user/AllenInstitute&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;(Se pareceu confuso, é o seguinte: Allan Jones é presidente do &lt;em&gt;Allen Institute for Brain Science&lt;/em&gt;).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8626459450950086579?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8626459450950086579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8626459450950086579'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/palestra-ted-sobre-o-cerebro.html' title='Palestra TED sobre o Cérebro'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6535231773578376878</id><published>2012-01-24T16:25:00.001-02:00</published><updated>2012-01-24T16:29:06.234-02:00</updated><title type='text'>O Cérebro Paradoxal</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-D5lh87xTFFU/Tx74TlQ6gaI/AAAAAAAACmo/788yS9D_eYk/s1600/The%2BParadoxical%2BBrain.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 266px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5701267193601884578" border="0" alt="" src="http://1.bp.blogspot.com/-D5lh87xTFFU/Tx74TlQ6gaI/AAAAAAAACmo/788yS9D_eYk/s400/The%2BParadoxical%2BBrain.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;The Paradoxical Brain focuses on the phenomenon whereby damage to the brain can actually result in enhancement of function, questioning the traditional belief that lesions or other negative effects on the brain will result in loss of function. The book covers a wide range of topics by leading researchers, including: • Superior performance after brain lesions or sensory loss • Return to normal function after a second brain lesion in neurological conditions • Paradoxical phenomena associated with human development • Examples where having one disease appears to prevent the occurrence of another disease • Situations where drugs with adverse effects on brain functioning may have beneficial effects in certain situations A better understanding of these interactions will inform new rehabilitation approaches and the implementation of new therapeutic strategies. It will be of interest to those working at the interface of brain and behaviour, including neuropsychologists, neurologists, psychiatrists and neuroscientists.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Paradoxical Brain&lt;br /&gt;&lt;/em&gt;Narinder Kapur &amp;amp; Oliver Sacks&lt;br /&gt;&lt;/strong&gt;Cambridge University Press 2011 488 pages PDF 6,9 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/e33abf43/0521115574Paradoxical.pdf/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/e33abf43/0521115574Paradoxical.pdf/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6535231773578376878?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6535231773578376878'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6535231773578376878'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/o-cerebro-paradoxal.html' title='O Cérebro Paradoxal'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-D5lh87xTFFU/Tx74TlQ6gaI/AAAAAAAACmo/788yS9D_eYk/s72-c/The%2BParadoxical%2BBrain.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2846231790977336387</id><published>2012-01-22T00:04:00.007-02:00</published><updated>2012-01-22T00:34:46.853-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Antony &amp;amp; The Johnsons - As Tears Go By&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://music.tonnel.ru/music/pesni/pesni2/930391163_tonnel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://music.tonnel.ru/music/pesni/pesni2/930391163_tonnel.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://music.tonnel.ru/music/pesni/pesni2/930391163_tonnel.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Supertramp - Even in the Quietest Moments&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://music.tonnel.ru/music/pesni/muzblock_2009/386099320_tonnel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://music.tonnel.ru/music/pesni/muzblock_2009/386099320_tonnel.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://music.tonnel.ru/music/pesni/muzblock_2009/386099320_tonnel.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2846231790977336387?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2846231790977336387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2846231790977336387'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas_22.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1364644070178000262</id><published>2012-01-21T23:59:00.001-02:00</published><updated>2012-01-22T00:03:33.575-02:00</updated><title type='text'>Critical Neuroscience</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-fZwPfHGnkS0/TxtuHPn0lCI/AAAAAAAACmc/e7RDCvy-kxg/s1600/Critical%2BNeuroscience.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5700270824099189794" border="0" alt="" src="http://2.bp.blogspot.com/-fZwPfHGnkS0/TxtuHPn0lCI/AAAAAAAACmc/e7RDCvy-kxg/s400/Critical%2BNeuroscience.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;em&gt;Critical Neuroscience: A Handbook of the Social and Cultural Contexts of Neuroscience&lt;br /&gt;&lt;/em&gt;Suparna Choudhury &amp;amp; Jan Slaby (editors)&lt;br /&gt;&lt;/strong&gt;PDF 2.7 MB 416 pgs&lt;br /&gt;&lt;a href="http://ifile.it/xuba53/__Critical_Neuroscience__A_Handbook_of_the_Social_and_Cultural_Contexts_of_Neuroscience.l_z1x3tk043x24x6n.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://ifile.it/xuba53/__Critical_Neuroscience__A_Handbook_of_the_Social_and_Cultural_Contexts_of_Neuroscience.l_z1x3tk043x24x6n.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Capítulos e Autores:&lt;br /&gt;&lt;/strong&gt;Preface xiii&lt;br /&gt;Introduction: Critical Neuroscience—Between Lifeworld and Laboratory 1&lt;br /&gt;Suparna Choudhury and Jan Slaby&lt;br /&gt;Part I—Motivations and Foundations 27&lt;br /&gt;1 Proposal for a Critical Neuroscience 29&lt;br /&gt;Jan Slaby and Suparna Choudhury&lt;br /&gt;2 The Need for a Critical Neuroscience: From Neuroideology to Neurotechnology 53&lt;br /&gt;Steven Rose&lt;br /&gt;3 Against First Nature: Critical Theory and Neuroscience 67&lt;br /&gt;Martin Hartmann&lt;br /&gt;4 Scanning the Lifeworld: Toward a Critical Neuroscience of Action and Interaction 85&lt;br /&gt;Shaun Gallagher&lt;br /&gt;Part II—Histories of the Brain 111&lt;br /&gt;5 Toys are Us: Models and Metaphors in Brain Research 113&lt;br /&gt;Cornelius Borck&lt;br /&gt;6 The Neuromance of Cerebral History 135&lt;br /&gt;Max Stadler&lt;br /&gt;7 Empathic Cruelty and the Origins of the Social Brain 159&lt;br /&gt;Allan Young&lt;br /&gt;Part III— Neuroscience in Context: From Laboratory to Lifeworld 177&lt;br /&gt;8 Disrupting Images: Neuroscientific Representations in the Lives of Psychiatric Patients 179&lt;br /&gt;Simon Cohn&lt;br /&gt;9 Critically Producing Brain Images of Mind 195&lt;br /&gt;Joseph Dumit&lt;br /&gt;10 Radical Reductions: Neurophysiology, Politics and Personhood in Russian Addiction Medicine 227&lt;br /&gt;Eugene Raikhel&lt;br /&gt;11 Delirious Brain Chemistry and Controlled Culture: Exploring the Contextual Mediation of Drug Effects 253&lt;br /&gt;Nicolas Langlitz&lt;br /&gt;Part IV— Situating the Brain: From Lifeworld Back to Laboratory? 263&lt;br /&gt;12 From Neuroimaging to Tea Leaves in the Bottom of a Cup 265&lt;br /&gt;Amir Raz&lt;br /&gt;13 The Salmon of Doubt: Six Months of Methodological Controversy within Social Neuroscience 273&lt;br /&gt;Daniel S. Margulies&lt;br /&gt;14 Cultural Neuroscience as Critical Neuroscience in Practice 287&lt;br /&gt;Joan Y. Chiao and Bobby K. Cheon&lt;br /&gt;Part V— Beyond Neural Correlates: Ecological Approaches to Psychiatry 305&lt;br /&gt;15 Re-Socializing Psychiatry: Critical Neuroscience and the Limits of Reductionism 307&lt;br /&gt;Laurence J. Kirmayer and Ian Gold&lt;br /&gt;16 Are Mental Illnesses Diseases of the Brain? 331&lt;br /&gt;Thomas Fuchs&lt;br /&gt;17 Are there Neural Correlates of Depression? 345&lt;br /&gt;Fernando Vidal and Francisco Ortega&lt;br /&gt;18 The Future of Critical Neuroscience 367&lt;br /&gt;Laurence J. Kirmayer&lt;br /&gt;Index 385 &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1364644070178000262?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1364644070178000262'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1364644070178000262'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/critical-neuroscience.html' title='Critical Neuroscience'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-fZwPfHGnkS0/TxtuHPn0lCI/AAAAAAAACmc/e7RDCvy-kxg/s72-c/Critical%2BNeuroscience.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-9059457363309418196</id><published>2012-01-21T23:56:00.000-02:00</published><updated>2012-01-21T23:58:31.026-02:00</updated><title type='text'>Ambiguidade torna linguagem mais eficiente</title><content type='html'>&lt;strong&gt;&lt;em&gt;Cientistas cognitivos desenvolvem uma nova visão de um velho problema: por que a linguagem humana tem tantas palavras com significados múltiplos&lt;br /&gt;Cognitive scientists develop new take on old problem: why human language has so many words with multiple meanings&lt;br /&gt;&lt;/em&gt;January 19, 2012 by Emily Finn&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.physorg.com/news/2012-01-cognitive-scientists-problem-human-language.html"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.physorg.com/news/2012-01-cognitive-scientists-problem-human-language.html&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Por que a linguagem evolui? Ao mesmo tempo em que a resposta pode parecer óbvia - como uma maneira dos indivíduos trocarem informações, linguistas e outros estudiosos da comunicação vêm debatendo essa questão há anos. Muitos linguistas proeminentes, incluindo Noam Chomsky, do MIT, já argumentaram que a linguagem, de fato, não tem bom desempenho na comunicação. Tal uso, dizem eles, é um mero subproduto de um sistema que provavelmente se desenvolveu por outras razões - talvez para estruturarmos nossos próprios pensamentos particulares.&lt;br /&gt;&lt;br /&gt;Como evidência disso, estes linguistas citam a existência da ambiguidade. Em um sistema otimizado para transmitir informações entre um falante e um ouvinte, argumentam eles, cada palavra teria apenas um só significado, eliminando assim qualquer chance de confusão ou desentendimento. Agora, um grupo de cientistas cognitivos do MIT virou esta idéia de cabeça para baixo. Em uma nova teoria, eles afirmam que n a realidade a ambiguidade torna a linguagem mais eficiente ao permitir que sejam reutilizados sons curtos e eficientes que os ouvintes podem desambiguar facilmente com a ajuda do contexto.&lt;br /&gt;&lt;br /&gt;"Diversas pessoas disseram que a ambiguidade é um problema para a comunicação", diz Ted Gibson, professor de ciência cognitiva do MIT e autor de um estudo que descreve a pesquisa que será publicada no journal Cognition. "Mas uma vez que entnedamos que o contexto promove a desambiguação, ela não é mais um problema - é algo do qual v. pode tirar vantagem porque pode reutilizar [palavras] fáceis em contextos diferentes sucessivas vezes".&lt;br /&gt;&lt;br /&gt;O principal autor do estudo é Steven Piantadosi, PhD '11 (terminado em 2011). Harry Tily, postdoc do Department of Brain and Cognitive Science, é outro coautor. &lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-9059457363309418196?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/9059457363309418196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/9059457363309418196'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/ambiguidade-torna-linguagem-mais.html' title='Ambiguidade torna linguagem mais eficiente'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6277831247728432908</id><published>2012-01-21T23:47:00.002-02:00</published><updated>2012-01-21T23:56:22.110-02:00</updated><title type='text'>O cérebro, a mente e a estrutura da realidade</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-n0rPH1u0Bzk/TxtshON_s7I/AAAAAAAACmQ/t29UfEvC-AA/s1600/Brain%252C%2BMind%252C%2Band%2Bthe%2BStructure%2Bof%2BReality.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 199px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5700269071375774642" border="0" alt="" src="http://1.bp.blogspot.com/-n0rPH1u0Bzk/TxtshON_s7I/AAAAAAAACmQ/t29UfEvC-AA/s400/Brain%252C%2BMind%252C%2Band%2Bthe%2BStructure%2Bof%2BReality.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Does the brain create the mind, or is some external entity involved? In addressing this "hard problem" of consciousness, we face a central human challenge: what do we really know and how do we know it? Tentative answers in this book follow from a synthesis of profound ideas, borrowed from philosophy, religion, politics, economics, neuroscience, physics, mathematics, and cosmology, the knowledge structures supporting our meager grasps of reality. This search for new links in the web of human knowledge extends in many directions: the "shadows" of our thought processes revealed by brain imagining, brains treated as complex adaptive systems that reveal fractal-like behavior in the brain's nested hierarchy, resonant interactions facilitating functional connections in brain tissue, probability and entropy as measures of human ignorance, fundamental limits on human knowledge, and the central role played by information in both brains and physical systems.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Brain, Mind, and the Structure of Reality&lt;br /&gt;&lt;/em&gt;Paul L. Nunez&lt;br /&gt;&lt;/strong&gt;Oxford University Press 2010 320 pages CHM 2,7 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/68b8f26e/019534071XBrain.chm/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/68b8f26e/019534071XBrain.chm/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Sua extensão (.chm) não é nada de mais: v. simplesmente clica no arquivo depois de descomprimí-lo e utiliza o livro. No Windows XP e no Windows Vista, às vezes o arquivo pode aparecer bloqueado; os arquivos CHM são arquivos HTML compilados, e o sistema operacional pode ter um bloqueio de segurança. Para resolver isso, clique com o botão direito do mouse no arquivo CHM e selecione Properties. Clique no botão Unblock (para desbloquear) sob o Advances na aba General. Clique em Apply. Deve dar tudo certo: eu tive esse problema uma vez, e deu. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6277831247728432908?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6277831247728432908'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6277831247728432908'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/o-cerebro-mente-e-estrutura-da.html' title='O cérebro, a mente e a estrutura da realidade'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-n0rPH1u0Bzk/TxtshON_s7I/AAAAAAAACmQ/t29UfEvC-AA/s72-c/Brain%252C%2BMind%252C%2Band%2Bthe%2BStructure%2Bof%2BReality.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2651674181864581405</id><published>2012-01-21T23:43:00.001-02:00</published><updated>2012-01-21T23:47:28.386-02:00</updated><title type='text'>Os Melhores Sites de Antropologia</title><content type='html'>O site &lt;strong&gt;&lt;em&gt;Anthropology Report&lt;/em&gt;&lt;/strong&gt; fez uma pesquisa para determinar os dez melhores blogs de antropologia e chegou à seguinte conclusão:&lt;br /&gt;&lt;br /&gt;Savage Minds &lt;br /&gt;Neuroanthropology&lt;br /&gt;John Hawks Weblog: paleoanthropology, genetics and evolution&lt;br /&gt;Somatosphere: Science, Medicine and Anthropology&lt;br /&gt;Context and Variation: Human behavior, evolutionary medicine… and ladybusiness.&lt;br /&gt;Powered by Osteons&lt;br /&gt;Hominid Hunting&lt;br /&gt;Bones Don’t Lie: News and comment on mortuary and bio-archaeology&lt;br /&gt;antropologi.info&lt;br /&gt;Anthropology in Practice: Understanding the human experience&lt;br /&gt;Zero Anthropology&lt;br /&gt;Living Anthropologically&lt;br /&gt;&lt;br /&gt;Leia no site quais foram os critérios de escolha e classificação. Listas pesquisadas como esta são uma tremenda ajuda para pesquisadores, mesmo que deixem de fora alguns sites que podemos conhecer e frequentar. Veja a postagem em:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anthropologyreport.com/survey-10-best-anthropology-blogs/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://anthropologyreport.com/survey-10-best-anthropology-blogs/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2651674181864581405?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2651674181864581405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2651674181864581405'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/os-melhores-sites-de-antropologia.html' title='Os Melhores Sites de Antropologia'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5855758603030900216</id><published>2012-01-19T01:03:00.001-02:00</published><updated>2012-01-19T01:05:17.648-02:00</updated><title type='text'>Uma Música</title><content type='html'>Sorry, fiquei com preguiça de pesquisar mais músicas.&lt;br /&gt;Mas prometo etc. e tal.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Youth Lagoon - Goodbye Again&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.lowerfrequencies.com/wp-content/uploads/2011/mp3s/Goodbye%20Again%20(John%20Denver%20Cover).mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lowerfrequencies.com/wp-content/uploads/2011/mp3s/Goodbye%20Again%20(John%20Denver%20Cover).mp3"&gt;http://www.lowerfrequencies.com/wp-content/uploads/2011/mp3s/Goodbye%20Again%20(John%20Denver%20Cover).mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5855758603030900216?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5855758603030900216'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5855758603030900216'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/uma-musica_19.html' title='Uma Música'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4618341060035145284</id><published>2012-01-19T01:01:00.002-02:00</published><updated>2012-01-19T01:03:22.111-02:00</updated><title type='text'>Libby Johnson</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-bkvD8S0zZBI/TxeHzXOxc8I/AAAAAAAACmE/ZcMif2nAjL0/s1600/Libby%2BJohnson.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 280px; DISPLAY: block; HEIGHT: 280px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5699173169939706818" border="0" alt="" src="http://4.bp.blogspot.com/-bkvD8S0zZBI/TxeHzXOxc8I/AAAAAAAACmE/ZcMif2nAjL0/s400/Libby%2BJohnson.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Libby Johnson - Perfect View – 2011&lt;br /&gt;&lt;/strong&gt;Folk, Folkrock, Indie, New York, USA&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?b56uzzszbbnkdw1"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?b56uzzszbbnkdw1&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4618341060035145284?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4618341060035145284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4618341060035145284'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/libby-johnson.html' title='Libby Johnson'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-bkvD8S0zZBI/TxeHzXOxc8I/AAAAAAAACmE/ZcMif2nAjL0/s72-c/Libby%2BJohnson.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1663534527734704396</id><published>2012-01-19T00:59:00.002-02:00</published><updated>2012-01-19T01:01:00.571-02:00</updated><title type='text'>Josienne Clarke</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-wVkjvlz_5RA/TxeHXQlDRYI/AAAAAAAACl4/ifMxdyiYjSs/s1600/Josienne%2BClarke.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 300px; DISPLAY: block; HEIGHT: 300px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5699172687117763970" border="0" alt="" src="http://2.bp.blogspot.com/-wVkjvlz_5RA/TxeHXQlDRYI/AAAAAAAACl4/ifMxdyiYjSs/s400/Josienne%2BClarke.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Josienne Clarke – One Light Is Gone – 2010&lt;br /&gt;&lt;/strong&gt;Acoustic, Americana, Country, Folk, Singer-songwriter, from London&lt;br /&gt;&lt;br /&gt;JC lançou um CD recentmente. Vamos ver se ele aparece por aí...&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?pp8kj0w2fikbij2"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?pp8kj0w2fikbij2&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1663534527734704396?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1663534527734704396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1663534527734704396'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/josienne-clarke.html' title='Josienne Clarke'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-wVkjvlz_5RA/TxeHXQlDRYI/AAAAAAAACl4/ifMxdyiYjSs/s72-c/Josienne%2BClarke.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6735986332685437962</id><published>2012-01-19T00:56:00.001-02:00</published><updated>2012-01-19T00:58:31.271-02:00</updated><title type='text'>Grey Kingdom</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-RICzYv4q-Es/TxeGuv-JrRI/AAAAAAAACls/mM16ot38AmM/s1600/Grey%2BKingdom.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 350px; DISPLAY: block; HEIGHT: 350px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5699171991169903890" border="0" alt="" src="http://1.bp.blogspot.com/-RICzYv4q-Es/TxeGuv-JrRI/AAAAAAAACls/mM16ot38AmM/s400/Grey%2BKingdom.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Grey Kingdom – Eulogy Of Her And Her And Her – 2011&lt;br /&gt;&lt;/strong&gt;Folk from Toronto, Canada&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Não é o cão chupando manga mas dá para ouvir muito bem&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?vdt3n1m05a2ut36"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?vdt3n1m05a2ut36&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6735986332685437962?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6735986332685437962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6735986332685437962'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/grey-kingdom.html' title='Grey Kingdom'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-RICzYv4q-Es/TxeGuv-JrRI/AAAAAAAACls/mM16ot38AmM/s72-c/Grey%2BKingdom.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3396622265761163326</id><published>2012-01-19T00:52:00.002-02:00</published><updated>2012-01-19T00:59:08.031-02:00</updated><title type='text'>Rachel Elise</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-54YJLtGT2Fc/TxeGI26RaCI/AAAAAAAAClg/tYOYn9GUHII/s1600/Rachel%2BElise.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 300px; DISPLAY: block; HEIGHT: 303px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5699171340197652514" border="0" alt="" src="http://2.bp.blogspot.com/-54YJLtGT2Fc/TxeGI26RaCI/AAAAAAAAClg/tYOYn9GUHII/s400/Rachel%2BElise.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Rachel Elise – Turn Of Season – 2011&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;Introspective, darkly evocative, honest piano-centered songs, &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Indie-Acoustic, Poetic, Alternative Folk.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?baf2c93wzgg93e5"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?baf2c93wzgg93e5&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3396622265761163326?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3396622265761163326'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3396622265761163326'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/rachel-elise.html' title='Rachel Elise'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-54YJLtGT2Fc/TxeGI26RaCI/AAAAAAAAClg/tYOYn9GUHII/s72-c/Rachel%2BElise.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8307152072887003759</id><published>2012-01-15T01:57:00.001-02:00</published><updated>2012-01-15T01:59:21.442-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Declan De Barra - Someday Soon&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://radiolibre.be/audio/2007/05/somedaysoonn.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://radiolibre.be/audio/2007/05/somedaysoonn.mp3"&gt;http://radiolibre.be/audio/2007/05/somedaysoonn.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Declan De Barra - Throw Your Arms Around Me&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://radiolibre.be/audio/2007/05/throwyourarmsaround-men.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://radiolibre.be/audio/2007/05/throwyourarmsaround-men.mp3"&gt;http://radiolibre.be/audio/2007/05/throwyourarmsaround-men.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maïdi Roth - Declan De Barra - Not To Love You&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://00.media.v4.skyrock.net/music/005/57d/00557d846c8e00f620cc6d3ab789cbc5.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://00.media.v4.skyrock.net/music/005/57d/00557d846c8e00f620cc6d3ab789cbc5.mp3"&gt;http://00.media.v4.skyrock.net/music/005/57d/00557d846c8e00f620cc6d3ab789cbc5.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8307152072887003759?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8307152072887003759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8307152072887003759'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas_15.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3923943660506998545</id><published>2012-01-15T01:55:00.002-02:00</published><updated>2012-01-15T01:57:21.710-02:00</updated><title type='text'>Declan de Barra</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-RDla0ayTgq4/TxJObiqVJVI/AAAAAAAAClU/XwauNHti4Wk/s1600/Declan%2Bde%2BBarra.bmp"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5697702713644885330" border="0" alt="" src="http://4.bp.blogspot.com/-RDla0ayTgq4/TxJObiqVJVI/AAAAAAAAClU/XwauNHti4Wk/s400/Declan%2Bde%2BBarra.bmp" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Declan de Barra - Fragments, Footprints &amp;amp; the Forgotten 2011&lt;br /&gt;&lt;/strong&gt;(Thanks to the great site Evrensellmuzik)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01.- Call To Arms&lt;br /&gt;02.- Black Crow Call&lt;br /&gt;03.- Sunrise&lt;br /&gt;04.- Midnight Swell&lt;br /&gt;05.- Breadcrumb Trail&lt;br /&gt;06.- Deep In The Ferns&lt;br /&gt;07.- You Will Overcome&lt;br /&gt;08.- Blossom Tree&lt;br /&gt;09.- Fuck The Begrudgers&lt;br /&gt;10.- Watch It Burn&lt;br /&gt;11.- A City Somewhere&lt;br /&gt;12.- A Stórín&lt;br /&gt;13.- Wind That Shakes The Barley&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.multiupload.com/1018SVRCH8"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.multiupload.com/1018SVRCH8&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3923943660506998545?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3923943660506998545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3923943660506998545'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/declan-de-barra.html' title='Declan de Barra'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-RDla0ayTgq4/TxJObiqVJVI/AAAAAAAAClU/XwauNHti4Wk/s72-c/Declan%2Bde%2BBarra.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2882292772231230736</id><published>2012-01-15T01:52:00.000-02:00</published><updated>2012-01-15T01:54:21.650-02:00</updated><title type='text'>A entrevista dos cinco livros</title><content type='html'>O site The Browser tem uma seção na categoria society/language chamada FiveBooks Interviews, onde um convidado nomeia e comenta cinco livros de sua predileção. Uma dessas entrevistas me chamou a atenção por ser simplezinha e ao mesmo tempo bastante informativa. Nosso herói é Henry Hitchings, que o site assim descreve:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Henry Hitchings&lt;/strong&gt; is an author, reviewer and critic. He specialises in language and cultural history. The second of his four books, The Secret Life of Words, won the 2008 John Llewellyn Rhys Prize, and in 2009 he received a Somerset Maugham Award. In 2011, his latest book The Language Wars was published and he presented the BBC documentary Birth of the British Novel. Since 2009, he has been the theatre critic of the London Evening Standard.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Achtung, Mr. Hitchings não fala só de linguagem. Também diz coisas como: "O momento que vivemos não é o único a ser triste. Ele é simplesmente o momento que estamos vivendo, e nós sentimos isso profundamente; existe alguma coisa bastante desconcertante quando estamos passando por uma experiência de mudança".&lt;br /&gt;&lt;br /&gt;Eis a entrevista, em seu link de página única:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Henry Hitchings on Language&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://thebrowser.com/interviews/henry-hitchings-on-language?page=full"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://thebrowser.com/interviews/henry-hitchings-on-language?page=full&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2882292772231230736?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2882292772231230736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2882292772231230736'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/entrevista-dos-cinco-livros.html' title='A entrevista dos cinco livros'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7837316251827203202</id><published>2012-01-12T17:42:00.002-02:00</published><updated>2012-01-12T17:45:25.448-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Nels Andrews - Dollar And The Dream&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://carlsandburgvisits.com/Music/March%202008/09%20Dollar%20And%20The%20Dream.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://carlsandburgvisits.com/Music/March%202008/09%20Dollar%20And%20The%20Dream.mp3 &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Nels Andrews - Butterfly Wing&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.carlsandburgvisits.com/Music/March 2008/05 Butterfly Wing.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.carlsandburgvisits.com/Music/March 2008/05 Butterfly Wing.mp3 &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gil Scott-Heron - The Get Out Of The Ghetto Blues&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://audioarsenal.com/f1l3z/mp3s/Gil Scott-Heron - Ghetto Style/13 - The Get Out Of The Ghetto Blues.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://audioarsenal.com/f1l3z/mp3s/Gil Scott-Heron - Ghetto Style/13 - The Get Out Of The Ghetto Blues.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Low Anthem - Bless Your Tombstone Heart&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://thephoenix.com/mp3/2929_1.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://thephoenix.com/mp3/2929_1.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7837316251827203202?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7837316251827203202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7837316251827203202'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas_12.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3770824144006822852</id><published>2012-01-12T17:37:00.002-02:00</published><updated>2012-01-12T17:42:21.812-02:00</updated><title type='text'>Biologia evolutiva do desenvolvimento</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-_KSWDTaqNjI/Tw83Y_1FoMI/AAAAAAAAClI/I8_71pkwKG0/s1600/Evolutionary%2Bdevelopmental%2Bbiology.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 267px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5696832956237455554" border="0" alt="" src="http://2.bp.blogspot.com/-_KSWDTaqNjI/Tw83Y_1FoMI/AAAAAAAAClI/I8_71pkwKG0/s400/Evolutionary%2Bdevelopmental%2Bbiology.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Evolutionary developmental biology (evo-devo) is a field devoted to the study of how developmental mechanisms lead to species-typical phenotypes. Generally, evo-devo has mainly focused on morphological traits. This issue is a direct attempt to address evolution and development of behaviour within the same framework. Addressing a trait such as behaviour at different levels of the biological hierarchy (i.e. proteins, cells, tissues, organs...) is relevant not only to understanding how behavioural diversity is produced, but also to revealing how these levels are connected to each other to produce a functional phenotype. The contributions in this issue include: discussing the current status of evo-devo research and its impact on studies of behaviour; a revision of the debate about integrating ultimate and proximate perspectives on behaviour; understanding the property of evolvability of neuronal structures underlying behaviour; discussing the idea of gene function conservation in behaviour; interpreting allometric brain variations in mammal species; reviewing molecular and neuronal data underlying the evolution of language; discussing a hypothesis for the evolution of circadian clocks and photoperiodic time measurement; elaborating a developmental idea for the evolution of honey bee societies; and discussing the conservation of neuronal mechanisms underlying taste perception between vertebrates and invertebrates.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Evolutionary developmental biology (evo-devo) and behaviour&lt;br /&gt;&lt;/em&gt;Rinaldo C. Bertossa&lt;br /&gt;&lt;/strong&gt;Royal Society Publishing edition 2011 PDF 130 pages 4,19 mb&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/VqllUta"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/VqllUta&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3770824144006822852?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3770824144006822852'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3770824144006822852'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/biologia-evolutiva-do-desenvolvimento.html' title='Biologia evolutiva do desenvolvimento'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-_KSWDTaqNjI/Tw83Y_1FoMI/AAAAAAAAClI/I8_71pkwKG0/s72-c/Evolutionary%2Bdevelopmental%2Bbiology.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-9030983665428364965</id><published>2012-01-12T17:32:00.001-02:00</published><updated>2012-01-12T17:36:44.031-02:00</updated><title type='text'>A evolução da cultura</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-R8d8wflGTCY/Tw82GnhiQsI/AAAAAAAACkw/d2rXEHs9jDY/s1600/Culture%2Bevolves.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 282px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5696831540963721922" border="0" alt="" src="http://2.bp.blogspot.com/-R8d8wflGTCY/Tw82GnhiQsI/AAAAAAAACkw/d2rXEHs9jDY/s400/Culture%2Bevolves.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Parece até que encomendei essa postagem, depois da "&lt;em&gt;Conversando com Mark Pagel&lt;/em&gt;" de outro dia, mas não faz diferença - como tudo o que é aleatório. Tomara que seja um livraço.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Culture, broadly defined as all we learn from others that endures for long enough to generate customs and traditions, shapes vast swathes of our lives and has allowed the human species to dominate the planet in an evolutionarily unique way. Our 'capacity for culture' appears so distinctive among animals that it is often thought to separate we cultural beings from the rest of nature and the Darwinian forces that shape it. 'Culture Evolves' presents a different view arising from the recent discoveries of a diverse range of disciplines, that instead focus on evolutionary continuities. First, recent studies reveal that learning from others and the transmission of traditions are more widespread and significant across the animal kingdom than earlier recognized, helping us understand the evolutionary roots of culture. Second, archaeological discoveries have pushed back the origins of human culture to much more ancient times than traditionally thought.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Culture evolves (Philosophical Transactions of the Royal Society series B)&lt;/em&gt;&lt;br /&gt;Andrew Whiten&lt;br /&gt;&lt;/strong&gt;The Royal Society edition 2011 PDF 257 pages 9,61 mb&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/boIafEQ"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/boIafEQ&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-9030983665428364965?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/9030983665428364965'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/9030983665428364965'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/evolucao-da-cultura.html' title='A evolução da cultura'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-R8d8wflGTCY/Tw82GnhiQsI/AAAAAAAACkw/d2rXEHs9jDY/s72-c/Culture%2Bevolves.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6358099299806272530</id><published>2012-01-10T15:01:00.003-02:00</published><updated>2012-01-10T15:14:57.152-02:00</updated><title type='text'>Uma Música</title><content type='html'>Emma Kirby, com a Academy of Ancient Music, canta &lt;em&gt;Nulla in Mundo Pax Sincera&lt;/em&gt;, primeira parte (Aria - Larghetto) do moteto de mesmo nome do grande Vivaldi, RV 630. Pouco mais de seis minutos de doce de leite.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Aria&lt;br /&gt;&lt;/strong&gt;Nulla in mundo pax sincera; &lt;/em&gt;&lt;br /&gt;&lt;em&gt;sine felle, pura et vera;&lt;br /&gt;dulcis Jesu, est in te.&lt;br /&gt;&lt;br /&gt;Inter poenas et tormenta; &lt;/em&gt;&lt;br /&gt;&lt;em&gt;vivit anima contenta; &lt;/em&gt;&lt;br /&gt;&lt;em&gt;casti amoris sola spe.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://faculty.kirkwood.edu/ryost/stereographs/music/Baroque/Antonio Vivaldi (1678-1741)/Nulla in mundo pax sincera.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://faculty.kirkwood.edu/ryost/stereographs/music/Baroque/Antonio Vivaldi (1678-1741)/Nulla in mundo pax sincera.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6358099299806272530?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6358099299806272530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6358099299806272530'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/uma-musica_10.html' title='Uma Música'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4453175685289441038</id><published>2012-01-10T14:54:00.003-02:00</published><updated>2012-01-10T15:01:24.009-02:00</updated><title type='text'>Conversando com Mark Pagel</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-BnTpoEk08uY/TwxupySEFbI/AAAAAAAACkk/gX6YS6HJGyE/s1600/Mark%2BPagel.bmp"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 241px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5696049292868064690" border="0" alt="" src="http://2.bp.blogspot.com/-BnTpoEk08uY/TwxupySEFbI/AAAAAAAACkk/gX6YS6HJGyE/s400/Mark%2BPagel.bmp" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Não é bem uma conversa, porque só ele fala. O assunto é sua especialidade, evolução, e o subplot geral é o entrelaçamento genético e cultural da nossa evolução, com algumas idéias interessantes e uma descrição histórica detalhada. Temos as três opções: o vídeo da coisa toda, a gravação apenas sonora (&lt;em&gt;streaming&lt;/em&gt;) e a transcrição completa (99,99% fiel ao original - haja paciência...).&lt;br /&gt;As credenciais do homem estão lá também. Aproveitem!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Infinite Stupidity&lt;br /&gt;&lt;/em&gt;A Talk With Mark Pagel&lt;/strong&gt; [12.15.11]&lt;br /&gt;&lt;a href="http://edge.org/conversation/infinite-stupidity-edge-conversation-with-mark-pagel"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://edge.org/conversation/infinite-stupidity-edge-conversation-with-mark-pagel&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4453175685289441038?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4453175685289441038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4453175685289441038'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/conversando-com-mark-pagel.html' title='Conversando com Mark Pagel'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-BnTpoEk08uY/TwxupySEFbI/AAAAAAAACkk/gX6YS6HJGyE/s72-c/Mark%2BPagel.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2066726134889281653</id><published>2012-01-10T14:53:00.001-02:00</published><updated>2012-01-10T14:54:33.705-02:00</updated><title type='text'>Reducionismo</title><content type='html'>&lt;strong&gt;&lt;em&gt;Tri&lt;/em&gt;a&lt;em&gt;ls and Errors: Why Science Is Failing Us&lt;/em&gt;&lt;br /&gt;By Jonah Lehrer&lt;br /&gt;&lt;/strong&gt;December 16, 2011 &lt;br /&gt;&lt;a href="http://www.wired.com/magazine/2011/12/ff_causation/all/1"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.wired.com/magazine/2011/12/ff_causation/all/1&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Esta suposição - de que entender as partes que constituem um sistema significa que também entendemos as causas inerentes do sistema - não se limita à indústria farmacêutica ou mesmo à biologia. Ela define a ciência moderna. Em geral, acreditamos que o chamado problema da causação pode ser curado por mais informações, por nossa incessante acumulação de fatos. Os cientistas se referem a este processo como reducionismo. Desmontando um processo, podemos ver como tudo se ajusta; o complexo mistério é destilado em uma lista de ingredientes. E assim, a questão do colesterol - qual é sua relação com a doença cardíaca? - se torna um loop predizível de proteínas otimizando proteínas, acrônimos em constante alteração. A medicina moderna se vale particularmente bastante dessa abordagem. A cada ano, perto de 100 bilhões de dólares são investidos em pequisas biomédicas nos Estados Unidos, todas objetivando esmiuçar nacos invisíveis do corpo. Supomos que esses novos detalhes finalmente revelarão as causas das doenças, ligando nossas mazelas a pequenas moléculas ou a fragmentos errantes de DNA. Assim que encontrarmos a causa, é claro, poderemos começar a trabalhar na cura.&lt;br /&gt;&lt;br /&gt;O problema desta suposição, entretanto, é que as causas são um tipo estranho de conhecimento. Isto foi notado pela primeira vez por David Hume, o filósofo escocês do século 18. Hume percebeu que ainda que as pessoas falem sobre causas como se elas fossem fatos reais (sic - real facts), coisas tangíveis que podem ser descobertas, na verdade elas não são nada factuais. Ao invés, disse Hume, toda causa é apenas uma história fugidia, uma conjectura atraente, uma "concepção intensa produzida pelo hábito". Quando uma maçã cai de uma árvore, a causa é óbvia - a gravidade. A idéia cética de Hume era que não vemos a gravidade - vemos apenas um objeto atraído paara a terra. Olhamos para X e depois para Y, e inventamos uma história sobre o que acontece nesse intervalo. Podemos medir fatos, mas uma causa não é um fato - é uma ficção que nos ajuda a dar sentido aos fatos&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Leia o restante no link acima. &lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2066726134889281653?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2066726134889281653'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2066726134889281653'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/reducionismo.html' title='Reducionismo'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4652009779884803542</id><published>2012-01-09T01:41:00.001-02:00</published><updated>2012-01-09T01:44:00.961-02:00</updated><title type='text'>Uma Música</title><content type='html'>&lt;strong&gt;Blueneck - Low&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.fileden.com/files/2010/1/16/2726992/3 - Low.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;http://www.fileden.com/files/2010/1/16/2726992/3 - Low.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4652009779884803542?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4652009779884803542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4652009779884803542'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/uma-musica.html' title='Uma Música'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8286509415843035711</id><published>2012-01-09T01:34:00.001-02:00</published><updated>2012-01-09T01:36:41.766-02:00</updated><title type='text'>Blueneck</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-L2sNcayL7Ow/TwpgkbuNYlI/AAAAAAAACkM/sa0ypWoEtfA/s1600/Blueneck.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5695470857796543058" border="0" alt="" src="http://3.bp.blogspot.com/-L2sNcayL7Ow/TwpgkbuNYlI/AAAAAAAACkM/sa0ypWoEtfA/s400/Blueneck.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Blueneck - Repetitions 2011&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;em&gt;Blueneck are perhaps one of England’s best kept secrets when it comes to post-rock. Since 2006 the band have released two albums of truly haunting and heart-breaking music, the band concentrating more on texture and mood rather than sticking to the trademark quiet-loud dynamic. While there still are traces of that element in their music, the eighteen months it took to create new album Repetitions have resulted in a record that wastes no time in enveloping the listener in a sparse, delicate and incredibly sad atmosphere. …&lt;br /&gt;&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01. Pneumothorax&lt;br /&gt;02. Sawbones&lt;br /&gt;03. Venger&lt;br /&gt;04. Sleeping Through A Storm&lt;br /&gt;05. Una Salus Victus&lt;br /&gt;06. Ellipsis&lt;br /&gt;07. Barriers Down&lt;br /&gt;08. The Last Refuge&lt;br /&gt;09. Lopuss&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/?68zqzu9ninrsvn5"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?68zqzu9ninrsvn5&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8286509415843035711?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8286509415843035711'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8286509415843035711'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/blueneck.html' title='Blueneck'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-L2sNcayL7Ow/TwpgkbuNYlI/AAAAAAAACkM/sa0ypWoEtfA/s72-c/Blueneck.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-157887539293494057</id><published>2012-01-09T01:30:00.000-02:00</published><updated>2012-01-09T01:34:27.232-02:00</updated><title type='text'>Frankenthaler - Viewpoint 2</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-cMyN4KVL2QM/TwpgHdb7EXI/AAAAAAAACkA/mACo5KpxBvI/s1600/frankenthaler_viewpoint.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 348px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5695470360040509810" border="0" alt="" src="http://1.bp.blogspot.com/-cMyN4KVL2QM/TwpgHdb7EXI/AAAAAAAACkA/mACo5KpxBvI/s400/frankenthaler_viewpoint.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-157887539293494057?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/157887539293494057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/157887539293494057'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/frankenthaler-viewpoint-2.html' title='Frankenthaler - Viewpoint 2'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-cMyN4KVL2QM/TwpgHdb7EXI/AAAAAAAACkA/mACo5KpxBvI/s72-c/frankenthaler_viewpoint.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6614768596948325402</id><published>2012-01-09T01:26:00.002-02:00</published><updated>2012-01-09T01:30:14.034-02:00</updated><title type='text'>Jackendoff - Os fundamentos da linguagem</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-45YS9lreDqo/TwpfBVO9rVI/AAAAAAAACj0/PfL82EZ4qwU/s1600/Foundations%2Bof%2BLanguage.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 282px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5695469155247828306" border="0" alt="" src="http://3.bp.blogspot.com/-45YS9lreDqo/TwpfBVO9rVI/AAAAAAAACj0/PfL82EZ4qwU/s400/Foundations%2Bof%2BLanguage.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Foundations of Language offers a radically new understanding of how language, the brain, and perception intermesh. The book renews the promise of early generative linguistics: that language can be a valuable entree into understanding the human mind and brain. The approach is remarkably interdisciplinary. Behind its innovations is Jackendoff's fundamental proposal that the creativity of language derives from multiple parallel generative systems linked by interface components. this shift in basic architecture makes possible a radical reconception of mental grammar and how it is learned. As a consequence, Jackendoff is able to reintegrate linguistics with philosophy of mind, cognitive and developmental psychology, evolutionary biology, neuroscience, and computational linguistics. Among the major topics treated are language processing, the relation of language to perception, the innateness of language, and the evolution of the language capacity, as well as more standard issues in linguistic theory such as the roles of syntax and the lexicon. In addition, Jackendoff offers a sophisticated theory of semantics that incorporates insights from philosophy of language, logic and formal semantics, lexical semantics of various stripes, cognitive grammar, psycholinguistic and neurolinguistic approaches, and the author's own conceptual semantics. Here then is the most fundamental contribution to linguistic theory in over three decades.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Foundations of Language: Brain, Meaning, Grammar, Evolution&lt;/em&gt;&lt;br /&gt;Ray Jackendoff&lt;br /&gt;&lt;/strong&gt;Oxford University Press 2002 506 pages PDF 3,8 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/c6183867/0198270127Language.pdf/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/c6183867/0198270127Language.pdf/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6614768596948325402?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6614768596948325402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6614768596948325402'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/jackendoff-os-fundamentos-da-linguagem.html' title='Jackendoff - Os fundamentos da linguagem'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-45YS9lreDqo/TwpfBVO9rVI/AAAAAAAACj0/PfL82EZ4qwU/s72-c/Foundations%2Bof%2BLanguage.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8598530138654852304</id><published>2012-01-09T01:23:00.001-02:00</published><updated>2012-01-09T01:26:19.870-02:00</updated><title type='text'>A criança descobre a mente</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-PhRgjNRF8SI/TwpeHcpJF5I/AAAAAAAACjo/vJNWbJzuGlo/s1600/Children%2527s%2BDiscovery%2Bof%2Bthe%2BActive%2BMind.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 266px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5695468160804263826" border="0" alt="" src="http://3.bp.blogspot.com/-PhRgjNRF8SI/TwpeHcpJF5I/AAAAAAAACjo/vJNWbJzuGlo/s400/Children%2527s%2BDiscovery%2Bof%2Bthe%2BActive%2BMind.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;During the past 25 years, a great deal of research and theory has addressed the development of young children’s understanding of mental states such as knowledge, beliefs, desires, intentions, and emotions. Although developments in children’s understanding of the mind subsequent to early childhood has received less attention, in recent years a growing body of research has emerged examining understanding of psychological functioning during middle and late childhood. Combined with the literature on adolescent epistemological development, this research provides a broader picture of age-related changes in children’s understanding of the mind. Guided by the goals of describing developmental changes in children’s concepts of cognitive functioning and identifying sources of information that contribute to learning about cognition, Children’s Discovery of the Active Mind organizes empirical literature concerning the development of children’s knowledge of cognitive activities from early childhood to adolescence and presents a conceptual framework that integrates children’s introspective activities with social influences on development. Bringing together theoretical and empirical work from developmental, cognitive, and social psychology, the author argues that rather than depending upon a single source of information, developmental progress is driven by combinations of children’s conceptual knowledge of mental functioning, children’s phenomenological awareness of their own cognitive activities, and children’s social experience.&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;em&gt;Children's Discovery of the Active Mind: Phenomenological Awareness, Social Experience, and Knowledge About Cognition&lt;br /&gt;&lt;/em&gt;Bradford H. Pillow&lt;br /&gt;&lt;/strong&gt;Springer 2012 110 pages PDF 2 MB&lt;br /&gt;&lt;a href="http://filepost.com/files/97bdd8ae/1461422477ActiveMind.pdf/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://filepost.com/files/97bdd8ae/1461422477ActiveMind.pdf/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8598530138654852304?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8598530138654852304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8598530138654852304'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/crianca-descobre-mente.html' title='A criança descobre a mente'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-PhRgjNRF8SI/TwpeHcpJF5I/AAAAAAAACjo/vJNWbJzuGlo/s72-c/Children%2527s%2BDiscovery%2Bof%2Bthe%2BActive%2BMind.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3710583050508726516</id><published>2012-01-09T01:21:00.001-02:00</published><updated>2012-01-09T01:23:32.976-02:00</updated><title type='text'>Informática Cerebral</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-t_7Oj7P8sUw/TwpdgRfbteI/AAAAAAAACjc/pG1B9ca_IH8/s1600/Brain%2BInformatics.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 264px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5695467487795852770" border="0" alt="" src="http://1.bp.blogspot.com/-t_7Oj7P8sUw/TwpdgRfbteI/AAAAAAAACjc/pG1B9ca_IH8/s400/Brain%2BInformatics.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;This book constitutes the refereed proceedings of the International Conference on Brain Informatics, BI 2009, held in Beijing, China, in October 2009. The 21 revised full-length papers presented together with the abstracts of 6 keynote lectures and 5 papers from a special session were carefully reviewed and selected for inclusion in the book. The papers are organized in topical sections on information processing meets brain sciences, thinking and perception-centric investigations of human information processing systems, information technologies for the management and use of brain data, as well as cognition-inspired applications.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Brain Informatics&lt;br /&gt;&lt;/em&gt;Ning Zhong, Kuncheng Li, Shengfu Lu &amp;amp; Lin Chen&lt;br /&gt;&lt;/strong&gt;Springer 2010 237 Pages PDF 5 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/kkuX1iS"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/kkuX1iS&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3710583050508726516?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3710583050508726516'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3710583050508726516'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/informatica-cerebral.html' title='Informática Cerebral'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-t_7Oj7P8sUw/TwpdgRfbteI/AAAAAAAACjc/pG1B9ca_IH8/s72-c/Brain%2BInformatics.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6912338346440186672</id><published>2012-01-07T15:00:00.006-02:00</published><updated>2012-01-07T15:42:11.667-02:00</updated><title type='text'>Blues</title><content type='html'>Podcasts (com duração de 2 horas) de blues da rádio australiana:&lt;br /&gt;&lt;br /&gt;Blues n Roots Port Douglas FM 107.1 Queensland Australia&lt;br /&gt;Veja a lista completa em:&lt;br /&gt;&lt;a href="http://salty.com.au/podcast/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://salty.com.au/podcast/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;Alguns exemplos:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Keb Mo'&lt;br /&gt;&lt;/strong&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Port-Douglas-FM-190705-Keb-Mo.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Whole Lotta Blues&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Port-Douglas-FM-010406-Whole-Lotta-Blues.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jonny Lang&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Port-Douglas-FM-120705-Jonny-Lang.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Joe Bonamassa&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Port-Douglas-FM-140605-Joe-Bonamassa.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kenny Wayne Shepherd&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Port-Douglas-FM-210605-Kenny-Wayne-Shepherd.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lucinda Williams&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Port-Douglas-FM-171205-Lucinda-Williams.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bassology&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://salty.com.au/podcast/Blues-n-Roots-Salty-Dog-150907-Bassology.mp3" autoplay="false" loop="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;Uma dica: com o aplicativo Audacity v. pode editar todas as podcasts ao seu gosto...&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6912338346440186672?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6912338346440186672'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6912338346440186672'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/blues.html' title='Blues'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2331486964594293169</id><published>2012-01-05T12:43:00.000-02:00</published><updated>2012-01-05T12:44:50.362-02:00</updated><title type='text'>Duas Músicas</title><content type='html'>&lt;strong&gt;Other Lives - Black Tables&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://luxurywafers.com/mp3s/OtherLives_BlackTables.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://luxurywafers.com/mp3s/OtherLives_BlackTables.mp3"&gt;http://luxurywafers.com/mp3s/OtherLives_BlackTables.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Greg Laswell - Your Ghost&lt;br /&gt;&lt;/strong&gt;Thanks to Slowcoustic&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://slowcoustic.com/wp-content/uploads/2009/10/Your-Ghost-Kristin-Hersch-cover.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://slowcoustic.com/wp-content/uploads/2009/10/Your-Ghost-Kristin-Hersch-cover.mp3"&gt;http://slowcoustic.com/wp-content/uploads/2009/10/Your-Ghost-Kristin-Hersch-cover.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2331486964594293169?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2331486964594293169'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2331486964594293169'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/duas-musicas.html' title='Duas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8232859199268172187</id><published>2012-01-05T12:38:00.002-02:00</published><updated>2012-01-05T12:40:59.848-02:00</updated><title type='text'>As Origens da Gramática</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-9uZVJ8MBFsU/TwW2OJqE_iI/AAAAAAAACjQ/TZhzgqmEqLY/s1600/The%2BOrigins%2Bof%2BGrammar.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 278px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5694157658106691106" border="0" alt="" src="http://4.bp.blogspot.com/-9uZVJ8MBFsU/TwW2OJqE_iI/AAAAAAAACjQ/TZhzgqmEqLY/s400/The%2BOrigins%2Bof%2BGrammar.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;This is the second of the two closely linked but self-contained volumes that comprise James Hurford's acclaimed exploration of the biological evolution of language. In the first book he looked at the evolutionary origins of meaning, ending as our distant ancestors were about to step over the brink to modern language. He now considers how that step might have been taken and the consequences it undoubtedly had. The capacity for language lets human beings formulate and express an unlimited range of propositions about real or fictitious worlds. It allows them to communicate these propositions, often overlaid with layers of nuance and irony, to other humans who can then interpret and respond to them. These processes take place at breakneck speed. Using a language means learning a vast number of arbitrary connections between forms and meanings and rules on how to manipulate them, both of which a normal human child can do in its first few years of life. James Hurford looks at how this miracle came about. The book is divided into three parts. In the first the author surveys the syntactic structures evident in the communicative behaviour of animals, such as birds and whales, and discusses how vocabularies of learned symbols could have evolved and the effects this had on human thought. In the second he considers how far the evolution of grammar depended on biological or cultural factors. In the third and final part he describes the probable route by which the human language faculty and languages evolved from simple beginnings to their present complex state.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Origins of Grammar: Language in the Light of Evolution II&lt;/em&gt;&lt;br /&gt;James Hurford&lt;br /&gt;&lt;/strong&gt;Oxford University Press 2011 True PDF 808 pages 3.03 Mb&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/u0ynHp1/0199207879.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/u0ynHp1/0199207879.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8232859199268172187?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8232859199268172187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8232859199268172187'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/as-origens-da-gramatica.html' title='As Origens da Gramática'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-9uZVJ8MBFsU/TwW2OJqE_iI/AAAAAAAACjQ/TZhzgqmEqLY/s72-c/The%2BOrigins%2Bof%2BGrammar.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8433564236674930034</id><published>2012-01-05T12:33:00.002-02:00</published><updated>2012-01-05T12:38:00.610-02:00</updated><title type='text'>O desenvolvimento da música</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-gIsHoTSQ5eE/TwW1VWMfyHI/AAAAAAAACjE/7SKYFDI6zq0/s1600/O%2Bdesenvolvimento%2Bda%2Bm%25C3%25BAsica.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 255px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5694156682219735154" border="0" alt="" src="http://4.bp.blogspot.com/-gIsHoTSQ5eE/TwW1VWMfyHI/AAAAAAAACjE/7SKYFDI6zq0/s400/O%2Bdesenvolvimento%2Bda%2Bm%25C3%25BAsica.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Artigaço de Waldmann a propósito de fazer uma resenha do novo livro do músico e crítico de música Charles Rosen, &lt;em&gt;Music and Sentiment&lt;/em&gt;. O desenvolvimento da música - do barroco ao início do século 20 - é exemplificado com vídeos diversos que vão ilustrando as abobrinhas do texto. Como diz a rapaziada, Show!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sentimental Education&lt;/em&gt;&lt;br /&gt;By Greg Waldmann&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.openlettersmonthly.com/sentimental-education/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.openlettersmonthly.com/sentimental-education/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;BTW - no link abaixo pode-se fazer download do livro de Rosen que nos traz Haydn, Mozart e Beethoven em maiores detalhes. Como diz a rapaziada, É só alegria!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Classical Style: Haydn, Mozart, Beethoven&lt;/em&gt;&lt;br /&gt;Charles Rosen&lt;br /&gt;&lt;/strong&gt;W. W. Norton 1998 533 pages DjVu 11,8 MB&lt;br /&gt;&lt;a href="http://rapidshare.com/files/209744784/Charles_Rosen.The_Classical_Style._1998_edition_.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/209744784/Charles_Rosen.The_Classical_Style._1998_edition_.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;A greatly expanded edition of the National Book Award-winning masterpiece by a world-class pianist and writer on music. This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas. &lt;/em&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8433564236674930034?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8433564236674930034'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8433564236674930034'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/o-desenvolvimento-da-musica.html' title='O desenvolvimento da música'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-gIsHoTSQ5eE/TwW1VWMfyHI/AAAAAAAACjE/7SKYFDI6zq0/s72-c/O%2Bdesenvolvimento%2Bda%2Bm%25C3%25BAsica.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6966086648241079940</id><published>2012-01-05T12:30:00.001-02:00</published><updated>2012-01-05T12:33:44.287-02:00</updated><title type='text'>Linguística Cognitiva</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-Sh5AWyFYHpI/TwW0nNMY2cI/AAAAAAAACi4/DjnKKO7zhrg/s1600/Cognitive%2BLinguistics.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 260px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5694155889529379266" border="0" alt="" src="http://4.bp.blogspot.com/-Sh5AWyFYHpI/TwW0nNMY2cI/AAAAAAAACi4/DjnKKO7zhrg/s400/Cognitive%2BLinguistics.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Clearly organized and written, this textbook provides a useful introduction to the relationship between language and cognitive processing in the human brain. It covers the topics likely to be encountered in a course or seminar, and provides a synthesis of study and research in a fast-growing field of linguistics. The much-needed introduction will be welcomed by undergraduates and graduates in linguistics and cognitive science.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Cognitive Linguistics&lt;br /&gt;&lt;/em&gt;William Croft &amp;amp; D. Alan Cruse&lt;br /&gt;&lt;/strong&gt;Cambridge University Press 2004 372 pages PDF 2.5 Mb&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/DXMoonf/0521667704.pdf%0D%0A"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/DXMoonf/0521667704.pdf%0D%0A&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6966086648241079940?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6966086648241079940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6966086648241079940'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/linguistica-cognitiva.html' title='Linguística Cognitiva'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Sh5AWyFYHpI/TwW0nNMY2cI/AAAAAAAACi4/DjnKKO7zhrg/s72-c/Cognitive%2BLinguistics.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1954285369608946708</id><published>2012-01-01T02:13:00.001-02:00</published><updated>2012-01-01T02:17:10.823-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Levellers - Julie&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://users.telenet.be/JK-Band/Levellers - Julie.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://users.telenet.be/JK-Band/Levellers - Julie.mp3 &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sounds Like Fall - Let Me Take Your Hand&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.yerbird.com/storage/mp3s/06%20Let%20Me%20Take%20Your%20Hand.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.yerbird.com/storage/mp3s/06%20Let%20Me%20Take%20Your%20Hand.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Greater Pacific - Distance&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.yerbird.com/storage/mp3s/Distance.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.yerbird.com/storage/mp3s/Distance.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ghosts I've Met - Payphone Patience&lt;/strong&gt;&lt;br /&gt;Thanks to Yer Bird Records&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.yerbird.com/storage/mp3s/Payphone%20Patience.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.yerbird.com/storage/mp3s/Payphone%20Patience.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;White Pines - Woods&lt;/strong&gt;&lt;br /&gt;Thanks to Yer Bird Records&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.yerbird.com/storage/mp3s/03%20Woods.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.yerbird.com/storage/mp3s/03%20Woods.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;White Pines - Our Things in the Street&lt;/strong&gt;&lt;br /&gt;Thanks to Slowcoustic&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://slowcoustic.com/wp-content/uploads/2009/08/Our-Things-in-the-Street.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://slowcoustic.com/wp-content/uploads/2009/08/Our-Things-in-the-Street.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Pines - Worried Blues&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://thepinesmusic.com/audio_clips/Worried Blues - (Trad.).mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://thepinesmusic.com/audio_clips/Worried Blues - (Trad.).mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jesse Sykes &amp;amp; The Sweet Hereafter - Don't Let Me Go&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://barsukmusic.blaireau.net/JesseSykes_DontLetMeGo.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://barsukmusic.blaireau.net/JesseSykes_DontLetMeGo.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jesse Sykes &amp;amp; The Sweet Hereafter - The Air Is Thin&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://jessesykes.com/mp3/LLL/The Air Is Thin.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://jessesykes.com/mp3/LLL/The Air Is Thin.mp3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe height="166" src="http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F28180568&amp;amp;auto_play=false&amp;amp;show_artwork=true&amp;amp;color=585858" frameborder="0" width="100%" scrolling="no"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1954285369608946708?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1954285369608946708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1954285369608946708'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2012/01/algumas-musicas.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1945603129454908643</id><published>2011-12-31T02:18:00.002-02:00</published><updated>2011-12-31T02:21:48.885-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Jump, Little Children - Rains In Asia&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://musicglob.com/pub/music/Jump Little Children - 03 Rains In Asia.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://musicglob.com/pub/music/Jump%20Little%20Children%20-%2003%20Rains%20In%20Asia.mp3"&gt;http://musicglob.com/pub/music/Jump Little Children - 03 Rains In Asia.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Early Day Miners - Return of the Native&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.scjag.com/mp3/sc/returnofthenative.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.scjag.com/mp3/sc/returnofthenative.mp3"&gt;http://www.scjag.com/mp3/sc/returnofthenative.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Early Day Miners - Marauder&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://robosexual.typepad.com/glob/files/02_marauder.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://robosexual.typepad.com/glob/files/02_marauder.mp3"&gt;http://robosexual.typepad.com/glob/files/02_marauder.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1945603129454908643?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1945603129454908643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1945603129454908643'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas_31.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5703247176493650155</id><published>2011-12-31T02:15:00.000-02:00</published><updated>2011-12-31T02:17:23.364-02:00</updated><title type='text'>O conectoma e as conexões cerebrais</title><content type='html'>&lt;strong&gt;&lt;em&gt;Human connectomics&lt;/em&gt;&lt;br /&gt;Timothy EJ Behrens and Olaf Sporns&lt;br /&gt;&lt;/strong&gt;Current Opinion in Neurobiology 2011, 22:1–10&lt;br /&gt;&lt;a href="http://www.sciencedirect.com/science?_ob=MiamiImageURL&amp;amp;_cid=272014&amp;amp;_user=686212&amp;amp;_pii=S0959438811001449&amp;amp;_check=y&amp;amp;_origin=browse&amp;amp;_zone=rslt_list_item&amp;amp;_coverDate=2011-09-09&amp;amp;wchp=dGLzVlt-zSkzS&amp;amp;md5=52cafed5379335244e52744d86e68ca1/1-s2.0-S0959438811001449-main.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.sciencedirect.com/science?_ob=MiamiImageURL&amp;amp;_cid=272014&amp;amp;_user=686212&amp;amp;_pii=S0959438811001449&amp;amp;_check=y&amp;amp;_origin=browse&amp;amp;_zone=rslt_list_item&amp;amp;_coverDate=2011-09-09&amp;amp;wchp=dGLzVlt-zSkzS&amp;amp;md5=52cafed5379335244e52744d86e68ca1/1-s2.0-S0959438811001449-main.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Progressos recentes em neuroimagem não invasiva passaram a permitir a medição de conexões entre regiões distantes do cérebro humano vivo, abrindo assim um novo campo de pesquisas: a conectômica humana. Diferentes modalidades tomográficas permitem o mapeamento de conexões estruturais (tratos da fibra axonal), assim como de conexões funcionais (correlações em séries temporais), e variações individuais que ocorram nestas conexões podem ser relacionadas a variações individuais em comportamento e cognição. A análise da conectividade já permitiu o surgimento de diversas idéias novas sobre a organização cerebral. Por exemplo, regiões cerebrais isoladas podem ser identificadas através de seus padrões singulares de conectividade, a conectividade estrutural e a funcional podem ser comparadas para elucidar como surgem interações dinâmicas a partir do substrato anatômico, e a arquitetura de redes de grande escala que conectam conjuntos de regiões cerebrais pode ser analisada detalhadamente. A análise combinada das redes estruturais e funcionais começou a revelar componentes ou módulos com padrões distintos de conexões que participam de diferentes tarefas cognitivas. Coletivamente, os progressos na conectômica humana abrem a possibilidade de se estudar como as conexões cerebrais intervêm na função cerebral regional e, daí, no comportamento.&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5703247176493650155?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5703247176493650155'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5703247176493650155'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/o-conectoma-e-as-conexoes-cerebrais.html' title='O conectoma e as conexões cerebrais'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6468414711195651783</id><published>2011-12-31T02:13:00.001-02:00</published><updated>2011-12-31T02:15:24.068-02:00</updated><title type='text'>Disco novo</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-9u6qF_UkUxA/Tv6MOZRP8HI/AAAAAAAACis/76hh4jdPaDM/s1600/Red%2BNightfall.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5692141157972177010" border="0" alt="" src="http://1.bp.blogspot.com/-9u6qF_UkUxA/Tv6MOZRP8HI/AAAAAAAACis/76hh4jdPaDM/s400/Red%2BNightfall.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Red Nightfall 2011&lt;br /&gt;&lt;/strong&gt;Folk Rock, Indie Rock, Progressive Rock&lt;br /&gt;Canada&lt;br /&gt;MP3 320kbps&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01. Forever Leaving&lt;br /&gt;02. Coloured Dreams&lt;br /&gt;03. Forever Wanting&lt;br /&gt;04. Her Passing&lt;br /&gt;05. Wind Scene&lt;br /&gt;06. Windmills&lt;br /&gt;07. Bonfire&lt;br /&gt;08. 1812&lt;br /&gt;09. Forever Yours&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.multiupload.com/VI8857BDS3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.multiupload.com/VI8857BDS3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6468414711195651783?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6468414711195651783'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6468414711195651783'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/disco-novo.html' title='Disco novo'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-9u6qF_UkUxA/Tv6MOZRP8HI/AAAAAAAACis/76hh4jdPaDM/s72-c/Red%2BNightfall.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4196823617934061803</id><published>2011-12-31T02:10:00.001-02:00</published><updated>2011-12-31T02:13:41.690-02:00</updated><title type='text'>Walter Benjamin</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-WrvZHlH7E4g/Tv6L3lFJ6HI/AAAAAAAACig/Qp1qgQYtYbk/s1600/Benjamin%2B-%2BIlluminatios.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 260px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5692140766005684338" border="0" alt="" src="http://4.bp.blogspot.com/-WrvZHlH7E4g/Tv6L3lFJ6HI/AAAAAAAACig/Qp1qgQYtYbk/s400/Benjamin%2B-%2BIlluminatios.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Walter Benjamin - Illuminations&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.mediafire.com/?33fz7ceg7l31ml3"&gt;http://www.mediafire.com/?33fz7ceg7l31ml3&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4196823617934061803?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4196823617934061803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4196823617934061803'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/walter-benjamin.html' title='Walter Benjamin'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-WrvZHlH7E4g/Tv6L3lFJ6HI/AAAAAAAACig/Qp1qgQYtYbk/s72-c/Benjamin%2B-%2BIlluminatios.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3512136205221541823</id><published>2011-12-27T01:53:00.001-02:00</published><updated>2011-12-27T01:56:48.589-02:00</updated><title type='text'>Três Músicas - Fulton Lights</title><content type='html'>Fulton Lights é um 'projeto' de Andrew Goldman, como chamam os pseudônimos hoje em dia. Gravações totalmente caseiras, mind you. Tirei essas três músicas do site Hinah, e... Thanks, Hinah!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fulton Lights - Autumn Anthem&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift026/12-fulton_lights-autumn_anthem.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://sound.hinah.com/hinahgift026/12-fulton_lights-autumn_anthem.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://sound.hinah.com/hinahgift026/12-fulton_lights-autumn_anthem.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fulton Lights - I Wish I Was the Moon&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift026/02-fulton_lights-i_wish_i_was_the_moon.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://sound.hinah.com/hinahgift026/02-fulton_lights-i_wish_i_was_the_moon.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://sound.hinah.com/hinahgift026/02-fulton_lights-i_wish_i_was_the_moon.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fulton Lights - Glass, Concrete and Stone&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift026/08-fulton_lights-glass_concrete_and_stone.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://sound.hinah.com/hinahgift026/08-fulton_lights-glass_concrete_and_stone.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://sound.hinah.com/hinahgift026/08-fulton_lights-glass_concrete_and_stone.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3512136205221541823?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3512136205221541823'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3512136205221541823'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/tres-musicas-fulton-lights.html' title='Três Músicas - Fulton Lights'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2391113608652032294</id><published>2011-12-27T01:48:00.001-02:00</published><updated>2011-12-27T01:53:28.330-02:00</updated><title type='text'>A complexidade do cérebro humano</title><content type='html'>Quando um cientista da envergadura de Gazzaniga (lê-se Gazzâniga) termina seu texto declarando: "&lt;em&gt;A neurociência precisa desesperadamente de uma estrutura teórica mais poderosa para resolver os problemas que trouxe para sua alçada&lt;/em&gt;", é porque a coisa é séria. Esse artigo, de apenas 10 páginas e com ilustrações excelentes, deveria ser lido urbi et orbi.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Understanding Complexity in the Human Brain&lt;br /&gt;&lt;/em&gt;Danielle S. Bassett &amp;amp; Michael S. Gazzaniga&lt;br /&gt;&lt;/strong&gt;Trends in Cognitive Sciences, May 2011, Vol. 15, No. 5&lt;br /&gt;&lt;a href="http://www.cogsci.ucsd.edu/~mboyle/COGS1/readings/Boyle-intro-to-cogs1-reading-Understanding%20complexity%20in%20the%20human%20brain.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.cogsci.ucsd.edu/~mboyle/COGS1/readings/Boyle-intro-to-cogs1-reading-Understanding%20complexity%20in%20the%20human%20brain.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Abstract.&lt;/strong&gt; &lt;em&gt;Ainda que o objetivo último das pesquisas neurocientíficas seja compreender o cérebro e como seu funcionamento se relaciona com a mente, a maior parte dos trabalhos atuais focalizam principalmente pequenas questões, utilizando dados cada vez mais detalhados. Entretanto, poderia ser possível investigar com sucesso a questão mais ampla sobre os mecanismos mente-cérebro se os achados acumulados nesses estudos neurocientíficos fossem juntados a abordagens complementares da física e da filosofia. O cérebro, nós argumentamos, pode ser entendido como uma rede ou um sistema complexo do qual emergem estados mentais através da interação de múltiplos níveis físicos e funcionais. A obtenção de um progresso conceitual adicional dependerá vitalmente de discussões amplas quanto às propriedades da cognição e às ferramentas atualmente disponíveis, ou que precisem ser desenvolvidas, para que possam ser estudados os mecanismos mente-cérebro. &lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2391113608652032294?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2391113608652032294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2391113608652032294'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/complexidade-do-cerebro-humano.html' title='A complexidade do cérebro humano'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2066098942718456207</id><published>2011-12-24T23:23:00.000-02:00</published><updated>2011-12-24T23:26:07.383-02:00</updated><title type='text'>Mais duas músicas de Don Henley</title><content type='html'>&lt;strong&gt;Don Henley - Everything is Different Now&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://music.tonnel.ru/music/pesni/pesni2/555474836_tonnel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://music.tonnel.ru/music/pesni/pesni2/555474836_tonnel.mp3"&gt;http://music.tonnel.ru/music/pesni/pesni2/555474836_tonnel.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Don Henley - Long Way Home&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://music.tonnel.ru/music/pesni/pesni2/952264561_tonnel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://music.tonnel.ru/music/pesni/pesni2/952264561_tonnel.mp3"&gt;http://music.tonnel.ru/music/pesni/pesni2/952264561_tonnel.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2066098942718456207?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2066098942718456207'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2066098942718456207'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/mais-duas-musicas-de-don-henley.html' title='Mais duas músicas de Don Henley'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5299489777594235277</id><published>2011-12-24T23:13:00.000-02:00</published><updated>2011-12-24T23:16:41.217-02:00</updated><title type='text'>Afinal, o que é pesquisa acadêmica?</title><content type='html'>Uma postagem de primeira linha sobre o trabalho de pesquisa, escrita com bom humor e conhecimento de causa. Lá pelas tantas, temos:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Então, o que fazemos quando estamos fazendo essa coisa chamada pesquisa? Não posso falar em nome de todo tipo de cientista, mas aqui está o que acredito serem as fases básicas de um projeto de pesquisa genérico:&lt;br /&gt;&lt;br /&gt;1. Estamos frente a uma questão, um problema, desafio ou enigma que precisa ser resolvido ou respondido.. Por exemplo, Teresa pode perguntar: "Como é que um empregador pode ajudar seu pessoal a ver o trabalho como mais significativo?"&lt;br /&gt;2. Nós desenvolvemos um método para resolver essa questão.&lt;br /&gt;3. Reunimos as ferramentas e os recursos necessários para a condução de nossa pesquisa.&lt;br /&gt;4. Executamos o estudo que responderá nossa pergunta.&lt;br /&gt;5, Analisamos os dados que surgem a partir de nossos estudos.&lt;br /&gt;6. Escrevemos nossos achados e enviamos o texto para um 'journal', onde ele é revisado por diversos (tipicamente, três) colegas anônimos que, juntamente com o editor do 'journal', decidem se o modo como respondemos a pergunta fornece uma resposta adequada e desse modo faz progredir nosso conhecimento. Se eles acharem que acrescentamos alguma coisa à totalidade do conhecimento, então - Aleluia! - nosso trabalho é publicado.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;What the Heck is Research Anyway? &lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;(A guest post by Brent Roberts)&lt;br /&gt;&lt;/strong&gt;December 20, 2011&lt;br /&gt;&lt;a href="http://hardsci.wordpress.com/2011/12/20/what-the-heck-is-research-anyway-a-guest-post-by-brent-roberts/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://hardsci.wordpress.com/2011/12/20/what-the-heck-is-research-anyway-a-guest-post-by-brent-roberts/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5299489777594235277?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5299489777594235277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5299489777594235277'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/afinal-o-que-e-pesquisa-academica.html' title='Afinal, o que é pesquisa acadêmica?'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5788976277222274318</id><published>2011-12-24T23:10:00.000-02:00</published><updated>2011-12-24T23:12:37.838-02:00</updated><title type='text'>Vai por mim...</title><content type='html'>O artigo abaixo remete a uma polêmica (altamente lucrativa para os leitores) entre Evelina Fedorenko &amp;amp; Nancy Kanwisher e Gregory Hickok, fornecendo alguns comentários e todos os links para a pendenga. Para os interessados no assunto, imperdível. (Para quem não sabe, Hickok não é um blogueiro de neurociência - é professor de neurobiologia da linguagem da UCI, University of California, Irvine).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Does functional specialization exist in the language system?&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Friday, September 3rd, 2010&lt;br /&gt;&lt;a href="http://www.talyarkoni.org/blog/tag/language/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.talyarkoni.org/blog/tag/language/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Em um recente estudo de revisão, Fedorenlo &amp;amp; Kanwisher (2009) procuraram aplicar idéias do estudo de regiões visuais funcionalmente seletivas ao estudo da linguagem. Elas propuseram a seguinte questão com respeito à neuroimagem da linguagem no título de seu trabalho: Por que não emergiu um quadro (ou figura) mais claro? E deram a seguinte resposta: É porque os cérebros diferem uns dos outros, seu burro.&lt;br /&gt;&lt;br /&gt;É claro que estou parafraseando: elas não usam exatamente essas palavras. Mas a questão básica defendida por elas é que é difícil identificar regiões funcionalmente seletivas quando v. está fazendo um rateio entre uma porção de cérebros muito diferentes. E a solução que elas propõem - novamente, importada do estudo das áreas visuais - é identificar regiões-de-interesse (ROIs: regions-of-interest) linguísticas potencialmente seletivas com base na especificidade do sujeito, mais do que procurar sustentação em análises em nível de grupo.&lt;br /&gt;&lt;br /&gt;O estudo de Fedorenko e Kanwisher, aparentemente, não agradou Greg Hickok, do Talking Brains, que já fez vários trabalhos elegantes sobre a neurobiologia da linguagem. Um resumo da reação de Hickok:&lt;br /&gt;&lt;br /&gt;Mas o que achei um pouco irritante foi a visão extremamente fraca e lamentavelmente míope do progresso (que existe) no campo da base neural da linguagem. &lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5788976277222274318?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5788976277222274318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5788976277222274318'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/vai-por-mim.html' title='Vai por mim...'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-82052408092860809</id><published>2011-12-24T23:07:00.001-02:00</published><updated>2011-12-24T23:10:07.286-02:00</updated><title type='text'>Mapeamento Cerebral</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-rCp03YL3HMI/TvZ34LhTdxI/AAAAAAAACiU/kRz2yuwWlx8/s1600/Brain%2BMapping.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 290px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5689866986278057746" border="0" alt="" src="http://4.bp.blogspot.com/-rCp03YL3HMI/TvZ34LhTdxI/AAAAAAAACiU/kRz2yuwWlx8/s400/Brain%2BMapping.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;The goal of this book is to make a link between fundamental research in the field of cognitive neurosciences, which now benefits from a better knowledge of the neural foundations of cerebral processing, and its clinical application, especially in neurosurgery – itself able to provide new insights into brain organization. The anatomical bases are presented, advances and limitations of the different methods of functional cerebral mapping are discussed, updated models of sensorimotor, visuospatial, language, memory, emotional, and executive functions are explained in detail. In the light of these data, new strategies of surgical management of cerebral lesions are proposed, with an optimization of the benefit–risk ratio of surgery. Finally, perspectives about brain connectivity and plasticity are discussed on the basis of translational studies involving serial functional neuroimaging, intraoperative cortico-subcortical electrical mapping, and biomathematical modeling of interactions between parallel distributed neural networks.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Brain Mapping: From Neural Basis of Cognition to Surgical Applications&lt;br /&gt;&lt;/em&gt;Hugues Duffau&lt;br /&gt;&lt;/strong&gt;Springer 2011 404 Pages PDF 15 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4320298615"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4320298615&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-82052408092860809?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/82052408092860809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/82052408092860809'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/mapeamento-cerebral.html' title='Mapeamento Cerebral'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-rCp03YL3HMI/TvZ34LhTdxI/AAAAAAAACiU/kRz2yuwWlx8/s72-c/Brain%2BMapping.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1413780660536980841</id><published>2011-12-24T23:04:00.001-02:00</published><updated>2011-12-24T23:06:58.973-02:00</updated><title type='text'>Evidências em Linguística</title><content type='html'>&lt;em&gt;What counts as evidence in linguistics? This question is addressed by the contributions to the present volume (originally published as a Special Issue of Studies in Language 28:3 (2004). Focusing on the innateness debate, what is illustrated is how formal and functional approaches to linguistics have different perspectives on linguistic evidence. While special emphasis is paid to the status of typological evidence and universals for the construction of Universal Grammar (UG), this volume also highlights more general issues such as the roles of (non)-standard language and historical evidence. To address the overall topic, the following three guiding questions are raised: What type of evidence can be used for innateness claims (or UG)?; What is the content of such innate features (or UG)?; and, How can UG be used as a theory guiding empirical research? A combination of articles and peer commentaries yields a lively discussion between leading representatives of formal and functional approaches.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;What Counts as Evidence in Linguistics: The case of innateness&lt;br /&gt;&lt;/em&gt;Martina Penke &amp;amp; Anette Rosenbach&lt;br /&gt;&lt;/strong&gt;Jоhn Bеnjamins Pub Co 2007 PDF 297 pages 1.34 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4305695285"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4305695285&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1413780660536980841?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1413780660536980841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1413780660536980841'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/evidencias-em-linguistica.html' title='Evidências em Linguística'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6114030324881040742</id><published>2011-12-24T22:56:00.002-02:00</published><updated>2011-12-24T23:04:18.719-02:00</updated><title type='text'>As bases neurais de processos multissensoriais</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-p_1F8UsucAk/TvZ2Lmi-3EI/AAAAAAAACiI/RuV6o0uPkV0/s1600/The%2BNeural%2BBasis%2Bof%2BMultisensory%2BProcesses.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 280px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5689865120927112258" border="0" alt="" src="http://1.bp.blogspot.com/-p_1F8UsucAk/TvZ2Lmi-3EI/AAAAAAAACiI/RuV6o0uPkV0/s400/The%2BNeural%2BBasis%2Bof%2BMultisensory%2BProcesses.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;It has become accepted in the neuroscience community that perception and performance are quintessentially multisensory by nature. Using the full palette of modern brain imaging and neuroscience methods, The Neural Bases of Multisensory Processes details current understanding in the neural bases for these phenomena as studied across species, stages of development, and clinical statuses.&lt;br /&gt;&lt;br /&gt;Organized thematically into nine sub-sections, the book is a collection of contributions by leading scientists in the field. Chapters build generally from basic to applied, allowing readers to ascertain how fundamental science informs the clinical and applied sciences.&lt;br /&gt;&lt;br /&gt;Topics discussed include:&lt;br /&gt;&lt;br /&gt;* Anatomy, essential for understanding the neural substrates of multisensory processing&lt;br /&gt;* Neurophysiological bases and how multisensory stimuli can dramatically change the encoding processes for sensory information&lt;br /&gt;* Combinatorial principles and modeling, focusing on efforts to gain a better mechanistic handle on multisensory operations and their network dynamics&lt;br /&gt;* Development and plasticity&lt;br /&gt;* Clinical manifestations and how perception and action are affected by altered sensory experience&lt;br /&gt;* Attention and spatial representations&lt;br /&gt;&lt;br /&gt;The last sections of the book focus on naturalistic multisensory processes in three separate contexts: motion signals, multisensory contributions to the perception and generation of communication signals, and how the perception of flavor is generated. The text provides a solid introduction for newcomers and a strong overview of the current state of the field for experts.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;The Neural Bases of Multisensory Processes&lt;br /&gt;&lt;/em&gt;Micah M. Murray &amp;amp; Mark T. Wallace&lt;br /&gt;&lt;/strong&gt;CRC Press 2011 809 pages PDF 17,3 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4310568645"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4310568645&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6114030324881040742?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6114030324881040742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6114030324881040742'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/as-bases-neurais-de-processos.html' title='As bases neurais de processos multissensoriais'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-p_1F8UsucAk/TvZ2Lmi-3EI/AAAAAAAACiI/RuV6o0uPkV0/s72-c/The%2BNeural%2BBasis%2Bof%2BMultisensory%2BProcesses.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6575568734967737870</id><published>2011-12-21T23:13:00.001-02:00</published><updated>2011-12-21T23:15:36.692-02:00</updated><title type='text'>Duas Músicas - Don Henley</title><content type='html'>&lt;strong&gt;Don Henley - Goodbye to a River&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://music.tonnel.ru/music/pesni/pesni2/1179997564_tonnel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://music.tonnel.ru/music/pesni/pesni2/1179997564_tonnel.mp3"&gt;http://music.tonnel.ru/music/pesni/pesni2/1179997564_tonnel.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Don Henley - The End of Innocence&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://music.tonnel.ru/music/pesni/pesni2/162082726_tonnel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://music.tonnel.ru/music/pesni/pesni2/162082726_tonnel.mp3"&gt;http://music.tonnel.ru/music/pesni/pesni2/162082726_tonnel.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6575568734967737870?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6575568734967737870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6575568734967737870'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/duas-musicas-don-henley.html' title='Duas Músicas - Don Henley'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-9017224677781726500</id><published>2011-12-21T23:11:00.000-02:00</published><updated>2011-12-21T23:13:19.542-02:00</updated><title type='text'>Boa viagem, Hitch</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-olgKM9TiZAg/TvKEAYX5NPI/AAAAAAAACh8/odhyxMef05k/s1600/Hitchens.bmp"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 271px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5688754421399893234" border="0" alt="" src="http://3.bp.blogspot.com/-olgKM9TiZAg/TvKEAYX5NPI/AAAAAAAACh8/odhyxMef05k/s400/Hitchens.bmp" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-9017224677781726500?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/9017224677781726500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/9017224677781726500'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/boa-viagem-hitch.html' title='Boa viagem, Hitch'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-olgKM9TiZAg/TvKEAYX5NPI/AAAAAAAACh8/odhyxMef05k/s72-c/Hitchens.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4216560504516124200</id><published>2011-12-21T23:06:00.001-02:00</published><updated>2011-12-21T23:11:37.115-02:00</updated><title type='text'>Mais um livro sobre Husserl</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-U5eLLbqGeew/TvKDlJzai1I/AAAAAAAAChw/H2BioDpj_zo/s1600/DW%2BSmith%2B-%2BHusserl.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 254px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5688753953632324434" border="0" alt="" src="http://3.bp.blogspot.com/-U5eLLbqGeew/TvKDlJzai1I/AAAAAAAAChw/H2BioDpj_zo/s400/DW%2BSmith%2B-%2BHusserl.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;In this stimulating introduction, David Woodruff Smith introduces the whole of Husserl’s thought, demonstrating his influence on philosophy of mind and language, on ontology and epistemology, and on philosophy of logic, mathematics and science.&lt;br /&gt;&lt;br /&gt;Starting with an overview of his life and works, and his place in twentieth-century philosophy, and in western philosophy as a whole, David Woodruff Smith introduces Husserl’s concept of phenomenology, explaining his influential theories of intentionality, objectivity and subjectivity. In subsequent chapters he covers Husserl’s logic, metaphysics, realism and transcendental idealism, and epistemology. Finally, he assesses the significance and implications of Husserl’s work for contemporary philosophy of mind and cognitive science.&lt;br /&gt;&lt;br /&gt;Including a timeline, glossary and extensive suggestions for further reading, Husserl is essential reading for anyone interested in this eminent philosopher, phenomenology or twentieth-century philosophy.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Husserl&lt;br /&gt;&lt;/em&gt;David Woodruff Smith&lt;br /&gt;&lt;/strong&gt;Routledge 2006 PDF 486 pages 2,29 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4306866835/0415289750.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4306866835/0415289750.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4216560504516124200?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4216560504516124200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4216560504516124200'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/mais-um-livro-sobre-husserl.html' title='Mais um livro sobre Husserl'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-U5eLLbqGeew/TvKDlJzai1I/AAAAAAAAChw/H2BioDpj_zo/s72-c/DW%2BSmith%2B-%2BHusserl.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2064666125193712734</id><published>2011-12-18T16:38:00.001-02:00</published><updated>2011-12-18T16:40:46.619-02:00</updated><title type='text'>Algumas Músicas - Sean Hayes</title><content type='html'>&lt;strong&gt;Sean Hayes - Flowering Spade&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://thestranger.com/extras/audio/seanhayesfloweringspade.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://thestranger.com/extras/audio/seanhayesfloweringspade.mp3"&gt;http://thestranger.com/extras/audio/seanhayesfloweringspade.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sean Hayes - Same God&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://youcrazydreamers.com/wp-content/uploads/2008/12/same-god.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://youcrazydreamers.com/wp-content/uploads/2008/12/same-god.mp3"&gt;http://youcrazydreamers.com/wp-content/uploads/2008/12/same-god.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sean Hayes - Kharma Moon&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://youcrazydreamers.com/wp-content/uploads/2008/12/kharma-moon.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://youcrazydreamers.com/wp-content/uploads/2008/12/kharma-moon.mp3"&gt;http://youcrazydreamers.com/wp-content/uploads/2008/12/kharma-moon.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sean Hayes - A Thousand Tiny Pieces&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://youcrazydreamers.com/wp-content/uploads/2008/12/a_thousand_tiny_pieces.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://youcrazydreamers.com/wp-content/uploads/2008/12/a_thousand_tiny_pieces.mp3"&gt;http://youcrazydreamers.com/wp-content/uploads/2008/12/a_thousand_tiny_pieces.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2064666125193712734?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2064666125193712734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2064666125193712734'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas-sean-hayes.html' title='Algumas Músicas - Sean Hayes'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4299027246030721673</id><published>2011-12-17T13:50:00.006-02:00</published><updated>2011-12-17T14:21:43.463-02:00</updated><title type='text'>Mestres da Música</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-N7Sq2FkzID4/Tuy6nuvf3EI/AAAAAAAAChk/5sQ0Nkh5abA/s1600/Marsalis%2Band%2BClapton.bmp"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5687125621187009602" border="0" alt="" src="http://4.bp.blogspot.com/-N7Sq2FkzID4/Tuy6nuvf3EI/AAAAAAAAChk/5sQ0Nkh5abA/s400/Marsalis%2Band%2BClapton.bmp" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"Just a Closer Walk with Thee" is a traditional gospel song that has been covered by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. (Wikipedia)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Just a Closer Walk with Thee 24' 04''&lt;br /&gt;&lt;/strong&gt;(Thanks, oleg Spb!)&lt;br /&gt;&lt;br /&gt;do CD &lt;em&gt;Wynton Marsalis and Eric Clapton play the Blues at the Lincoln Center 2011&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;Wynton Marsalis (trumpet), Eric Clapton (guitar, vocal), Dan Nimmer (piano), Carlos Henriquez (bass), Ali Jackson (drums), Marcus Printup (trumpet), Victor Goines (clarinet), Chris Crenshaw (trombone, vocals), Don Vappie (banjo), Chris Stainton (keyboard), Taj Mahal (vocals)&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.tunnel.ru/userfiles/ck/files/56/09._Just_A_Closer_Walk_With_The__28Feat._Taj_Mahal_29.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.tunnel.ru/userfiles/ck/files/56/09._Just_A_Closer_Walk_With_The__28Feat._Taj_Mahal_29.mp3"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.tunnel.ru/userfiles/ck/files/56/09._Just_A_Closer_Walk_With_The__28Feat._Taj_Mahal_29.mp3&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lyrics&lt;br /&gt;&lt;/strong&gt;(traditional)&lt;br /&gt;&lt;br /&gt;Just a closer walk with Thee,&lt;br /&gt;Grant it, Jesus, hear my plea,&lt;br /&gt;Daily walking close to Thee,&lt;br /&gt;Let it be, dear Lord, let it be.&lt;br /&gt;&lt;br /&gt;I am weak, but Thou art strong,&lt;br /&gt;Jesus, keep me from all wrong,&lt;br /&gt;I’ll be satisfied as long&lt;br /&gt;As I walk, let me walk close to Thee.&lt;br /&gt;&lt;br /&gt;Through this world of toil and snares,&lt;br /&gt;If I falter, Lord, who cares?&lt;br /&gt;Who with me my burden shares?&lt;br /&gt;None but Thee, dear Lord, none but Thee.&lt;br /&gt;&lt;br /&gt;When my feeble life is o’er,&lt;br /&gt;Time for me will be no more,&lt;br /&gt;Guide me gently, safely o’er&lt;br /&gt;To Thy kingdom's shore, to Thy shore.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4299027246030721673?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4299027246030721673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4299027246030721673'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/mestres-da-musica.html' title='Mestres da Música'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-N7Sq2FkzID4/Tuy6nuvf3EI/AAAAAAAAChk/5sQ0Nkh5abA/s72-c/Marsalis%2Band%2BClapton.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-970664174378087981</id><published>2011-12-14T16:04:00.001-02:00</published><updated>2011-12-14T16:06:12.032-02:00</updated><title type='text'>Algumas Músicas - Jolie Holland</title><content type='html'>&lt;strong&gt;Jolie Holland - Palmyra&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://aolradio.podcast.aol.com/aolmusic/mp3s/Jolie_Holland_Palmyra.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://aolradio.podcast.aol.com/aolmusic/mp3s/Jolie_Holland_Palmyra.mp3"&gt;http://aolradio.podcast.aol.com/aolmusic/mp3s/Jolie_Holland_Palmyra.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jolie Holland - Old Fashion Morphine&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://listenblog.com/mlog/dl/Old_Fashion_Morphine.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://listenblog.com/mlog/dl/Old_Fashion_Morphine.mp3"&gt;http://listenblog.com/mlog/dl/Old_Fashion_Morphine.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jolie Holland - My Old Unlucky Home Far Away&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.freakwater.net/downloads/jolie_mouhfa.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.freakwater.net/downloads/jolie_mouhfa.mp3"&gt;http://www.freakwater.net/downloads/jolie_mouhfa.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jolie Holland - Sweet Loving Man&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://quietcolor.com/media/mp3/2008_11/SweetLovingMan.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://quietcolor.com/media/mp3/2008_11/SweetLovingMan.mp3"&gt;http://quietcolor.com/media/mp3/2008_11/SweetLovingMan.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-970664174378087981?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/970664174378087981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/970664174378087981'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas-jolie-holland.html' title='Algumas Músicas - Jolie Holland'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-402461944956844144</id><published>2011-12-14T15:48:00.005-02:00</published><updated>2011-12-14T16:03:27.230-02:00</updated><title type='text'>Fábio Zanon sôbre tipos de cordas de violão</title><content type='html'>E-mail coletivo disseminado pelo Gomide.net sobre cordas de violão. Quem toca ou já tocou sabe que é um terror, mais difícil que escolher trufas brancas, a primeira babá do seu filho ou em quem votar para depufede. O texto está em javanês para quem usa cordas Canário. Mantive a redação original, como veio pela net.&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;Realmente corda é uma questão de gosto e do tipo de toque da pessoa.&lt;br /&gt;Primeira coisa: existem vários tipos de cordas da mesma marca e dizer que "acho a Savarez boa" não quer dizer absolutamente nada, porque não existem cordas mais diferentes que a Savarez vermelha e a Savarez Alliance, por exemplo.&lt;br /&gt;Na minha experiência:&lt;br /&gt;1 - Augustine azul: é a melhor corda para 4 dos meus 5 violões, o timbre mais refinado, a resposta de cor e de volume mais precisa, os baixos mais potentes e sólidos. E é a que dura mais, também. Disparado a corda mais "artística" e mais eficiente para estudar e para concerto. Só tem um problema: de cada 5 pacotes, 4 têm vindo com problemas de afinação, a maior parte das vezes na 2a corda. Para gravação ou concertos mais importantes, acabo trocando de corda 5, 6 vezes até cahar uma boa, um saco e um problema $ério.&lt;br /&gt;2 - Augustine imperial: do mesmo nível, com os mesmos problemas, parece ser um pouco mais cristalina que a azul, mas se alguém (Ricardo??) puder me dizer qual a grande diferença de tensão entre a azul, a imperial, a vermelha, a preta e a regal eu agradeço muito.&lt;br /&gt;3 - Augustine vermelha, preta e regal: só usei uma vez, não caiu bem no meu violão e nunca mais comprei.&lt;br /&gt;4 - Savarez vermelha: pra empinar pipa talvez sirva. Sabe quando auqles moleques fazem barbante cortante pra empinar pipa? É uma boa definição da Savarez vermelha, ela é áspera como a barba do Toni Ramos.&lt;br /&gt;4 - Savarez Corum: uma corda bem honesta, maleável e "artística" como a Augustine. Os baixos são brilhantes mas leves demais, e nos meus violões ficam com pouca projeção e desfiam fácil.&lt;br /&gt;5 - Savarez Alliance: "lata d´água na cabeça..." Eu consigo identificar esta corda se vc tocar duas notas, em qualquer violão. Eu não recomendo, pois é uma corda defeituosa. Talvez por ser muito fina, ela tem um som de lata d´água: uma vez que vc toca uma nota, ela faz um "loop" no espaço, fica com um buraco de frequência no meio, uma coisa até difícil de explicar, mas dá a impressão que é um toca-disco com o prato raspando, ele fica mais "lento" no meio da rotação e a afinação cai. além do que o timbre é uma coisa lancinante, parece um&lt;br /&gt;cavaquinho, um horror. É a pior corda que já provei. Em alguns violões com defeito na 3a corda, funciona usar só a terceira pra equalizar o timbre com as outras duas.&lt;br /&gt;5 - Hannabach azul e preta: nos meus violões soa como Augustine com 2 semanas de uso. Nãoé piada: uma vez estava com Augustine com 2 semanas de uso, fui trocar pra um recital e botei a Hannabach no lugar. Parecia que eu tinha posto uma cord amais velha que a que já estava. Além do quê, tive de pagar um mico em dois concertos consecutivos: no primeiro recital, arrebentou a 6a corda Hannabach. troquei tudo, no dia seguinte estourou a 1a corda. Não dá pra usar corda que arrebenta, isso é um absurdo, e não é o violão porque as outra scordas não arrebentaram.&lt;br /&gt;6 - D´Addario J47: corda honesta, com um timbre meio áspero nas primas e meio sem&lt;br /&gt;tempero nos baixos. É corda pra fazer o violão ficar mais uniforme. Como eu não gosto de tocar de maneira uniforme, pra mim só serve quando não acho nenhuma Augustine que afine, pois é a que tem menos diferença. Só que, curiosamente, depois de 5 dias, a D´Addario começa a a desafinar até mais que a Augustine.&lt;br /&gt;7 - Savarez silverpolished: os baixos são os melhores para gravação, não chiam nada, nem tocando estudo no.12 do Villa, e mantém um brilho bonito. Duram somente uma sessão de 4 ou 5 horas, mas na gravação vale o investimento.&lt;br /&gt;8 - D´Addario silverpolished: um chumbo, os piores baixos que já usei, só têm o mérito de não chiar. O John Williams usa no seu Smallman, então pra um violão bizarro, uma corda bizarra.&lt;br /&gt;9 - La Bella: talvez sirva pra fazer pulseirinha.&lt;br /&gt;10 - Aranjuez: é uma corda que melhorou muito. Eles vão me mandar uma série nova pra testar. Eram praticamente tão boas quanto a Savarez corum, só que com pouca&lt;br /&gt;durabilidade. &lt;/em&gt;"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Visite o excelente blog do homem:&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://vcfz.blogspot.com/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://vcfz.blogspot.com/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-402461944956844144?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/402461944956844144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/402461944956844144'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/fabio-zanon-sobre-os-varios-tipos-de.html' title='Fábio Zanon sôbre tipos de cordas de violão'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8696516951759241543</id><published>2011-12-14T15:42:00.002-02:00</published><updated>2011-12-14T15:47:42.080-02:00</updated><title type='text'>O Cérebro - dois livros excelentes</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-moiHDA3AcVE/TujgNUmoUhI/AAAAAAAAChM/vQ4C6og0J0c/s1600/Carter%2BBrain%2BBook.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 336px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5686041049028907538" border="0" alt="" src="http://4.bp.blogspot.com/-moiHDA3AcVE/TujgNUmoUhI/AAAAAAAAChM/vQ4C6og0J0c/s400/Carter%2BBrain%2BBook.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Estive esperando o aparecimento desse livro de Rita Carter sobre o cérebro por dois anos, desde que sua publicação originou comentários elogiosos por toda parte. Aqui está ele (mas não faço a menor idéia sobre onde arrumar o vídeo que o acompanha). De lambuja, o livro de Hanna Damasio, esposa do homem (mas com vida científica prá lá de própria), de imagens cerebrais.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Human Brain Book&lt;br /&gt;&lt;/em&gt;Rita Carter&lt;br /&gt;&lt;/strong&gt;2009 PDF 108 MB&lt;br /&gt;Dorling Kindersley Publishing&lt;br /&gt;&lt;a href="http://ifile.it/fcktap/ebooksclub.org__The_Human_Brain_Book.l_z1x3tk043x24x6n.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://ifile.it/fcktap/ebooksclub.org__The_Human_Brain_Book.l_z1x3tk043x24x6n.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;em&gt;The Human Brain Book is a complete guide to the one organ in the body that makes each of us what we are - unique individuals. It combines the latest findings from the field of neuroscience with expert text and state-of-the-art illustrations and imaging techniques to provide an incomparable insight into every facet of the brain. Layer by layer, it reveals the fascinating details of this remarkable structure, covering all the key anatomy and delving into the inner workings of the mind, unlocking its many mysteries, and helping you to understand what's going on in those millions of little gray and white cells. Tricky concepts are illustrated and explained with clarity and precision, as The Human Brain Book looks at how the brain sends messages to the rest of the body, how we think and feel, how we perform unconscious actions (for example breathing), explores the nature of genius, asks why we behave the way we do, explains how we see and hear things, and how and why we dream. Physical and psychological disorders affecting the brain and nervous system are clearly illustrated and summarized in easy-to-understand terms. The unique DVD brings the subject to life with interactive elements. These include a clickable model of the brain's structure that allows the user to zoom in and discover deeper layers of detail, while complex processes, such as the journey of a nerve impulse, are broken down and simplified through intuitive animations.&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Human Brain Anatomy in Computerized Images&lt;/em&gt;&lt;br /&gt;Hanna Damasio&lt;br /&gt;&lt;/strong&gt;Oxford University Press 560 pgs 2005 83 MB &lt;a href="http://ifile.it/yqealj/ebooksclub.org__Human_Brain_Anatomy_in_Computerized_Images.l_z1x3tk043x24x6n.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://ifile.it/yqealj/ebooksclub.org__Human_Brain_Anatomy_in_Computerized_Images.l_z1x3tk043x24x6n.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Segunda edição (a primeira é de 1995) inteiramente revisada e com novas fotografias de espécimens cerebrais também novos. A qualidade das ilustrações não chega nem aos pés do livro de Carter, e é essencialmente um livro didático.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Modern tomographic scans are revealing the structure of the human brain in unprecedented detail. This spectator progress, however, poses a critical problem for neuroscientists and practitioners of brain-related professions: how to find their way in the current tomographic images so as to identify a particular brain site, be it normal or damaged by disease? The problem is made all the more difficult by the large degree of individual neuroanatomical variation. Prepared by a leading expert in advanced brain-imaging techniques, this unique atlas is a guide to the localization of brain structures that illustrates the wide range of neuranatomical variation. It is based on the analysis of 29 normal brain obtained from three-dimensional reconstructions of magnetic resonance scans of living persons. It also provides 177 section (coronal, axial, and parasagital) of one of those brains so that the same structure presented in the section obtained in one incidence can be identified in the section of another incidence. An additional 209 sections of two incidences of two other brains with different overall configurations are included at the same incidences, so that readers can become familiar with the variability of standard images prompted by different skull shapes. Forty-six normal brains, segmented in to the major lobes, are also included. The atlas is based on a voxel-rendering technique developed in the author's laboratory that permits the reconstruction of the brain in three dimensions. The technique permits the identification of major sulci and gyri with about the same degree of precision that can be achieved at the autopsy table. The volume contains 50 pages of color illustrations. The Second Edition of this atlas offers entirely new images, all from new brain specimens. Like the first edition, it will prove to be an essential tool for neurologists, neurosurgeons, neuroradiologists, psychiatrists, and neuroscientists, as well as medical and neuroscience students. &lt;/em&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8696516951759241543?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8696516951759241543'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8696516951759241543'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/o-cerebro-dois-livros-excelentes.html' title='O Cérebro - dois livros excelentes'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-moiHDA3AcVE/TujgNUmoUhI/AAAAAAAAChM/vQ4C6og0J0c/s72-c/Carter%2BBrain%2BBook.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5182041745607597256</id><published>2011-12-13T01:50:00.001-02:00</published><updated>2011-12-13T01:51:58.029-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Derby – Don’t Believe in You&lt;br /&gt;&lt;/strong&gt;Thnaks to IndieMuse&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://indiemuse.com/wp-content/uploads/2011/02/01%20Don't%20Believe%20in%20You.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://indiemuse.com/wp-content/uploads/2011/02/01%20Don't%20Believe%20in%20You.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sydney Eayser - Lullaby&lt;/strong&gt;&lt;br /&gt;Thanks to IndieMuse&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://indiemuse.com/wp-content/uploads/2011/02/02%20Lullaby.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://indiemuse.com/wp-content/uploads/2011/02/02%20Lullaby.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kate Bush - Snowflake&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.gramotunes.com/Kate_Bush_Snowflake.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.gramotunes.com/Kate_Bush_Snowflake.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bry Webb - Rivers of Gold&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.gramotunes.com/Bry_Webb_Rivers_of_Gold.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.gramotunes.com/Bry_Webb_Rivers_of_Gold.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Unthanks - Annachie Gordon&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://3rco.org/mp3/TheUnthanks_AnnachieGordon.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://3rco.org/mp3/TheUnthanks_AnnachieGordon.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5182041745607597256?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5182041745607597256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5182041745607597256'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas_13.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-433401597770681203</id><published>2011-12-13T01:47:00.001-02:00</published><updated>2011-12-13T01:49:56.295-02:00</updated><title type='text'>Vídeo</title><content type='html'>&lt;strong&gt;Ox - Nico&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.youtube.com/watch?v=pynQHJVi8AA"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.youtube.com/watch?v=pynQHJVi8AA&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-433401597770681203?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/433401597770681203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/433401597770681203'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/video.html' title='Vídeo'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4663914109106758119</id><published>2011-12-13T01:42:00.001-02:00</published><updated>2011-12-13T01:46:32.934-02:00</updated><title type='text'>Para uma Teoria Essencial Unificada da Psiquiatria</title><content type='html'>O artigo comentado abaixo faz parte de um grupo de artigos apresentados sob o título &lt;em&gt;The Big Question: Why are we here?&lt;/em&gt; - no site Psychology Today. Li alguns e gostei da maioria.&lt;br /&gt;&lt;a href="http://www.psychologytoday.com/collections/201112/the-big-question-why-are-we-here"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.psychologytoday.com/collections/201112/the-big-question-why-are-we-here&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Toward a Grand Unified Theory of Psychiatry&lt;br /&gt;Humans are complicated, the pathology of mental illness less so&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Published on December 9, 2011&lt;br /&gt;by &lt;strong&gt;Emily Deans&lt;/strong&gt;, M.D. in Evolutionary Psychiatry&lt;br /&gt;&lt;a href="http://www.psychologytoday.com/collections/201112/the-big-question-why-are-we-here/toward-grand-unified-theory-psychiatry"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.psychologytoday.com/collections/201112/the-big-question-why-are-we-here/toward-grand-unified-theory-psychiatry&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Para uma Teoria Essencial Unificada da Psiquiatria&lt;br /&gt;Os humanos são complicados, a patologia da doença mental um pouco menos&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Na procura pela patologia psiquiátrica, sou uma reducionista. Toda doença psiquiátrica (e acho que toda doença crônica ocidental seja similar) tem a mesma patologia básica da inflamação, e o tratamento deveria começar com o mesmo aconselhamento anti-inflamatório: uma dieta saudável sem alimentos processados, exercício, aprendizado de como lidar saudavelmente com obstáculos e diminuir o estresse, e um bom sono.&lt;br /&gt;&lt;br /&gt;Em nível individual, é claro, não é tão simples. Não posso ser uma médica eficiente para você se não conhecer suas experiências e como você lida com elas, e sem passar tempo suficiente com você para saber como você vai levando a vida. Dessa maneira posso modular meu aconselhamento para ir de encontro ao modo como você está. E aqui está, de modo resumido, a falha da medicina moderna. Ela tenta substituir um relacionamento pessoal por testes e algoritmos, em nome da ciência, da eficiência e da rapidez. O problema é que, para um médico (especialmente os que fazem a primeira consulta), tal prática assassina a alma (quem quer ser responsável, especialmente em uma sociedade litigiosa, pela saúde de 5.000 pacientes que v. mal conhece?). Para o Estado, o algoritmo é dispendioso, descuidado e perigoso. Ele funciona muito bem com o paciente prototípico e em algumas áreas óbvias como contagens e verificações de segurança em uma sala de operações, mas assim que chega alguém com muitas esquisitices e complicações humanas os dados somem pela janela. Os dados e o aconselhamento generalizado utilizados em medicina preventiva não são tão sólidos como v. poderia pensar - painéis sobre colesterol, por exemplo, dietas de pouca gordura, ou restrição do sal. Eu prefiro começar com o bom senso e um modelo evolutivo da saúde humana.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Depois de se estender um pouco ( e bem) sobre suas experiências terapêuticas, diz Emily Deans - falando principalmente de um artigo da Nature que ela cita pouco antes e do qual fornece o link:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Um pouco sobre ansiedade. Ela é o distúrbio psiquiátrico de maior ocorrência, afetando 18,1% dos americanos anualmente, mas é notável que seja estudada em sentido rigoroso bem menos do que a esquizofrenia ou os distúrbios do espectro autista, que são mais raros. Alguns distúrbios de ansiedade parecem estar baseados em um temperamento ansioso (distúrbio de ansiedade generalizada, distúrbios de pânico, etc.), ao passo que outros se baseiam em estressores óbvios (fobias, PTSD - post-traumatic stress disorder). Outros são mistos, como o distúrbio obsessivo compulsivo. A ansiedade, tipicamente, caminha de mãos dadas com a depressão (pelo menos nos pacientes que atendo), e cria um paciente mais complexo e mais resistente ao tratamento típico. Em geral, a ansiedade pode ser definida como uma reatividade patológica aumentada ao meio ambiente, dirigida por medo e incerteza à luz de ameaças percebidas.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Os distúrbios de ansiedade são o distúrbio prototípico do mundo moderno, onde nossos cérebros de caçadores-coletores estão tentando se lembrar de 50 senhas, da ameaça da H1N1 e de terrorismo, raptos e acidentes automobilísticos.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;As demais associações e os muitos exemplos apresentados pela autora tendem para a seara genética e procuram ilustrar sua ênfase numa visão evolutiva dos distúrbios psiquiátricos. Anyways, um bom artigo, sem dúvida.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4663914109106758119?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4663914109106758119'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4663914109106758119'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/para-uma-teoria-essencial-unificada-da.html' title='Para uma Teoria Essencial Unificada da Psiquiatria'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6024554315053822024</id><published>2011-12-12T00:32:00.002-02:00</published><updated>2011-12-12T00:43:41.204-02:00</updated><title type='text'>Outro golpe por mail - UFSC</title><content type='html'>Os administradores dos serviços de e-mail da Universidade Federal de Minas Gerais, da Embrapa e agora da Universidade Federal de Santa Catarina não estão com nada. Esta é a terceira e última vez que coloco aqui uma postagem sobre "golpe por e-mail" (não adianta nada), sendo que agora a dona da conta é a estudante de graduação Karen Roberta Tancredo (Engenharia de Aquicultura). Srta. Tancredo, estão utilizando seu mail &lt;a href="mailto:karentancredo@grad.ufsc.br"&gt;karentancredo@grad.ufsc.br&lt;/a&gt; para dar golpes pela internet - solicite providências de sua instituição... Boa sorte nessa!&lt;br /&gt;&lt;br /&gt;Veja as postagens:&lt;br /&gt;&lt;br /&gt;Golpe por e-mail vem do Instituto de Ciências Biológicas da UFMG (17.11.2011)&lt;br /&gt;Golpe por e-mail vem da Embrapa (07.12.2011)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6024554315053822024?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6024554315053822024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6024554315053822024'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/outro-golpe-por-mail-ufsc.html' title='Outro golpe por mail - UFSC'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8155834554100398341</id><published>2011-12-10T12:06:00.001-02:00</published><updated>2011-12-10T12:08:33.238-02:00</updated><title type='text'>Algumas Músicas - Blitzen Trapper etc.</title><content type='html'>&lt;strong&gt;Blitzen Trapper - Heaven And Earth&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://downloads.pitchforkmedia.com/Blitzen Trapper - Heaven and Earth.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://downloads.pitchforkmedia.com/Blitzen Trapper - Heaven and Earth.mp3 &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blitzen Trapper - Black River Killer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://brokensilence.us/Killer.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://brokensilence.us/Killer.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blitzen Trapper - Furr&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://radioexile.com/wordpress/wp-content/uploads/2008/09/blitzentrapper-furr.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://radioexile.com/wordpress/wp-content/uploads/2008/09/blitzentrapper-furr.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Silversun Pickups - Rusted Wheel&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://glader.ru/media/data/mp3/01_-_Silversun_Pickups_-_Rusted_Wheel.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://glader.ru/media/data/mp3/01_-_Silversun_Pickups_-_Rusted_Wheel.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Silversun Pickups - Booksmart Devil&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.sonicitchmusic.com/mp3s/03 Booksmart Devil.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.sonicitchmusic.com/mp3s/03 Booksmart Devil.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8155834554100398341?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8155834554100398341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8155834554100398341'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas-blitzen-trapper-etc.html' title='Algumas Músicas - Blitzen Trapper etc.'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8473329031754169508</id><published>2011-12-10T12:04:00.001-02:00</published><updated>2011-12-10T12:06:06.504-02:00</updated><title type='text'>Blues Everyday</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-05oy4IOIJLc/TuNnLpDdWwI/AAAAAAAAChA/DgqMAW8TVrU/s1600/Robert%2BJohnson.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 299px; DISPLAY: block; HEIGHT: 168px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5684500604368280322" border="0" alt="" src="http://1.bp.blogspot.com/-05oy4IOIJLc/TuNnLpDdWwI/AAAAAAAAChA/DgqMAW8TVrU/s400/Robert%2BJohnson.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;ilustração: Robert Johnson&lt;br /&gt;&lt;br /&gt;O blog Blues Everyday é uma tremenda descoberta (meio atrasada - parece que ele existe desde 2007). Nada mais é preciso ser dito, porque é música o tempo todo e de alta qualidade. Aqui:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blueseveryday.blogspot.com/"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.blueseveryday.blogspot.com/&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8473329031754169508?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8473329031754169508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8473329031754169508'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/blues-everyday.html' title='Blues Everyday'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-05oy4IOIJLc/TuNnLpDdWwI/AAAAAAAAChA/DgqMAW8TVrU/s72-c/Robert%2BJohnson.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8211215485094355694</id><published>2011-12-10T11:51:00.002-02:00</published><updated>2011-12-10T14:38:50.126-02:00</updated><title type='text'>Uma avaliação da neurociência cognitiva</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-z0qqtYU-7ho/TuNkTRrhDnI/AAAAAAAACg0/b2SsnMPCv5Y/s1600/Mind%2Band%2BBrain.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 389px; DISPLAY: block; HEIGHT: 384px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5684497436997914226" border="0" alt="" src="http://4.bp.blogspot.com/-z0qqtYU-7ho/TuNkTRrhDnI/AAAAAAAACg0/b2SsnMPCv5Y/s400/Mind%2Band%2BBrain.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Cognitive neuroscience explores the relationship between our minds and our brains, most recently by drawing on brain imaging techniques to align neural mechanisms with psychological processes. In Mind and Brain, William Uttal offers a critical review of cognitive neuroscience, examining both its history and modern developments in the field. He pays particular attention to the role of brain imaging--especially functional magnetic resonance imaging (fMRI)--in studying the mind-brain relationship. He argues that, despite the explosive growth of this new mode of research, there has been more hyperbole than critical analysis of what experimental outcomes really mean. With Mind and Brain, Uttal attempts a synoptic synthesis of this substantial body of scientific literature. After an introductory discussion, he turns to his main theme: what neuroscience and psychology have contributed to each other. He considers specific empirical findings in such fields as sensation, perception, emotion and affect, learning and memory, and consciousness. For each field, he considers psychological and behavioral concerns that can help guide the neuroscienctific discussion; work done before the advent of imaging systems; and what brain imaging has brought to recent research. Cognitive neuroscience, Uttal argues, is truly both cognitive and neuroscientific. Both approaches are necessary and neither is sufficient to make sense of the greatest scientific issue of all: how the brain makes the mind.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Mind and Brain: A Critical Appraisal of Cognitive Neuroscience&lt;/em&gt;&lt;br /&gt;William R. Uttal&lt;br /&gt;&lt;/strong&gt;The MIT Press 2011 528 pages PDF 2,3 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4144568245/026201596XMindBrain.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4144568245/026201596XMindBrain.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8211215485094355694?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8211215485094355694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8211215485094355694'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/uma-avaliacao-da-neurociencia.html' title='Uma avaliação da neurociência cognitiva'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-z0qqtYU-7ho/TuNkTRrhDnI/AAAAAAAACg0/b2SsnMPCv5Y/s72-c/Mind%2Band%2BBrain.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-6724253189379474072</id><published>2011-12-08T04:16:00.003-02:00</published><updated>2011-12-08T04:20:50.471-02:00</updated><title type='text'>A base anatômica da neurociência clínica</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-LtfHnBG2Tf8/TuBW0oc_ipI/AAAAAAAACgo/CbWI31Lvj3U/s1600/Gray%2527s%2BClinical%2BNeuroanatomy.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 308px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5683638191953775250" border="0" alt="" src="http://4.bp.blogspot.com/-LtfHnBG2Tf8/TuBW0oc_ipI/AAAAAAAACgo/CbWI31Lvj3U/s400/Gray%2527s%2BClinical%2BNeuroanatomy.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Esse livro exemplifica notavelmente a expressão "fartamente ilustrado". Descobri o link há poucas horas, fiz o download e tudo funciona a contento. (Tremendo índice...) Aí está ele para os leitores.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Gray's Clinical Neuroanatomy focuses on how knowing functional neuroanatomy is essential for a solid neurologic background for patient care in neurology. Elliot Mancall, David Brock, Susan Standring and Alan Crossman present the authoritative guidance of Gray's Anatomy along with 100 clinical cases to highlight the relevance of anatomical knowledge in this body area and illustrate the principles of localization.Master complex, detailed, and difficult areas of anatomy with confidence.View illustrations from Gray's Anatomy and radiographs that depict this body area in thorough anatomical detail.Apply the principles of localization thanks to 100 brief case studies that highlight key clinical conditions.Tap into the anatomical authority of Gray's Anatomy for high quality information from a name you trust.Presents the guidance and expertise of a high profile team of authors and top clinical and academic contributors.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Gray's Clinical Neuroanatomy: The Anatomic Basis for Clinical Neuroscience&lt;/em&gt;&lt;br /&gt;Elliott L. Mancall &amp;amp; David G. Brock&lt;br /&gt;&lt;/strong&gt;Copyright © 2011 by Saunders, an imprint of Elsevier Inc.&lt;br /&gt;1st edition (March 10, 2011) 448 pages PDF 140 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4125504355/1416047050.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4125504355/1416047050.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-6724253189379474072?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6724253189379474072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/6724253189379474072'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/base-anatomica-da-neurociencia-clinica.html' title='A base anatômica da neurociência clínica'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-LtfHnBG2Tf8/TuBW0oc_ipI/AAAAAAAACgo/CbWI31Lvj3U/s72-c/Gray%2527s%2BClinical%2BNeuroanatomy.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8241739392630824441</id><published>2011-12-07T00:24:00.000-02:00</published><updated>2011-12-07T00:25:41.266-02:00</updated><title type='text'>Golpe por e-mail vem da Embrapa</title><content type='html'>Em 17 de novembro último postei aqui a notícia de que um mail do Instituto de Ciências Biológicas da UFMG estava sendo usado para golpes do tipo "mande seus dados e ganhe um zilhão de reais". Ontem recebi outro mail desses, só que da Embrapa, e pertencente a:&lt;br /&gt;&lt;br /&gt;2) Marcos Antonio de Freitas – Presidente da Associação dos Empregados da Embrapa&lt;br /&gt;Gado de Leite (AEE-GL) – Embrapa Gado de Leite, Rodovia MG 133, km, 42, CEP 36.155-000, Coronel Pacheco, MG. Fone: (32) 3249-4919. E-mail: maf@cnpgl.embrapa.br&lt;br /&gt;&lt;br /&gt;Essa informação acima encontra-se no site:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.cnpgl.embrapa.br/nova/aunidade/artigos/atividades_culturais_integracao.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.cnpgl.embrapa.br/nova/aunidade/artigos/atividades_culturais_integracao.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Será que a Embrapa vai tomar alguma providência ou não dar pelota (como fez o Instituto da UFMG - depreendo isso porque nada me foi comunicado depois que denunciei o fato).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8241739392630824441?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8241739392630824441'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8241739392630824441'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/golpe-por-e-mail-vem-da-embrapa.html' title='Golpe por e-mail vem da Embrapa'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-3681489016079441329</id><published>2011-12-06T01:44:00.002-02:00</published><updated>2011-12-06T01:48:58.208-02:00</updated><title type='text'>Algumas Músicas - Son Volt</title><content type='html'>&lt;strong&gt;Son Volt - Cocaine and Ashes&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://luxurywafers.com/mp3s/SonVolt_CocaineAndAshes.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://luxurywafers.com/mp3s/SonVolt_CocaineAndAshes.mp3"&gt;http://luxurywafers.com/mp3s/SonVolt_CocaineAndAshes.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Son Volt - Too Early&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.olsvik.info//10 Too Early.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.olsvik.info//10%20Too%20Early.mp3 "&gt;http://www.olsvik.info//10 Too Early.mp3 &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Son Volt - World Waits For You&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://greysoundtracks.free.fr/musiques/saison 3/Season 3 Episode 10 - 03 Son Volt - World Waits For You.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://greysoundtracks.free.fr/musiques/saison%203/Season%203%20Episode%2010%20-%2003%20Son%20Volt%20-%20World%20Waits%20For%20You.mp3"&gt;http://greysoundtracks.free.fr/musiques/saison 3/Season 3 Episode 10 - 03 Son Volt - World Waits For You.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Son Volt - Tear Stained Eye&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://chewingwater.typepad.com/chris_krukewitt/files/son_volttear_stained_eye.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://chewingwater.typepad.com/chris_krukewitt/files/son_volttear_stained_eye.mp3"&gt;http://chewingwater.typepad.com/chris_krukewitt/files/son_volttear_stained_eye.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Son Volt - Drown&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.jakeontour.com/media/Son_Volt_-_Drown.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.jakeontour.com/media/Son_Volt_-_Drown.mp3"&gt;http://www.jakeontour.com/media/Son_Volt_-_Drown.mp3&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Son Volt - Mystifies Me&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://antinomian.com/trans/sonvolt/son_volt-mystifies_me.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://antinomian.com/trans/sonvolt/son_volt-mystifies_me.mp3"&gt;http://antinomian.com/trans/sonvolt/son_volt-mystifies_me.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-3681489016079441329?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3681489016079441329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/3681489016079441329'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas-son-volt.html' title='Algumas Músicas - Son Volt'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5082326164251786566</id><published>2011-12-06T01:41:00.002-02:00</published><updated>2011-12-06T01:43:57.775-02:00</updated><title type='text'>Brahms e seu Mundo</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-ixctE0KtOlk/Tt2PIQdyVSI/AAAAAAAACgc/PX9fakZ_Q2Y/s1600/Brahms%2Band%2BHis%2BWorld.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 265px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5682855676833060130" border="0" alt="" src="http://3.bp.blogspot.com/-ixctE0KtOlk/Tt2PIQdyVSI/AAAAAAAACgc/PX9fakZ_Q2Y/s400/Brahms%2Band%2BHis%2BWorld.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists.&lt;br /&gt;&lt;br /&gt;The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.&lt;br /&gt;&lt;br /&gt;'Almost exactly twice as long as the original publication, this revised edition of Brahms and His World presents new perspectives on Brahms that have come to light over the past two decades. . . . A worthy replacement of its predecessor, this well-illustrated volume concludes with a catalog of books, compositions, and artworks dedicated to the composer through the end of the 19th century.'&lt;/em&gt; (Choice )&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Brahms and His World&lt;br /&gt;&lt;/em&gt;Walter Frisch &amp;amp; Kevin C. Karnes - editors&lt;br /&gt;&lt;/strong&gt;Princeton University Press 2009 480 pages PDF 3 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4102277795"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4102277795&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5082326164251786566?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5082326164251786566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5082326164251786566'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/brahms-e-seu-mundo.html' title='Brahms e seu Mundo'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ixctE0KtOlk/Tt2PIQdyVSI/AAAAAAAACgc/PX9fakZ_Q2Y/s72-c/Brahms%2Band%2BHis%2BWorld.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7022730591815409689</id><published>2011-12-06T01:39:00.001-02:00</published><updated>2011-12-06T01:41:15.923-02:00</updated><title type='text'>Tristan und Isolde, de Wagner - uma análise</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-ZCn1KzZKGTo/Tt2OsSIYsNI/AAAAAAAACgQ/wQk3ZsUOb_U/s1600/the%2Btragic%2Band%2Bthe%2Becstatic.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 263px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5682855196243833042" border="0" alt="" src="http://1.bp.blogspot.com/-ZCn1KzZKGTo/Tt2OsSIYsNI/AAAAAAAACgQ/wQk3ZsUOb_U/s400/the%2Btragic%2Band%2Bthe%2Becstatic.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan und Isolde&lt;br /&gt;&lt;/em&gt;Eric Chafe&lt;br /&gt;&lt;/strong&gt;Oxford University Press 2005 344 pages PDF 3,1 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4099518155"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4099518155&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7022730591815409689?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7022730591815409689'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7022730591815409689'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/tristan-und-isolde-de-wagner-uma.html' title='Tristan und Isolde, de Wagner - uma análise'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-ZCn1KzZKGTo/Tt2OsSIYsNI/AAAAAAAACgQ/wQk3ZsUOb_U/s72-c/the%2Btragic%2Band%2Bthe%2Becstatic.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4714686442795302319</id><published>2011-12-06T01:35:00.002-02:00</published><updated>2011-12-06T01:38:57.960-02:00</updated><title type='text'>Estatística na planilha Excel</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-GzianKrDGf8/Tt2N94u_puI/AAAAAAAACgE/urFxbQs34ak/s1600/Estat%25C3%25ADstica%2Bna%2Bplanilha%2BExcel.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 319px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5682854399152465634" border="0" alt="" src="http://2.bp.blogspot.com/-GzianKrDGf8/Tt2N94u_puI/AAAAAAAACgE/urFxbQs34ak/s400/Estat%25C3%25ADstica%2Bna%2Bplanilha%2BExcel.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;Em 26 de maio de 2011 foi postado aqui um livro semelhante, de Conrad Carlberg. Quem sabe esse aqui o complementa, ajuda mais um pouco?&lt;br /&gt;&lt;br /&gt;&lt;em&gt;You too can understand the statistics of life, even if you're math-challenged!&lt;br /&gt;What do you need to calculate? Manufacturing output? A curve for test scores? Sports stats? You and Excel can do it, and this non-intimidating guide shows you how. It demystifies the different types of statistics, how Excel functions and formulas work, the meaning of means and medians, how to interpret your figures, and more — in plain English.&lt;br /&gt;• Getting there — learn how variables, samples, and probability are used to get the information you want&lt;br /&gt;• Excel tricks — find out what's built into the program to help you work with Excel formulas&lt;br /&gt;• Playing with worksheets — get acquainted with the worksheet functions for each step&lt;br /&gt;• Graphic displays — present your data as pie graphs, bar graphs, line graphs, or scatter plots&lt;br /&gt;• What's normal? — understand normal distribution and probability&lt;br /&gt;• Hyping hypotheses — learn to use hypothesis testing with means and variables&lt;br /&gt;• When regression is progress — discover when and how to use regression for forecasting&lt;br /&gt;• What are the odds — work with probability, random variables, and binomial distribution&lt;br /&gt;Open the book and find:&lt;br /&gt;• Ten statistical and graphical tips and traps&lt;br /&gt;• The difference between descriptive and inferential statistics&lt;br /&gt;• Why graphs are good&lt;br /&gt;• How to measure variations&lt;br /&gt;• What standard scores are and why they're used&lt;br /&gt;• When to use two-sample hypothesis testing&lt;br /&gt;• How to use correlations&lt;br /&gt;• Different ways of working with probability&lt;br /&gt;&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;&lt;em&gt;Statistical Analysis with Excel For Dummies&lt;/em&gt;&lt;br /&gt;Joseph Schmuller&lt;br /&gt;&lt;/strong&gt;Publisher: For Dummies edition 2009 504 Pages EPUB 7 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4101561505"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4101561505&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4714686442795302319?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4714686442795302319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4714686442795302319'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/estatistica-na-planilha-excel.html' title='Estatística na planilha Excel'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-GzianKrDGf8/Tt2N94u_puI/AAAAAAAACgE/urFxbQs34ak/s72-c/Estat%25C3%25ADstica%2Bna%2Bplanilha%2BExcel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7971172058125189808</id><published>2011-12-04T15:18:00.003-02:00</published><updated>2011-12-04T15:40:23.218-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>&lt;strong&gt;Darrell Scott - Goodle USA&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://freechannel.org/GoodOlUSA.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://freechannel.org/GoodOlUSA.mp3"&gt;http://freechannel.org/GoodOlUSA.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tim O'Brien and Darrell Scott - Walk Beside Me&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.deltamountainboys.com/mp3/walkbesideme.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.deltamountainboys.com/mp3/walkbesideme.mp3"&gt;http://www.deltamountainboys.com/mp3/walkbesideme.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Son Volt - Down to the Wire&lt;/strong&gt;&lt;br /&gt;Thanks to 3hive&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://loudfeed.s3.amazonaws.com/assets/17416/02_Down_To_The_Wire.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://loudfeed.s3.amazonaws.com/assets/17416/02_Down_To_The_Wire.mp3"&gt;http://loudfeed.s3.amazonaws.com/assets/17416/02_Down_To_The_Wire.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;William Fitzsimmons - If you would come back home&lt;/strong&gt;&lt;br /&gt;Thanks to 3hive&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://media.libsyn.com/media/threehive/wfitzsimmons-ifyouwould.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://media.libsyn.com/media/threehive/wfitzsimmons-ifyouwould.mp3"&gt;http://media.libsyn.com/media/threehive/wfitzsimmons-ifyouwould.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmissionary Six - Infrared&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.glitterhouse.com/img/downloads/01%20Infrared.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.glitterhouse.com/img/downloads/01%20Infrared.mp3"&gt;http://www.glitterhouse.com/img/downloads/01%20Infrared.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Transmissionary Six - 540 Zero Gravity&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.digitalwell.washington.edu/dw/1/51/9d/9dbbd2a9-ce2a-4b57-a8de-5a2d1fbd8594.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.digitalwell.washington.edu/dw/1/51/9d/9dbbd2a9-ce2a-4b57-a8de-5a2d1fbd8594.mp3"&gt;http://www.digitalwell.washington.edu/dw/1/51/9d/9dbbd2a9-ce2a-4b57-a8de-5a2d1fbd8594.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Transmissionary Six - Sermon On The Hatchback&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://sound.hinah.com/hinahgift005/3_t6_sermon_of_the_hatchback.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://sound.hinah.com/hinahgift005/3_t6_sermon_of_the_hatchback.mp3"&gt;http://sound.hinah.com/hinahgift005/3_t6_sermon_of_the_hatchback.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Broken Family Band - You Broke My Fucking Heart&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.beat-surrender.com/wp-content/uploads/2011/02/The-Broken-Family-Band-You-Broke-My-Fucking-Heart.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.beat-surrender.com/wp-content/uploads/2011/02/The-Broken-Family-Band-You-Broke-My-Fucking-Heart.mp3"&gt;http://www.beat-surrender.com/wp-content/uploads/2011/02/The-Broken-Family-Band-You-Broke-My-Fucking-Heart.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lex Land - As much as you lead&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.shorefire.com/media/As_Much_As_You_Lead_20081121_133613.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.shorefire.com/media/As_Much_As_You_Lead_20081121_133613.mp3"&gt;http://www.shorefire.com/media/As_Much_As_You_Lead_20081121_133613.mp3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blind Pilot - Paint or Pollen&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://media.libsyn.com/media/threehive/Blind_Pilot-Paint_Or_Pollen.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://media.libsyn.com/media/threehive/Blind_Pilot-Paint_Or_Pollen.mp3"&gt;http://media.libsyn.com/media/threehive/Blind_Pilot-Paint_Or_Pollen.mp3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7971172058125189808?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7971172058125189808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7971172058125189808'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7929251203697117402</id><published>2011-12-04T15:13:00.004-02:00</published><updated>2011-12-04T20:10:28.063-02:00</updated><title type='text'>Anestesia e consciência</title><content type='html'>O leitor João M. T. Rubio, que recentemente nos apresentou Lucy Carrillo Castillo (ver postagem &lt;em&gt;A Gripe&lt;/em&gt;, de 7 de outubro de 2011), enviou mais uma boa contribuição:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Banishing consciousness: the mystery of anaesthesia&lt;br /&gt;&lt;/strong&gt;29 November 2011 by Linda Geddes&lt;br /&gt;&lt;a href="http://www.newscientist.com/article/mg21228402.300-banishing-consciousness-the-mystery-of-anaesthesia.html?full=true"&gt;&lt;strong&gt;http://www.newscientist.com/article/mg21228402.300-banishing-consciousness-the-mystery-of-anaesthesia.html?full=true&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Da. Linda deixa bem claro logo no início:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Mesmo nossa tecnologia crescentemente sofisticada para investigação do inteior do cérebro, de modo desapontador, não conseguiu revelar uma estrutura que pudesse ser o local da consciência.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;E pergunta depois:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Mas será realista esperar encontrar um local ou locais distintos que ajam como o "interruptor" da mente? Não de acordo com uma das principais teorias da consciência que vêm se firmando na última década, e que afirma que a consciência é um fenômeno mais amplamente distribuído. Nessa teoria de um "espaço global", as informações sensoriais aferentes são primeiro processadas localmente em regiões cerebrais distintas, sem que fiquemos cônscios delas. Só nos tornamos conscientes da experiência se esses sinais forem transmitidos para uma rede de neurônios espalhada por todo o cérebro, que então começam a se ativar em sincronia.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Como diz o nome do artigo, a consciência anestesiada é o assunto do dia. Fica implícito que a rede que cria o "espaço global" não se estabelece, ainda que investigações com fMRI e EEG demonstrem que o cérebro responde a estímulos de fala. Eis o parágrafo:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Owens e colegas já demonstraram anteriormente que as pessoas em PVS (&lt;/em&gt;persistent vegetative state - estado vegetativo persistente, também chamado de coma&lt;em&gt;) reagem à fala com atividade elétrica cerebral. Mais recentemente ele fez experimentos em pessoas anestesiadas progressivamente com propofol. Mesmo quando pesadamente sedadas, seus cérebros reagiam à fala. Mas um exame mais minucioso revelou que as partes do cérebro que decodificam o significado da fala estavam de fato desligadas, provocando uma segunda opinião sobre o que estava ocorrendo com as pessoas em PVS. "Durante anos, estivemos observando pacientes em coma e em estado vegetativo cujos cérebros reagiam à fala e ficávamos terrivelmente seduzidos por aquelas imagens, pensando que eles estavam conscientes", diz Owen. "Isto nos diz que eles não estão conscientes".&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Mas existe uma diferença importante na avaliação/descrição da profundidade anestésica utilizada. Indo ao artigo de Owen e colegas que está linkado nesse último parágrafo, ficamos sabendo que a expressão "profundamente sedado" se refere a um estado onde o paciente apresenta "&lt;em&gt;no conversational response, rousable by loud command&lt;/em&gt;", isto é, não quer conversa mas acorda se v. gritar com ele. Esse artigo é:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Dissociating speech perception and comprehension at reduced levels of awareness&lt;br /&gt;&lt;/em&gt;Matthew H. Davis et al.&lt;/strong&gt;&lt;br /&gt;PNAS October 9, 2007 vol. 104 no. 41 16032-16037&lt;br /&gt;&lt;a href="http://www.pnas.org/content/104/41/16032.full.pdf+html"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.pnas.org/content/104/41/16032.full.pdf+html&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Espero que não desliguem os aparelhos de ninguém enquanto essa situação não ficar mais clara.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;-----------------------------------------------------&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Um adendo: leia também o excelente artigo de Alfredo Pereira Jr (professor adjunto do Instituto de Biociências da UNESP)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Biophysical Mechanisms Supporting Conscious Perception: Prospects for an Artificial Astrocyte&lt;/em&gt;&lt;br /&gt;Alfredo Pereira Jr&lt;br /&gt;&lt;/strong&gt;Adjunct Professor – São Paulo State University (UNESP) Institute of Biosciences&lt;br /&gt;Nature Precedings : doi:10.1038/npre.2011.6484.1 : Posted 2 Oct 2011&lt;br /&gt;&lt;a href="http://precedings.nature.com/documents/6484/version/1/files/npre20116484-1.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://precedings.nature.com/documents/6484/version/1/files/npre20116484-1.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;Prezado professor, temos por acaso uma versão em português desse artigaço?&lt;br /&gt;&lt;br /&gt;----------------------&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Um adendo:&lt;/strong&gt; enviei um mail para o Professor Alfredo Pereira Jr. e ele respondeu com a maior cortesia e presteza, nos dando as seguintes dicas:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;CIÊNCIAS DO CÉREBRO E A CONSCIÊNCIA HUMANA: UMA PERSPECTIVA ASTROCÊNTRICA&lt;br /&gt;&lt;/em&gt;Alfredo Pereira Junior&lt;br /&gt;&lt;/strong&gt;Rev. Simbio-Logias, V.3, n.4, Junho/2010&lt;br /&gt;&lt;a href="http://www.ibb.unesp.br/servicos/publicacoes/simbio_logias/documentos/v3n4/Ciencias%20do%20Cerebro%20e%20a%20Consciencia%20Humana.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.ibb.unesp.br/servicos/publicacoes/simbio_logias/documentos/v3n4/Ciencias%20do%20Cerebro%20e%20a%20Consciencia%20Humana.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Resumo&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Qual a relação entre consciência e atividade cerebral? É possível que a atividade cerebral que dá suporte à consciência não seja uma função neuronal? Neste breve ensaio, apresento uma nova perspectiva nas Ciências do Cérebro, a Hipótese Astrocêntrica, proposta por James Robertson, que considera o astrócito como estágio final do processamento da informação que atinge a consciência. A rede astrocitária, formada pela conexão entre astrócitos das diversas regiões cerebrais, seria responsável pela integração de aspectos afetivos, emocionais, perceptivos e cognitivos em uma totalidade una e coerente, correspondendo ao “aqui e agora” de nossa experiência individual.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Os novos astros do cérebro&lt;br /&gt;&lt;/em&gt;Luciana Christante&lt;br /&gt;&lt;/strong&gt;Revista Unesp Ciência - Fevereiro de 2010&lt;br /&gt;&lt;a href="http://www.unesp.br/aci_ses/revista_unespciencia/acervo/05/neurociencia-reloaded"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.unesp.br/aci_ses/revista_unespciencia/acervo/05/neurociencia-reloaded&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;(...)&lt;br /&gt;&lt;em&gt;Existe até uma hipótese astrocêntrica, segundo a qual a rede de astrócitos seria uma espécie de cópia da rede neuronal, instante a instante, mas codificada numa outra linguagem. Enquanto os neurônios “conversam” por meio de descargas elétricas, os astrócitos se comunicariam através das descargas de ondas de cálcio.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A ideia foi proposta em 2002 no Journal of Physiology pelo americano James M. Robertson, que curiosamente não é um acadêmico e dirige a empresa Artificial Ingenuity (de sistemas de inteligência artificial), em Phoenix, Arizona. Para ele, “a sinapse é o penúltimo passo no processamento de informação. O estágio final, que leva à consciência, à formação de memórias e a outras funções do córtex, ocorreria dentro da rede astrocitária cortical, depois que a informação é transferida para os receptores dos astrócitos em cada sinapse tripartite.” Traduzindo para uma linguagem leiga, é como se os astrócitos estivessem escutando tudo o que os neurônios falam, captassem e integrassem essas informações para gerar a consciência. Há quem diga que os limitados progressos das redes de inteligência artificial decorram da ausência de elementos que simulem os astrócitos.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Alfredo Pereira Jr.&lt;/strong&gt; também enviou um artigo que investiga o que diz seu título, com a conclusão de que as habilidades psicomotoras são bastante incrementadas com o estudo de música (tocando bateria), e pelo que sei só os vizinhos dos bateristas é que não ficaram satisfeitos.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Contribuição do estudo de bateria para o desenvolvimento de habilidades psicomotoras gerais&lt;br /&gt;&lt;/em&gt;Felipe Viegas Rodrigues e Alfredo Pereira Jr.&lt;br /&gt;&lt;/strong&gt;Ciências e Cognição 2005; Vol. 04: 55-60&lt;br /&gt;&lt;a href="http://www.cienciasecognicao.org/pdf/v04/m11527.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.cienciasecognicao.org/pdf/v04/m11527.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7929251203697117402?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7929251203697117402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7929251203697117402'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/anestesia-e-consciencia.html' title='Anestesia e consciência'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-8711024390707698827</id><published>2011-12-03T03:05:00.000-02:00</published><updated>2011-12-03T03:09:35.253-02:00</updated><title type='text'>O números do Cognição, Linguagem e Música</title><content type='html'>Em algum ponto dessa semana que vai se encerrando, o CLM atingiu a marca de 400.000 visitas (segundo as estatísticas iniciadas em maio de 2009 e fornecidas pelo Blogger, do Google, que nos hospeda). O país com o maior número de visitas: USA (302.051), com o Brasil em segundo lugar (45.478). A seguir vêm Alemanha, Bélgica e Portugal. Os cinco outros países dessa lista dos dez mais visitantes são Ucrânia, França, Polônia, Holanda e Dinamarca, nessa ordem.&lt;br /&gt;&lt;br /&gt;Como nossas atividades foram iniciadas em 12 de março de 2008, talvez o número final de visitas seja um pouco maior. Entretanto, 400.000 já me impressionam o suficiente para considerar que venho fazendo um trabalho legalzinho e que os leitores apreciam, cada um à sua maneira. Bão, depois desse rompante auto-congratulatório, etc. e tal.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-8711024390707698827?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8711024390707698827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/8711024390707698827'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/o-numeros-do-cognicao-linguagem-e.html' title='O números do Cognição, Linguagem e Música'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-2364723872439758390</id><published>2011-12-02T16:33:00.003-02:00</published><updated>2011-12-02T17:38:10.135-02:00</updated><title type='text'>Beth Hart</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-rSEhze0vNdw/TtkhfN3cm2I/AAAAAAAACfs/ni5W2_Fy2iE/s1600/BethHart.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 286px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5681609225086475106" border="0" alt="" src="http://4.bp.blogspot.com/-rSEhze0vNdw/TtkhfN3cm2I/AAAAAAAACfs/ni5W2_Fy2iE/s400/BethHart.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-sMsNYYTWlR4/TtkhWOfOiII/AAAAAAAACfg/RLLqYcaxvA4/s1600/beth%2Bhart.jpg"&gt;&lt;/a&gt;&lt;br /&gt;Já se viu que a Beth canta muito, mas nem todos esses discos são o fino. Anyways, aí estão para que v. mesmo avalie.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;Beth Hart - Pinkpop (Live 2005)&lt;br /&gt;&lt;/strong&gt;Blues/Rock MP3 CBR 224 Kbps 95 MB Frontcover RS&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01. Hiding Under Water&lt;br /&gt;02. Ringing&lt;br /&gt;03. Get Your Shit Together&lt;br /&gt;04. Broken &amp;amp; Ugly&lt;br /&gt;05. Bottle of Jesus&lt;br /&gt;06. Lifts You Up&lt;br /&gt;07. Leave The Light On&lt;br /&gt;08. G.O.P.&lt;br /&gt;09. Monkey Back&lt;br /&gt;10. World Without You&lt;br /&gt;11. House of Sin&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/377236628/BH-P.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/377236628/BH-P.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Beth Hart Band - Immortal (1996)&lt;br /&gt;&lt;/strong&gt;MP3 320 Kbps HQ 122 MB Covers Included&lt;br /&gt;Genre: Rock/Pop/Folk-Rock Label: Lava/Atlantic Records&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;1. Run 4:08&lt;br /&gt;2. Spiders In My Bed 4:44&lt;br /&gt;3. Isolation 5:17&lt;br /&gt;4. Hold Me Through The Night 4:08&lt;br /&gt;5. State Of Mind 2:51&lt;br /&gt;6. Burn Chile 4:10&lt;br /&gt;7. Immortal 4:23&lt;br /&gt;8. Summer Is Gone 4:44&lt;br /&gt;9. Ringing 3:06&lt;br /&gt;10. God Bless You 3:10&lt;br /&gt;11. Am I The One 6:39&lt;br /&gt;12. Blame The Moon 2:43&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/373421855/1996080429010BeHa_-_Imm.part1.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/373421855/1996080429010BeHa_-_Imm.part1.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://rapidshare.com/files/373422271/1996080429010BeHa_-_Imm.part2.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/373422271/1996080429010BeHa_-_Imm.part2.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Beth Hart - Screamin' For My Supper (1999)&lt;br /&gt;&lt;/strong&gt;MP3 320 Kbps HQ 149 MB Covers Included&lt;br /&gt;Genre: Rock/Pop/Folk-Rock Label: Lava/Atlantic Records&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;1. Just A Little Hole 5:16&lt;br /&gt;2. Delicious Surprise 3:48&lt;br /&gt;3. L. A. Song (Out Of This Town) 3:55&lt;br /&gt;4. Is That Too Much To Ask 3:32&lt;br /&gt;5. By Her 4:08&lt;br /&gt;6. Get Your Shit Together 4:42&lt;br /&gt;7. Stay 4:49&lt;br /&gt;8. G. O. P. 4:00&lt;br /&gt;9. Skin 5:00&lt;br /&gt;10. Girls Say 3:44&lt;br /&gt;11. Sky Is Falling 4:34&lt;br /&gt;12. Mama 4:27&lt;br /&gt;13. Favorite Things 9:02&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/373431997/1999080429010BeHa_-_ScrFoMSup.part1.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/373431997/1999080429010BeHa_-_ScrFoMSup.part1.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://rapidshare.com/files/373432826/1999080429010BeHa_-_ScrFoMSup.part2.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/373432826/1999080429010BeHa_-_ScrFoMSup.part2.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Beth Hart - Live At Paradiso (2005)&lt;br /&gt;&lt;/strong&gt;MP3 320 Kbps HQ 182 MB Covers Included&lt;br /&gt;Genre: Rock/Pop/Folk-Rock Label: Koch Records&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;1. Delicious Surprise 4:15&lt;br /&gt;2. Guilty 4:52&lt;br /&gt;3. Leave The Light On 4:42&lt;br /&gt;4. Lifts You Up 3:58&lt;br /&gt;5. Broken &amp;amp; Ugly 4:47&lt;br /&gt;6. Get Your Shit Together 5:55&lt;br /&gt;7. Immortal 7:07&lt;br /&gt;8. Monkey Back 5:37&lt;br /&gt;9. Am I The One 10:44&lt;br /&gt;10. Mama 4:24&lt;br /&gt;11. L.A. Song 4:31&lt;br /&gt;12. World Without You 5:16&lt;br /&gt;13. Whole Lotta Love 7:53&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/373445666/2005080429010BeHa_-_LivAPara.part1.rar"&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;http://rapidshare.com/files/373445666/2005080429010BeHa_-_LivAPara.part1.rar&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt; &lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://rapidshare.com/files/373447115/2005080429010BeHa_-_LivAPara.part2.rar"&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;http://rapidshare.com/files/373447115/2005080429010BeHa_-_LivAPara.part2.rar&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Beth Hart - Leave The Light On (2006)&lt;br /&gt;&lt;/strong&gt;MP3 320 Kbps HQ 133 MB Covers Included&lt;br /&gt;Genre: Rock/Pop/Folk-Rock Label: Vertigo&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;/strong&gt;&lt;br /&gt;1. Lifts You Up 3:39&lt;br /&gt;2. Leave The Light On 4:45&lt;br /&gt;3. Bottle Of Jesus 3:17&lt;br /&gt;4. World Without You 4:25&lt;br /&gt;5. Learning To Live 3:52&lt;br /&gt;6. Easy 5:12&lt;br /&gt;7. Over You 4:24&lt;br /&gt;8. Missing You 4:49&lt;br /&gt;9. Lay Your Hands On Me 4:11&lt;br /&gt;10. Broken &amp;amp; Ugly 3:23&lt;br /&gt;11. Lifetime 4:08&lt;br /&gt;12. Monkey Back 3:19&lt;br /&gt;13. Sky Full Of Clover 4:02&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/373466785/2006080429010BeHa_-_LeThLigOn.part1.rar"&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;http://rapidshare.com/files/373466785/2006080429010BeHa_-_LeThLigOn.part1.rar&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt; &lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://rapidshare.com/files/373467392/2006080429010BeHa_-_LeThLigOn.part2.rar"&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;http://rapidshare.com/files/373467392/2006080429010BeHa_-_LeThLigOn.part2.rar&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Beth Hart - Beth Hart &amp;amp; The Ocean Of Souls (1993)&lt;br /&gt;&lt;/strong&gt;Blues / Rock MP3 CBR 320 Kbps 106 MB&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01. Halfway to Heaven&lt;br /&gt;02. Just Call Me Up&lt;br /&gt;03. Can’t Hear The Word&lt;br /&gt;04. Get Over It&lt;br /&gt;05. Love Suffers All&lt;br /&gt;06. I Felt Him Cry&lt;br /&gt;07. Lucy In The Sky With Diamonds&lt;br /&gt;08. Am I the One&lt;br /&gt;09. It’s Too Late&lt;br /&gt;10. Show Me The Way&lt;br /&gt;11. Love Thing&lt;br /&gt;12. On With The Show&lt;br /&gt;13. Keep On Goin'&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/376697440/BH-BHTOOS.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/376697440/BH-BHTOOS.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Beth Hart - Live In Germany (2000)&lt;br /&gt;&lt;/strong&gt;Rock MP3 CBR 224 Kbps 118 MB&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;01. Mama&lt;br /&gt;02. Get Your Shit Together&lt;br /&gt;03. Skin&lt;br /&gt;04. Baby I Love You&lt;br /&gt;05. L.A. Song&lt;br /&gt;06. Delicious Suprise&lt;br /&gt;07. By Her&lt;br /&gt;08. Ringing&lt;br /&gt;09. Just a Little Hole&lt;br /&gt;10. Run&lt;br /&gt;11. Am I The One&lt;br /&gt;12. Immortal&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/377240827/BH-LIG.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/377240827/BH-LIG.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Beth Hart - My California (2010)&lt;/strong&gt;&lt;br /&gt;FLAC (Tracks) + CUE, NO LOG 346 MB + Covers&lt;br /&gt;Genre: Rock/Psychedelic/Folk-Rock Label: Mascot Records&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The American singer Beth Hart released their excellent new album "My California" by mascot records. Twelve intense, passionate and touching songs, sung by a divinely Salomonsen of today. Beth Hart has undergone already pretty much everything. Their music already landed on the top of the Billboard charts and you could taste the sweet taste of success. On the other hand, she ended up by their alcohol consumption in the gutter. She had deceived themselves before she again found to mental balance. "My California" has become Beth Hart's most personal and Innertube album. Each song was recorded live in the Studio, it produces has Rune Westberg (Daughtry, Joe Brooks, Brooke white, etc.).&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;&lt;br /&gt;"My California" is the story of Beth Hart that will move the German fans. "My California" is an ode to life, a Masters album between roughness, passion and feeling.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Tracks:&lt;br /&gt;&lt;/strong&gt;1. My California 4:34&lt;br /&gt;2. Life Is Callin 3:51&lt;br /&gt;3. Happiness ... any day now 4:22&lt;br /&gt;4. Love Is The hardest 3:44&lt;br /&gt;5. Bad Love Is Good Enough 4:27&lt;br /&gt;6. Drive 3:34&lt;br /&gt;7. Sister Heroine 4:29&lt;br /&gt;8. Take It Easy On Me 4:14&lt;br /&gt;9. Like You (and everyone else) 3:36&lt;br /&gt;10. Everybody So Sober 4:17&lt;br /&gt;11. Weight Og The World 4:48&lt;br /&gt;12. Oh Me Oh My (Bonus) 4:21&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/425195704/201019102010BH_-_MCa_FLA_.part1.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/425195704/201019102010BH_-_MCa_FLA_.part1.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://rapidshare.com/files/425196134/201019102010BH_-_MCa_FLA_.part2.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/425196134/201019102010BH_-_MCa_FLA_.part2.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://rapidshare.com/files/425196608/201019102010BH_-_MCa_FLA_.part3.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/425196608/201019102010BH_-_MCa_FLA_.part3.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://rapidshare.com/files/425196987/201019102010BH_-_MCa_FLA_.part4.rar"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://rapidshare.com/files/425196987/201019102010BH_-_MCa_FLA_.part4.rar&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-2364723872439758390?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2364723872439758390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/2364723872439758390'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/beth-hart.html' title='Beth Hart'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-rSEhze0vNdw/TtkhfN3cm2I/AAAAAAAACfs/ni5W2_Fy2iE/s72-c/BethHart.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4610984002762748547</id><published>2011-12-01T02:09:00.001-02:00</published><updated>2011-12-01T02:12:42.854-02:00</updated><title type='text'>Algumas Músicas - Rocky Votolato</title><content type='html'>&lt;strong&gt;Rocky Votolato - Portland Is Leaving&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://secondnaturerecordings.com/reborn/mp3/Portland Is Leaving.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://secondnaturerecordings.com/reborn/mp3/Portland Is Leaving.mp3 &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rocky Votolato - White Daisy Passing&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.fuelfriendsblog.com/wp-content/uploads/2009/11/06-White-Daisy-Passing.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.secondnaturerecordings.com/reborn/mp3/White Daisy Passing.mp3 &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rocky Votolato - The Light And The Sound&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.secondnaturerecordings.com/reborn/mp3/The Light And The Sound.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.secondnaturerecordings.com/reborn/mp3/The Light And The Sound.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rocky Votolato - Postcard From Kentucky&lt;br /&gt;&lt;/strong&gt;Thanks a lot for Slowcoustic&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://slowcoustic.com/wp-content/uploads/2009/03/postcard-from-kentucky.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://slowcoustic.com/wp-content/uploads/2009/03/postcard-from-kentucky.mp3&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rocky Votolato - Red River&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://barsukmusic.blaireau.net/RockyVotolato_RedRiver.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://barsukmusic.blaireau.net/RockyVotolato_RedRiver.mp3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rocky Votolato - The City Is Calling&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://secondnaturerecordings.com/reborn/mp3/The City Is Calling.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://secondnaturerecordings.com/reborn/mp3/The City Is Calling.mp3&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rocky Votolato - The Wrong Side of Reno&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://indieblogheaven.typepad.com/indieblogheaven/files/rocky_votolatothe_wrong_side_of_reno.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://indieblogheaven.typepad.com/indieblogheaven/files/rocky_votolatothe_wrong_side_of_reno.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4610984002762748547?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4610984002762748547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4610984002762748547'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/algumas-musicas-rocky-votolato.html' title='Algumas Músicas - Rocky Votolato'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-7454344686022388434</id><published>2011-12-01T02:08:00.000-02:00</published><updated>2011-12-01T02:09:32.704-02:00</updated><title type='text'>O ser humano falante</title><content type='html'>Esse artigo, que parece ser sobre o que diz esse seu primeiro parágrafo:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Um dos principais desafios para a ciência cognitiva é entender esta relação: qual é o contexto neurobiológico no qual a linguagem humana e a comunicação surgiram, e quais são as propriedades humanas especiais que tornam possível a própria linguagem?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Na verdade é sobre esses dois parágrafos posteriores:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;No contexto da compreensão da linguagem humana, os sistemas de dois hemisférios dão sustentação à capacidade não só de identificar as palavras que um falante está produzindo - de modo típico, integrando indícios auditivos e visuais na interação face a face - como também dar sentido (1) aos significados das palavras no contexto geral do conhecimento do mundo do ouvinte e (2) ao contexto específico da fala.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Onde vemos divergências entre seres humanos e outros primatas é no domínio da função gramatical (ou sintática). Os sistemas de comunicação dos primatas não são nem remotamente comparáveis à linguagem humana quanto às suas capacidades expressivas. A linguagem humana é muito mais do que um conjunto de sinais que representam coisas. Ela constitui um conjunto poderoso e flexível de dispositivos gramaticais para organizar o fluxo de informações linguísticas e sua interpretação, permitindo que representemos e combinemos elementos linguísticos abstratos, onde esses elementos transmitem não apenas significado como também os sutís indícios estruturais que indicam como esses elementos são agregados.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Não que faça a menor diferença para o apreciarmos, é claro. Leia tudo em &lt;a href="http://medicalxpress.com/news/2011-11-brain_1.html"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://medicalxpress.com/news/2011-11-brain_1.html&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-7454344686022388434?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7454344686022388434'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/7454344686022388434'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/12/o-ser-humano-falante.html' title='O ser humano falante'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4702553306726686897</id><published>2011-11-30T13:46:00.001-02:00</published><updated>2011-11-30T13:49:12.968-02:00</updated><title type='text'>Dois CDs</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-JK9mj4Wv1SI/TtZQQo-HwkI/AAAAAAAACfU/DoVvOOAxte0/s1600/Low%2BRoar.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 400px; DISPLAY: block; HEIGHT: 356px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5680816226780561986" border="0" alt="" src="http://2.bp.blogspot.com/-JK9mj4Wv1SI/TtZQQo-HwkI/AAAAAAAACfU/DoVvOOAxte0/s400/Low%2BRoar.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Low Roar - Low Roar 2011&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Reykjavík (via San Francisco) musician, Ryan Karazija (aka, Low Roar), sure knows how to bring forth sounds that seem to remind the listener of images of his homeland. Through frigid beats and folked out rhythms, he calls to mind the sounds of The Album Leaf and Sigur Ros. Perhaps not an appropriate comparison because those are tremendous shoes to fill, but press play and maybe you’ll understand what I’m getting at - It’s just really solid, beautiful music for the cold weather months.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.mediafire.com/?8a8vmbz6iajck96"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?8a8vmbz6iajck96&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Threadbare, Brother - When the War is Through 2011&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Genre: Indie, Slowcore acoustic&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.mediafire.com/?xdndmrkrd7wgd45"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.mediafire.com/?xdndmrkrd7wgd45&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4702553306726686897?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4702553306726686897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4702553306726686897'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/11/dois-cds.html' title='Dois CDs'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-JK9mj4Wv1SI/TtZQQo-HwkI/AAAAAAAACfU/DoVvOOAxte0/s72-c/Low%2BRoar.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-374524784282573640</id><published>2011-11-30T13:44:00.002-02:00</published><updated>2011-11-30T13:45:47.853-02:00</updated><title type='text'>Enciclopédia de Neuropsicologia Clínica</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-UW9ryyJmH2s/TtZPiIiI-RI/AAAAAAAACfI/_OAlcOPeRxY/s1600/Encyclopedia%2Bof%2BClinical%2BNeuropsychology.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 200px; DISPLAY: block; HEIGHT: 269px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5680815427799283986" border="0" alt="" src="http://1.bp.blogspot.com/-UW9ryyJmH2s/TtZPiIiI-RI/AAAAAAAACfI/_OAlcOPeRxY/s400/Encyclopedia%2Bof%2BClinical%2BNeuropsychology.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;This encyclopedia serves as a unified, comprehensive reference for professionals involved in the diagnosis, evaluation, and rehabilitation of adult patients and children with neuropsychological disorders. It addresses psychological, psychosocial, and psychiatric aspects of an array of neurological disorders, emphasizing treatment and rehabilitation, not just assessment and diagnosis.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Encyclopedia of Clinical Neuropsychology&lt;/em&gt;&lt;br /&gt;Jeffrey S. Kreutzer, John DeLuca &amp;amp; Bruce Caplan - editors&lt;br /&gt;&lt;/strong&gt;Springer 2010 PDF 2748 pages 28.8 mb&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4035488554/Encyclopedia_of_Clinical_Neuropsychology.pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4035488554/Encyclopedia_of_Clinical_Neuropsychology.pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-374524784282573640?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/374524784282573640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/374524784282573640'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/11/enciclopedia-de-neuropsicologia-clinica.html' title='Enciclopédia de Neuropsicologia Clínica'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-UW9ryyJmH2s/TtZPiIiI-RI/AAAAAAAACfI/_OAlcOPeRxY/s72-c/Encyclopedia%2Bof%2BClinical%2BNeuropsychology.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-1368996598811911170</id><published>2011-11-30T13:35:00.001-02:00</published><updated>2011-11-30T13:44:07.336-02:00</updated><title type='text'>Plasticity, Robustness, Development and Evolution</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-Ho1JOCpt3Kg/TtZPGbprIaI/AAAAAAAACe8/r8lgsMx9Y50/s1600/Plasticity%252C%2BRobustness%252C%2BDevelopment%2Band%2BEvolution.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 281px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5680814951894819234" border="0" alt="" src="http://1.bp.blogspot.com/-Ho1JOCpt3Kg/TtZPGbprIaI/AAAAAAAACe8/r8lgsMx9Y50/s400/Plasticity%252C%2BRobustness%252C%2BDevelopment%2Band%2BEvolution.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;How do we understand and explain the apparent dichotomy between plasticity and robustness in the context of development? Can we identify these complex processes without resorting to 'either/or' solutions? Written by two leaders in the field, this is the first book to fully unravel the complexity of the subject, explaining that the epigenetic processes generating plasticity and robustness are in fact deeply intertwined. It identifies the different mechanisms that generate robustness and the various forms of plasticity, before considering the functional significance of the integrated mechanisms and how the component processes might have evolved. Finally, it highlights the ways in which epigenetic mechanisms could be instrumental in driving evolutionary change. Essential reading for biologists and psychologists interested in epigenetics and evolution, this book is also a valuable resource for biological anthropologists, sociobiologists, child psychologists and paediatricians.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;Plasticity, Robustness, Development and Evolution&lt;/em&gt;&lt;br /&gt;Patrick Bateson &amp;amp; Peter Gluckman&lt;br /&gt;&lt;/strong&gt;Cambridge University Press 2011 166 pages PDF 1,9 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/4042821264/Plasticity,%20Robustness,%20Development%20and%20Evolution%20(052173620X).pdf"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/4042821264/Plasticity,%20Robustness,%20Development%20and%20Evolution%20(052173620X).pdf&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-1368996598811911170?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1368996598811911170'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/1368996598811911170'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/11/plasticity-robustness-development-and.html' title='Plasticity, Robustness, Development and Evolution'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Ho1JOCpt3Kg/TtZPGbprIaI/AAAAAAAACe8/r8lgsMx9Y50/s72-c/Plasticity%252C%2BRobustness%252C%2BDevelopment%2Band%2BEvolution.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-4695430749982226722</id><published>2011-11-28T00:47:00.000-02:00</published><updated>2011-11-28T00:48:21.525-02:00</updated><title type='text'>Algumas Músicas</title><content type='html'>Norman Greenbaum - Spirit In The Sky&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://glader.ru/media/data/mp3/06_-_Norman_Greenbaum_-_Spirit_In_The_Sky.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://glader.ru/media/data/mp3/06_-_Norman_Greenbaum_-_Spirit_In_The_Sky.mp3&lt;br /&gt;&lt;br /&gt;Mark Dabek - Shells On The Shore&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://secretstudio.com/mp3/Shells_On_The_Shore_(Dabek)(128k).MP3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://secretstudio.com/mp3/Shells_On_The_Shore_(Dabek)(128k).MP3&lt;br /&gt;&lt;br /&gt;Stiltskin - Inside&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://redalb.free.fr/video/07. Inside.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://redalb.free.fr/video/07. Inside.mp3&lt;br /&gt;&lt;br /&gt;Sonny B. Blue - Carry Me Home&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.myjonesmusic.com/code/filestore/songs/0000010476.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.myjonesmusic.com/code/filestore/songs/0000010476.mp3&lt;br /&gt;&lt;br /&gt;Keb' Mo' - Life Is Beautiful&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.lisaleigh.com/slideshows/AnnJoe/music.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.lisaleigh.com/slideshows/AnnJoe/music.mp3&lt;br /&gt;&lt;br /&gt;Keb' Mo' - It Hurts Me Too&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://bluesdiary.com/wp/audio/Keb_Mo_-_It_Hurts_Me_Too.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://bluesdiary.com/wp/audio/Keb_Mo_-_It_Hurts_Me_Too.mp3&lt;br /&gt;&lt;br /&gt;Amber Oak - Turn of Seasons&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.swedesplease.net/music/Turn_of_Seasons.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.swedesplease.net/music/Turn_of_Seasons.mp3&lt;br /&gt;&lt;br /&gt;Richard Shindell - Get Up Clara&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://www.songsillinois.net/music/Get_Up_Clara.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://www.songsillinois.net/music/Get_Up_Clara.mp3&lt;br /&gt;&lt;br /&gt;Richard Shindell - Waiting for the Storm&lt;br /&gt;&lt;br /&gt;&lt;embed height="26" type="audio/mpeg" width="275" src="http://laurasha.com/tunes/storm.mp3" loop="false" autoplay="false"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;http://laurasha.com/tunes/storm.mp3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-4695430749982226722?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4695430749982226722'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/4695430749982226722'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/11/algumas-musicas.html' title='Algumas Músicas'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-4342636945952465691.post-5830636676025373081</id><published>2011-11-24T00:10:00.002-02:00</published><updated>2011-11-24T00:14:22.164-02:00</updated><title type='text'>A mente emerge da matéria</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-hKEuH8brYI8/Ts2oPCfBBlI/AAAAAAAACew/XEfRxH88vWk/s1600/Incomplete%2BNature.jpg"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 263px; DISPLAY: block; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5678379681502529106" border="0" alt="" src="http://1.bp.blogspot.com/-hKEuH8brYI8/Ts2oPCfBBlI/AAAAAAAACew/XEfRxH88vWk/s400/Incomplete%2BNature.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;A radical new explanation of how life and consciousness emerge from physics and chemistry.&lt;br /&gt;&lt;br /&gt;As physicists work toward completing a theory of the universe and biologists unravel the molecular complexity of life, a glaring incompleteness in this scientific vision becomes apparent. The "Theory of Everything" that appears to be emerging includes everything but us: the feelings, meanings, consciousness, and purposes that make us (and many of our animal cousins) what we are. These most immediate and incontrovertible phenomena are left unexplained by the natural sciences because they lack the physical properties—such as mass, momentum, charge, and location—that are assumed to be necessary for something to have physical consequences in the world. This is an unacceptable omission. We need a "theory of everything" that does not leave it absurd that we exist.&lt;br /&gt;&lt;br /&gt;Incomplete Nature begins by accepting what other theories try to deny: that, although mental contents do indeed lack these material-energetic properties, they are still entirely products of physical processes and have an unprecedented kind of causal power that is unlike anything that physics and chemistry alone have so far explained. Paradoxically, it is the intrinsic incompleteness of these semiotic and teleological phenomena that is the source of their unique form of physical influence in the world. Incomplete Nature meticulously traces the emergence of this special causal capacity from simple thermodynamics to self-organizing dynamics to living and mental dynamics, and it demonstrates how specific absences (or constraints) play the critical causal role in the organization of physical processes that generate these properties.&lt;br /&gt;&lt;br /&gt;The book's radically challenging conclusion is that we are made of these specific absenses—such stuff as dreams are made on—and that what is not immediately present can be as physically potent as that which is. It offers a figure/background shift that shows how even meanings and values can be understood as legitimate components of the physical world. 12 black-and-white illustrations&lt;br /&gt;&lt;br /&gt;“A stunningly original, stunningly synoptic book. With Autogenesis, Significance, Sentience, seventeen insightful and integrated chapters turn our world upside down and finally, as in the Chinese proverb, lead us home again to a place we see anew. Few ask the important questions. Deacon is one of these.”&lt;/em&gt; (Stuart Kauffman, author of Investigations )&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“This is a work of science and philosophy at the cutting edge of both that seeks to develop a complete theory of the world that includes humans, our minds and culture, embodied and emerging in nature.”&lt;/em&gt; (Bruce H. Weber, coauthor of Darwinism Evolving)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“[Deacon] demonstrates how systems that are intrinsically incomplete happen to be alive and meaning-making. The crux of life—and meaning—is solved. It was worthwhile to wait for this book. The twenty-first century can now really start.”&lt;/em&gt; (Kalevi Kull, professor, Department of Semiotics, Tartu University )&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“A profound shift in thinking that in magnitude can only be compared with those that followed upon the works of Darwin and Einstein.”&lt;/em&gt; (Robert E. Ulanowicz, author of A Third Window: Natural Life beyond Newton and Darwin )&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Incomplete Nature: How Mind Emerged from Matter&lt;br /&gt;&lt;/em&gt;Terrence W. Deacon&lt;br /&gt;&lt;/strong&gt;2011 624 pages EPUB 1,4 MB&lt;br /&gt;&lt;a href="http://www.filesonic.com/file/3989513155"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;http://www.filesonic.com/file/3989513155&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4342636945952465691-5830636676025373081?l=plgomes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5830636676025373081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4342636945952465691/posts/default/5830636676025373081'/><link rel='alternate' type='text/html' href='http://plgomes.blogspot.com/2011/11/mente-emerge-da-materia.html' title='A mente emerge da matéria'/><author><name>Pedro Lourenço Gomes</name><uri>http://www.blogger.com/profile/07543299997468259574</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_PetXXDtrOtg/SlfZEEZyHwI/AAAAAAAAAEM/_YQOimj45Ts/S220/BLOG+FOTO+NOVA+3+aumentada.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-hKEuH8brYI8/Ts2oPCfBBlI/AAAAAAAACew/XEfRxH88vWk/s72-c/Incomplete%2BNature.jpg' height='72' width='72'/></entry></feed>
